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Sennelier Trendy Colors, Watercolor Ink Brush Set of 6Save Up to47%Off listAssorted Colors Water-dilutable ink brushes ideal for urban sketching! Innovative Sennelier Ink Brush Pens feature vivid, environmentally friendly, water-soluble, pigmented inks. Each brush tip is made of synthetic fibers that mimic a traditional watercolor brush, allowing for more constant and fluid stokes. With the brush tip, you can create various line thicknesses essential for different hand lettering and calligraphy techniques. The slender pen barrel allows you to hold the pen during long painting sessions comfortably. All of the water-based, pigmented inks are vivid and environmentally safe. Each ink pen is color-matched to one of Sennelier's famous watercolors, which allows you to seamlessly use the brush pens with your traditional watercolor pans or tubes. It's easy to travel with Sennelier Ink Brush Pens, making them perfect for the Plein air watercolorist or urban sketcher! Key Features: * Pigment-based ink exclusive to Sennelier * Environmentally friendly * Water-dilutable ink brushes * Synthetic fiber brush tips * Precise tip, smooth flow * Work harmoniously with watercolors * Designed by Yves-Marie Salanson Perfect For: * Fluid color application * Creating extremely fine or wide lines (up to 10mm) * Continuous ink flow * Hand lettering and calligraphy techniques * Plein air painting * Urban sketching * Travel The Trendy color set includes the colors Lemon Yellow, Primary Red, Cobalt Blue, Yellow Green, Burnt Umber, and Ivory Black. The Iridescent color set includes the colors Lemon Yellow, Pink Orange, Ultramarine, Magenta, Black, and Silver. See More
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Das Smart Modeling Polymer Clay - Caramel, 12.34ozSave Up to32%Off listBrown Model your creativity with DAS Smart! DAS Smart Modeling Clay is an oven-hardening clay ideal for making unique sculptural creations and jewelry. The structure of the clay is easy to manipulate due to its excellent plasticity. Each clay color is made of a mixture of polymer and pure pigments. You can seamlessly combine and blend clays to create unique color variants. Bake your DAS Smart Modeling Clay creation in an oven at 130° for up to 30 minutes to make it permanent. If you need to change the design, you can bake it repeatedly to add new polymer shapes and details. Baking does not distort the structure and does not change the clay color. Made in Italy, the DAS Smart Modeling Clay is gluten-free and free of animal-derived ingredients. Key Features: * Easy to manipulate * Versatile polymer structure * PVC-based oven-hardening clay * It does not stain your hands * Bake at 130° for up to 30 minutes * You can bake objects several times * Gluten-free and free of animal-derived ingredients * Made in Italy * Sold individually or Sets of 12 Perfect For: * For artists and professionals * Shaping, kneading, and baking * Jewelry designers * Color blending to create new colors * Students and teachers * Vegan and gluten-free artists See More
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Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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