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Pebeo Setacolor Leather Paint Marker - Extreme BlackSave Up to28%Off listBlack Draw on leather with ultra-fine high quality acrylic paint leather markers! Pebeo Setacolor Cuir Leather Paint Markers are perfect for decorating leather and imitation leather and specially designed for leather and synthetic leather. The high-quality acrylic paint markers have extra-fine tips for drawing uniform lines on smooth leatherette surfaces. Pebeo Setacolor markers can be used alone or in combination with Pebeo Setacolor Leather Paints and Mediums. For best results, apply the Setacolor primer-degreaser to the leather before use. Setacolor Leather, a complete range for CUSTOMISING and REPAIRING leather & imitation leather. Perfect adhesion to and coverage on the support, ultra-fine lines, perfectly uniform flat areas. Add vibrant, long-lasting color to leather surfaces. Key Features: * Opaque acrylic paint marker * Extra-fine tips for detailing and outlining * Resistant to scratches and rubbing (unless florescent) * The colors are miscible, so it is possible to create a wider palette Perfect For: * Decorating leather and imitation leather * Repairing discolored leather * Drawing and writing See More
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Princeton Velvetouchâ„¢ Series 3950 Synthetic Blend Brush #18/0 Short LinerSave Up to46%Off listPrinceton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes are comprised of a multiple-filament, luxury synthetic blend for excellent color-holding capacity, precision tapering and resilient spring. The synthetic blend is unique… Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes are comprised of a multiple-filament, luxury synthetic blend for excellent color-holding capacity, precision tapering and resilient spring. The synthetic blend is unique to each individual shape to ensure maximum performance. Comfort is ensured with our smooth, signature Velvetouchâ„¢ handle. Key Features:* A superior blend for performance* Best quality for multimedia* Velvetouchâ„¢ comfortable handle* Excellent color-holding capacity Perfect For:* Acrylic & watercolor application* Professional artists* Mixed media applications* Decorative painting See More
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Silver Silk 88â„¢ Short Handle Synthetic Brush #18x0 Script LinerSave Up to35%Off listMake your mark with Silver Silk 88™! Silver Silk 88™ by Silver Brush is the best quality synthetic brush on the market for use in fluid acrylics, interference acrylics, gouache, watercolors, and more. These brushes have great absorbency, exceptional holding capacity, wonderful… Make your mark with Silver Silk 88™! Silver Silk 88™ by Silver Brush is the best quality synthetic brush on the market for use in fluid acrylics, interference acrylics, gouache, watercolors, and more. These brushes have great absorbency, exceptional holding capacity, wonderful color control, and excellent wear resistance. The Mini Mop brush shape is made of natural goat hair, unlike the other brush shapes in the Silver Silk 88™ line. Natural goat bristles make the Mini Mop perfect for scrubbing, blending, and softening. Silver Silk 88™ surpasses all others in performance, durability, and affordability. Key Features: * Excellent absorbency & color control * Smooth, even strokes * Carries color reliably from the palette to painting surface * Maintain chisel edges and sharp points * The Mini Mop is made with Natural Goat hair Perfect For: * Fluid Acrylics, Interference Acrylics * Watercolors, gouache & more * Wet-on-wet techniques See More
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Office Mate Paint Markers Extra-Fine - #24 Pastel TurquoiseSave Up to74%Off listBlue Permanent, lightfast paint markers that are available in a multitude of colors and nib sizes! For artists seeking all-purpose markers, Office Mate's Soni Paint Markers offer permanent application in a variety of line widths and colors! Soni Paint Markers feature fast drying, oil-based ink that is formulated to adhere to all surfaces, such as metals, plastics, glass, ceramics, and wood. The ink is also water resistant and lightfast, allowing these markers to be used indoors, outdoors and for industrial purposes. Once the ink has been applied to a surface, it will not fade or wash away. The creative possibilities are endless, as these paint markers are available in an extra-fine tip, a medium tip, a jumbo tip, and an empty marker for adding custom paint colors! Key Features: * Fast drying oil-based ink * Water resistant * Permanent, long lasting and will not fade! * Lightfast * Highly opaque * Strong adherence * Available in extra-fine tip, medium tip, jumbo tip, and as an empty marker Perfect For: * Marking on all surfaces, such as metals, plastics, glass, ceramics, and wood! * Use indoors and outdoors * Industrial application * Creating a wide variety of line widths * Detailed work * Artists of all skill levels * Use in final works of art See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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