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Posca Acrylic Paint Marker 0.7-1 mm X-Fine Tip Light OrangeSave Up to33%Off listOrange Water-Soluble, Non-Toxic, and Lightfast Acrylic Paint Markers POSCA markers contain highly pigmented water-based acrylic paints. The paint is highly opaque, quick-drying, lightfast, and non-toxic. POSCA Paint Markers are blendable when wet and can be diluted with water to create a gradient effect on almost any surface. Thanks to its fast-drying time, you can layer colors on top of each other. The pen has a valve mechanism that allows for a tight paint seal. Before each use, you can shake the ball inside the barrel to prime the marker. Thanks to its fast-drying time, you can layer dark colors over light colors or even bright colors over dark colors. The ball inside the barrel of the POSCA markers ensures that when shaken, the paint is evenly mixed. The valve mechanism provides a tight paint seal that prevents the paint from drying out. After use, you can rinse the pen tips under water. Permanent on porous surfaces and erasable on most smooth non-porous materials, your creations can be protected with a fixative varnish. Use POSCA Paint Markers on a variety of surfaces, including wood, fabrics, glass, ceramic, plastic, metals, stones, papers, cardboard, and canvas. Key Features: * Water-soluble Paint Markers * Non-toxic, alcohol-free, lightfast acrylic * Valve mechanism provides tight paint seal * Ball in barrel primes marker * The medium tip is reversible * Quick-drying matte opaque colors * Stable pigments * Permanent on porous surfaces * Erasable on most non-porous materials * Perfect For: * Multiple art projects * Blending and layering colors * Creating infinite gradations of color * Use on a variety of different surfaces * Indoor and outdoor use * Bright compositions * Drawing smooth, consistent lines * Wood, fabrics, glass, ceramic, plastic * Metals, stones, papers, cardboard, and canvas Glass, Plastic, and Metal: Clean the surface with a cloth and ensure it is dry before starting work. Make artwork permanent by applying two coats of water-based spray varnish. Hold the can about 30 cm from the surface and spray in slow circular movements. The varnish can be matte or gloss depending on the look you want. (Not suitable for food use) Fabric: Machine-wash the fabric you plan to draw on to remove any industrial coatings or dirt. To prepare natural or artificial leather, wipe with a damp sponge and leave to dry. Once your creation is finished and dry, you can iron it from the reverse side without using steam. Set the temperature of the iron to the material setting for the fabric you are ironing. You can place a sheet of tracing paper between the iron and the fabric for extra protection. If the fabric used is not suitable for ironing, you can fix your creation with a hairdryer. Hold it 30 cm from the surface and make small circular movements. Ceramic: With treated ceramics, fix your creation for non-food use using a water-based spray varnish, spraying from about 30 cm in small circular movements. With rough ceramics, fire your creation in the oven. Heat the ceramic in the oven slowly to 220°, then turn off the oven and allow it to cool completely before taking it out. Fix the paint on porcelain in the same way, but to a temperature of 160° and for no more than 45 minutes. To give your creation the longest possible life (for non-food use), you can apply a water-based varnish or adhesive varnish. Afterward, you can only hand wash the ceramic in cold water. See More
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Acurit Small LED Light Tablet, Drawing TracingSave Up to59%Off listProfessional Quality light tablets - Never gets hot to the touch! 30,000+ hours of LED illumination! The Acurit Light Tablet is the perfect tool for artists seeking to hone their drawing skills! Whether they are tracing a photograph or works of art created by the old masters, artists will not miss a… Professional Quality light tablets - Never gets hot to the touch! 30,000+ hours of LED illumination! The Acurit Light Tablet is the perfect tool for artists seeking to hone their drawing skills! Whether they are tracing a photograph or works of art created by the old masters, artists will not miss a single detail with the vivid, LED illumination that is offered by these light tablets. Their color temperature ranges from 6,000 to 6,400K and they feature an adjustable dimmer, for varied lighting environments. Acurit light tablets are available in 3 highly portable sizes and only require a power outlet to work – no batteries needed! Their durable and scratch-resistant, 3mm thick, tempered glass surface makes them the ideal light tablet for artists on the go, students and artists of all ages! Please note that this this is not a tablet computer. It is a light tablet for tracing. Use these light tablets for hours, as they never get hot to the touch and their LED lighting system guarantees over 30,000 hours of brilliant lighting, across the entire surface area. Acurit light tablets also include a 1” scale border, for easy measuring. For a more comfortable working angle, the Small and Medium light tablets feature legs, which can be easily flipped open, while the Large model features soft anti-slip bottom pads. Each Acurit light tablet comes complete with a UL approved AC power adapter. Please Note: Due to voltage issues, we do not ship this product outside the United States and Canada. Features a tempered glass top for cutting stencils. Excellent with any Creative Mark canvas pad or Fabriano 140 lb. paper - It's that good! Available in 3 portable sizes • Small tablet lighted area: 8-5/8" x 11-7/8"; Overall size 11-5/8" x 15" (Formerly named A4) • Medium tablet lighted area: 11-13/16" x 15-1/2"; Overall size 15" x 18-3/4" (Formerly named A3) • Large tablet lighted area: 12-5/8" x 20-1/2"; Overall size 15-3/4" x 23-5/8" (Formerly named A2) Key Features:* Over 30,000 hours of brilliant, crisp, LED illumination!* Durable, scratch-resistant, 3mm thick, tempered glass top* English rules not metric* Temperature is color corrected* Never gets hot to the touch* 6,000-6,400K color temperature* Fully adjustable light intensity with dial from dim to super bright* Available in 3 portable sizes* Includes a UL approved AC power adapter – no batteries needed!* Features fold-away, incline legs* Even works with Creative Mark canvas pads, Fabriano 140 lb. papers and Pastel Premier papers Perfect For:* Artists of all ages and skill levels!* Tracing and transferring artwork or photographs* Cutting into stencils on the scratch-resistant glass top* Using anywhere a power outlet is available* Adjustable lighting brilliance to match varied lighting environments* Artists on the go!* Students, classrooms and studios* Continued use for hours - never get hot to the touch* Scaling drawings* Using at an adjusted drawing angle* 87664 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.5A / Output 12V 1000mA ) 87665 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.4A / Output 12V 1.0A ) 87666 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.7A / Output 12V 1.5A ) See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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