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Silver Mop White Goat Hair Short Handle sz. 16 Round BrushSave Up to35%Off listWhite Ultra-soft Natural goat hair and synthetic filament mops! Silver Brush Goat Hair Brushes are made of incredibly soft goat hair that is perfect for softening and blending value transitions. Ultra-soft white goat hair bristles stay soft when wet and are perfect for blending and softening oils or acrylics. The black goat hair stiffens when wet allowing for rougher treatment or creating texture when blending color. The ultra-soft goat hair bristles are ideal for oil and acrylic paint but can also be used to create sky washes with watercolor. Conservators favor the goat hair and the mop shape for dusting archival items. Silver Brush Goat Hair Fans and Mops are perfect for artists that work with acrylics, watercolors, and oils. A treat for any multi-media artist! You can use the mop brush shape to develop backgrounds and sky washes with watercolors. Soft synthetic filaments within the Ultimate Varnish Mop Brush spread water-based color or varnish on any surface without leaving bubbles behind. Each varnish brush is made with soft synthetic hair perfect for varnishing furniture or a finished painting. Key Features: * Ultra-soft white or black goat hair * Bristles stay soft when wet * Very soft hair stiffness * Natural goat hair mop brushes * Unique synthetic varnish brush filament * Mop shape in oval or round * Spread color and varnish on any surface without leaving bubbles * Short handle Perfect For: * Oils, acrylics, or watercolor * Creating background color or sky washes * Blending or softening color * Conservators * Water-based varnish and paints * Varnish application * Even gradation of brush strokes * Multi-media artists Artist Goat Mop Set: Our set includes a full size 1" oval and size 10 and 14 round ultra-soft white goat hair mop brush. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red polished wood handles. Ultimate Goat Mop Set: Our set of mops includes four round mops in sizes #12, #14, #16, and #20, plus two oval mops in sizes 1/2" and 3/4". White goat hair stays soft when wet while black goat hair stiffens and adds a delicate texture to your work. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red or black polished wood handles. Short Handle Goat Hair Mop Set of 4: Our set of mops includes Size #10 White Round, 1" White Oval, #16 Black Round, and 3/4" Black Sky Wash. Ultra-soft goat hair bristles are perfect for blending and softening color with oils or acrylics. You can also use these brushes to create backgrounds and washes with watercolors. Ultimate Varnish Mop: Soft synthetic filament. Ideal for finishing furniture and varnishing paintings. Soft and lustrous, the varnish brush will spread color and varnish on any surface without leaving any bubbles behind. This brush is perfect for use with water-based varnish and paints. See More
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Daler-Rowney System 3 Fluid Acrylic Liner, Zinc Mixing White - 29.5mlSave Up to30%Off listWhite Ideal for pouring, dripping, and other liquid art techniques System3 Fluid Acrylics are made of rich lightfast pigments and a fluid acrylic base made for pouring and dripping techniques. The tapered tip of the liner is perfect for contour effects and precise line work. You can play with different painting techniques because the fluid colors are compatible with all System3 paints and mediums. Best of all, the System3 Fluid Acrylics have great covering power, so you can cover a large surface area without wasting a lot of paint. Key Features: * Quality fluid acrylic with intense pigment load * 29.5 ml Liner bottles with precise applicator tip * Great opaque covering power * Lightfast and permanent * Supercharged vibrant colors * Compatible with all System3 colors * ACMI Certified, Conforms to ASTM D-4236 * Made in England Perfect For: * Pouring, dripping, and all liquid art techniques * Brush and knife application * Canvas, board, paper, fabric, or drywall * Murals and large surface area applications * Painting layers of color * Painting permanent works of art See More
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Creative Mark White Natural Goat Hair Mop Brush Round # 16Save Up to59%Off listWhite The preferred brush for a wide range of techniques! Creative Mark Natural Goat Hair Mop Brushes are a must-have for any painter! You can use the super absorbent natural goat hair for various techniques, from watercolor washes to dry blending oil paints. The white goat hair remains soft even when wet, making it ideal for watercolor application. With our black goat hair mop, you can add marvelous dry brush textural effects. When wet, the black goat hair stiffens slightly, allowing you to soften edges and create color transitions in oils or even acrylics. Our bushy rounds are terrific for washes, and the oval mop shape offers additional control for blending and softening. Goat hair brushes are best for blending paints on a variety of surfaces and great for watercolors. Key Features: * Natural goat hair mop brushes * White goat hair stays soft when wet * Black goat hair stiffens slightly when wet * Mop brushes in oval and round shapes * Short handle * Perfect For: * Watercolors, oils, or acrylics * Backgrounds and sky washes * Creating texture when blending color * Dry brush techniques * Gentle transitions and color shifts Natural White Goat Hair Mop Brush Set of 4: Round sizes #10, #14, #20, and Oval Mop size 1" Natural Goat Hair Mixed Mop Set of 3: White Goat Hair Round sizes #10, #14, and Black Goat Hair Oval Mop size 1" Natural Goat Hair Super Mop Set of 6: White Goat Hair Round sizes #12, #16, and Oval Mop size 3/4" and Black Goat Hair Round sizes #14, #20, and Oval Mop size 1/2" See More
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Awagami Factory Paper 170gsm Bamboo 17" x 20.5" (Set of 5)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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