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Schmincke Horadam Watercolor 24 Light Colors Dot CardSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Schmincke Multi-Purpose Soft Pastel Cardboard Box Set of 120 Half SticksSave Up to50%Off listAssorted Colors Extra-Soft Artists' Pastels Box Sets of Assorted Colors Schmincke’s finest extra-soft pastels lead you back to the origins of color while creating a real painting experience rather than a simple drawing experience. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. The binding agent content is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. ‘Worm extruders’ form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wire-strung frame. Key Features: * Handmade in the traditional way * 400 brilliant, soft, pastel colors * Highly concentrated artists’ pigments * Minimum binder content * Maximum lightfastness Perfect For: * Artists and students * Indoor and outdoor use * Traveling artists * Application over dried watercolor or acrylic * Use with textured and sanded papers * Subtle blends, rich color lay down, and lush layering The damp sticks have to dry for around eight days before they can be labeled and packed by hand. This is a costly and time-consuming process; however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles, in order that the artist can be assured that his favorite color shade is consistent throughout our range of finest extra-soft artists’ pastel colors. Wood Box Set of 400 - The complete assortment includes 400 assorted colors classified in 80 rows with 5 colors each. The range also contains five additional pearl luster effect colors. An amazing treat for any serious pastel artist! All Deluxe wood box sets of Schmincke soft pastels Stained Walnut See More
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Da Vinci Micro-Maestro Series 100 Kolinsky sz. 20/0 RoundSave Up to29%Off listThe Ultimate Detail Watercolor Brush! The short handle Micro-Maestro Kolinsky Detail Brushes were created for watercolor artists that paint intricate details. The bristles are made of the male winter tales of Siberian Kolinsky red sables. Da Vinci production masters take great pride in selecting… The Ultimate Detail Watercolor Brush! The short handle Micro-Maestro Kolinsky Detail Brushes were created for watercolor artists that paint intricate details. The bristles are made of the male winter tales of Siberian Kolinsky red sables. Da Vinci production masters take great pride in selecting only the finest quality hair, which is of the utmost importance for the longevity and flexibility of a Kolinsky brush. All Micro-Maestro Watercolor brushes hold a perfect point and are ideal for all types of miniature, table-top and micro painting. Key Features: * Male winter Siberian kolinsky red sable * Extra-sharp point * Rust-resistant seamless ferrule * Spring and control * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Watercolor, rendering, illustration * Fine detail work * Miniature and micro painting * Artist's seeking Kolinsky Red Sable brushes * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns See More
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Da Vinci Micro-Nova Series 170 Golden Synthetic sz. 20x0 Detail RoundSave Up to30%Off list…Students, teachers, professionals * Finessing delicate patterns The Nova Blue brush set contains high-quality synthetic bristles that mimic the performance of natural watercolor hair. The set includes a number 30 flat, a round number 4, a filbert 8, and a flat 6 providing you with 4… The Ultimate miniature detail brush! The short handle da Vinci Micro-Nova series 170 and series 175 synthetic detail brushes are perfect for painting intricate details. The bristles are made of the finest golden synthetic fiber. The Series 175 brush head is bent by hand at an ideal angle for intricate details. All Micro-Nova brushes hold a perfect point and are suitable for all types of miniature, tabletop, and micro painting. da Vinci production masters take great pride in selecting only the finest quality synthetic hair for the brush's longevity and flexibility. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to ensure that the brush-head is flawless and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Finest golden synthetic fiber * Extra-sharp point * Rust-resistant seamless ferrule * Spring and control * Series 175 brush head is bent * Made in Germany Perfect For: * Watercolor and acrylic * Fine detail work * Miniature and micro painting * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns The Nova Blue brush set contains high-quality synthetic bristles that mimic the performance of natural watercolor hair. The set includes a number 30 flat, a round number 4, a filbert 8, and a flat 6 providing you with 4 essential watercolor brushes for your next project. Experience the smooth and controlled brushstrokes, remarkable color retention, and excellent durability of da Vinci's Series 11660 Nova Blue brushes, a must-have for aspiring and professional artists. See More
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Princeton Velvetouchâ„¢ Series 3950 Synthetic Blend Brush #20/0 Mini LinerSave Up to46%Off listPrinceton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes are comprised of a multiple-filament, luxury synthetic blend for excellent color-holding capacity, precision tapering and resilient spring. The synthetic blend is unique… Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes are comprised of a multiple-filament, luxury synthetic blend for excellent color-holding capacity, precision tapering and resilient spring. The synthetic blend is unique to each individual shape to ensure maximum performance. Comfort is ensured with our smooth, signature Velvetouchâ„¢ handle. Key Features:* A superior blend for performance* Best quality for multimedia* Velvetouchâ„¢ comfortable handle* Excellent color-holding capacity Perfect For:* Acrylic & watercolor application* Professional artists* Mixed media applications* Decorative painting See More
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Silver Silk 88 Short Handle Brush Size 20X0 Monogram LinerSave Up to35%Off listMake your mark with Silver Silk 88™! Silver Silk 88™ by Silver Brush is the best quality synthetic brush on the market for use in fluid acrylics, interference acrylics, gouache, watercolors, and more. These brushes have great absorbency, exceptional holding capacity, wonderful… Make your mark with Silver Silk 88™! Silver Silk 88™ by Silver Brush is the best quality synthetic brush on the market for use in fluid acrylics, interference acrylics, gouache, watercolors, and more. These brushes have great absorbency, exceptional holding capacity, wonderful color control, and excellent wear resistance. The Mini Mop brush shape is made of natural goat hair, unlike the other brush shapes in the Silver Silk 88™ line. Natural goat bristles make the Mini Mop perfect for scrubbing, blending, and softening. Silver Silk 88™ surpasses all others in performance, durability, and affordability. Key Features: * Excellent absorbency & color control * Smooth, even strokes * Carries color reliably from the palette to painting surface * Maintain chisel edges and sharp points * The Mini Mop is made with Natural Goat hair Perfect For: * Fluid Acrylics, Interference Acrylics * Watercolors, gouache & more * Wet-on-wet techniques See More
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Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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