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Da Vinci Pro Birch Wood Panel 24"x36", 1-5/8" DeepSave Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Da Vinci Pro Ultra Smooth Panel 24"x36", 2" Deep (Box of 4)Save Up to76%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Da Vinci Pro Resist-Grip Panel 24"x36", 2" Deep (Box of 4)Save Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Centurion Deluxe Oil Primed Archival Linen Panel - 24" x 36" (Pack of 3)Save Up to84%Off listWhite Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist, it is important to work on oil-primed surfaces and not universally primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted, it is not highly absorbent, but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas, but this is very time-consuming and expensive. Our primer does not contain zinc or lead. The main ingredients used in the coating of these panels are acrylic emulsion, titanium pigment, calcium carbonate, and alkyd resin. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color, we urge you to use an oil-primed surface, and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features: * Acid-free, Archival Linen Panels * 11oz. Oil Primed * Made of medium weight linen * Exclusive OP enhanced oil priming * Mounted on 3mm (1/8") MDF wood board * Medium weight and texture * Non warping Perfect For: * Artists of all skill levels * Oil and Alkyd Painting * Archival Longevity * Linen Lovers expecting the best! * Professional Artists, Commissioned work * Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. Teachers and famous artists asked us to try to come up with an affordable oil-primed linen canvas. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas, and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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Duo Centurion 24"x36" Oil Primed Linen Panel + Black/Gold Museum Plein Aire Frame 3 PackSave Up to60%Off listBlack Get your paints out, we've got the frame and canvas ready! It's a nightmare when a deadline for a show is approaching, and you don't have a frame ready to go. It's ok, we've all been there. It's natural to focus on your work before thinking about the frame, but it is also important to plan ahead. That's why we decided to package our popular Centurion Canvas Panels with our Museum Plein Air Frames. Now you can spend less time shopping and more time creating. Centurion Linen is oil primed so that it bonds correctly with oil paint. The primer is non-absorbent, so oil paints sit on top of the surface and maintain their luster. Acid-free and archival, the medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Our Museum Collection Plein Aire Frames are hand-finished and leafed by expert craftsmen. These frames are available in two styles: Gold Leaf and Antique Black with Gold Trim. The Black frames feature an undertone of gold with a distinctive antique gold liner. Never approach a deadline again without a frame. Play it smart and prepare with a Duo Canvas and Frame pack! Key Features: * Canvas panel and frame bundle * 3 Frames + 3 Canvas Panels * 11oz. oil-primed linen panels * Medium-weight, acid-free linen * Mounted on 3mm (1/8") MDF wood board * Hand-finished and leafed by expert craftsmen (closed corner frames) * Includes hanging hardware (screws, D-rings, and wire) * 3-1/2" wide, 1-3/8" deep, with a 9/16" rabbet depth * Heavy, quality wood with closed seamless corners * Two luxurious finishes: Gold Leaf and Antique Black with Gold Trim Perfect For: * Preparing for a show or exhibit ahead of time * Oil and alkyd paintings * Preparing commissioned work * Adding a finished look of prestige to any piece of art * Museum quality framing solutions * Complimenting any genre of artwork Testimonial Review "I get a bit wary of nearly every product being awarded five stars in most reviews, but frankly, this actually IS a five-star frame. It's heavy, quality wood, with closed, seamless corners reinforced from the back, and the finish is immaculate. Hand-gilded and varnished. Thick wood, which holds screws exceptionally well, and you don't have to worry about screws piercing through to the front. Plus, the frames include hanging hardware such as screws, D-rings, and wire. I also like that the frames are packaged well for safe arrival: each frame has cardboard corners, is wrapped in a bubble wrap sleeve, and is then enclosed inside a made-to-fit cardboard box (which is super handy for shipping your paintings in later). These are not cheap frames, but if you have a special piece that needs to go into a top-tier show or gallery, feel confident when you order these. This is the best frame Jerry's sells. You won't find a better frame for the price." - Billie W See More
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Ampersand Museum Series Scratchbord 24" x 36"Save Up to46%Off listBlack Claybord Black™ Surface! Ampersand Scratchbords have all the features and benefits of Claybord, including its archival properties. Under its India ink layer, Scratchbord has a smooth, absorbent kaolin clay ground applied to a sealed, 1/8" True Artist Hardbord™. Simply put, Scratchbord is Ampersand’s Claybord panel, sprayed with an even coat of high-quality, deep black India Ink. Originally developed as an alternative to scratchboard paper, it is the surface of choice for most professional scratchboard artists today. Not only can you create exquisite white-on-black art, you can add color to create amazing colorful scratchboard works. Colored inks can be applied to the white areas and then scratched again for to create additional highlights and volume. Ampersand offers a collection of Scratchbord/Claybord Inks The Professional's Choice for Scratchboard Products! Perfectly Inked Clay Surface -Scratchbord™ has a smooth, absorbent kaolin clay ground evenly coated with India Ink. Acid-free and absolutely archival. Create the Finest Detail -Scratch easily with controlled, clean, crisp white lines to create exquisite white on black art. Will not tear, crack or bend. For best results, try the Claybord™ tools & accessories. Frame without Glass -Seal finished scratchbord with a spray fixative to dissolve fingerprints or smudges. Then, frame your art without glass. Scratchbord Essentials Etching Set - This perfect gift package comes with everything needed for etching including three sizes of Scratchbord, a Scratchbord tool kit and Scratchbord ink set. See More
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Daler-Rowney System 3 Fluid Acrylic Liner, Coeruleum Blue Hue - 29.5mlSave Up to30%Off listBlue Ideal for pouring, dripping, and other liquid art techniques System3 Fluid Acrylics are made of rich lightfast pigments and a fluid acrylic base made for pouring and dripping techniques. The tapered tip of the liner is perfect for contour effects and precise line work. You can play with different painting techniques because the fluid colors are compatible with all System3 paints and mediums. Best of all, the System3 Fluid Acrylics have great covering power, so you can cover a large surface area without wasting a lot of paint. Key Features: * Quality fluid acrylic with intense pigment load * 29.5 ml Liner bottles with precise applicator tip * Great opaque covering power * Lightfast and permanent * Supercharged vibrant colors * Compatible with all System3 colors * ACMI Certified, Conforms to ASTM D-4236 * Made in England Perfect For: * Pouring, dripping, and all liquid art techniques * Brush and knife application * Canvas, board, paper, fabric, or drywall * Murals and large surface area applications * Painting layers of color * Painting permanent works of art See More
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Awagami Factory Paper 170gsm Bamboo 17" x 20.5" (Set of 5)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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