Your Cart
SLI Search Template
Related Categories: Mars Violet | Artist Pastels | Iridescent Medium | Permanent Alizarin Crimson | Alizarin Crimson Permanent Acrylic | Payne's Gray Acrylic | Raw Sienna | Sap Green Acrylic
There were no results that contained all of the words in your query. These results contain some of the words.
-
Brusho Crystal Colour, Cobalt Blue, 15 gramsSave Up to11%Off listBlue Incredibly versatile, highly pigmented watercolour ink powder Totally intermixable, Brusho Crystal Colours can be used on paper, canvas, or even wood. Brusho Crystal Colours are a unique new watercolour ink that is transparent and highly pigmented. It is renowned for its versatility and can be used in many different ways. With a broad, vibrant color range, many fantastic effects can be made when mixing Brusho and other solvents like water or bleach. They can be sprinkled on a brush for painting, dissolved in water, sprinkled on wet paper, painted on papier-mâché, fabric and much more. They are completely non-toxic and non-harzardous, but can still stain unprotected skin. They have been manufactured in Sheffield, England for over 35 years. They are the versatile ink powder crystals to fuel your imagination! Key Features:* Highly Pigmented Water Colour Ink Powder* Versatile ink powder crystals* Can be mixed with water to make watercolour washes and designs* Versatile powder crystals can be used for numerous creative effects and enhancements* Wide range of 32 colours* Completely non-toxic and non-harzardous* Dissolves in water* Sprinkled on wet paper* Painted on papier-maché, fabric and more Perfect For:* Can be sprinkled on a brush for painting* Watercolour painting * Fabric effects for wall hangings, design work, stage backdrops* Stencils* Creating designs using wax, crayons or candles. Craft Spritzer Set — Ideal for card making and other crafts, this set includes six 15 gram pots Brusho Crystals (Sunburst Lemon, Orange, Alizarin Crimson, Violet, Turquoise, and Sea Green), plus a spritzer bottle for creating bursts of vibrant background color. Assorted Set of 8 — This basic introductory set contains Yellow Ochre, Rose Red, Lime Green, Olive Green, Moss Green, Sandstone, Terracotta, and Burnt Sienna in 15 g pots, plus an instructional leaflet. Assorted Set of 12 — This broader range of 12 colors includes Lemon, Yellow, Orange, Scarlet, Brilliant Red, Purple, Ultramarine, Leaf Green, Emerald Green, Turquoise, Dark Brown, and Black in 15 gram pots, along with an instructional leaflet. Assorted Set of 24 — This complete set of 24, 15 gram colors includes Lemon, Yellow, Gamboge, Orange, Vermilion, Scarlet, Brilliant Red, Ostwald Red, Crimson, Cobalt Blue, Ostwald Blue, Ultramarine, Prussian Blue, Turquoise, Leaf Green, Emerald Green, Sea Green, Violet, Purple, Light Brown, Dark Brown, Grey, Black, and White, plus an instructional leaflet. See More
-
Sennelier Giant Solid Oil Stick - Titanium Buff, 96mlSave Up to60%Off listWhite Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
-
Princeton Velvetouchâ„¢ Series 3950 Synthetic Blend Brush 1/16" Mini Angle ShaderSave Up to46%Off listPrinceton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes are comprised of a multiple-filament, luxury synthetic blend for excellent color-holding capacity, precision tapering and resilient spring. The synthetic blend is unique… Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes are comprised of a multiple-filament, luxury synthetic blend for excellent color-holding capacity, precision tapering and resilient spring. The synthetic blend is unique to each individual shape to ensure maximum performance. Comfort is ensured with our smooth, signature Velvetouchâ„¢ handle. Key Features:* A superior blend for performance* Best quality for multimedia* Velvetouchâ„¢ comfortable handle* Excellent color-holding capacity Perfect For:* Acrylic & watercolor application* Professional artists* Mixed media applications* Decorative painting See More
-
Awagami Factory Paper 170gsm Bamboo 17" x 20.5" (Set of 5)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field