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Higgins Drawing Ink Sets
Starting At: 20.72
…permanent, fadeless. For technical pens, dip pens, brush and airbrush. Colors can be diluted and blended. Pigment based, fade-proof ink. Key Features:* Set of 4: Black, White, Indigo, and Carmine Red ink* 1oz Bottles* Vivid opaque colors* Permanent* For technical pens, dip pens, brush and airbrush*… Great for sketching, drawing and mixed-media! Vivid opaque colors are permanent, fadeless. For technical pens, dip pens, brush and airbrush. Colors can be diluted and blended. Pigment based, fade-proof ink. Key Features:* Set of 4: Black, White, Indigo, and Carmine Red ink* 1oz Bottles* Vivid opaque colors* Permanent* For technical pens, dip pens, brush and airbrush* Pigment based, fade-proof ink See More -
Van Aken Kato Polyclay SetsSave Up to19%Off listA polymer clay developed with an artist for artists! Kato Polyclay is an easy-to-use polymer clay that bakes in ten minutes to become a robust and sturdy material. You can mix Kato colors to create unique shades with ease once the clay has warmed up in your hand. Create beads for jewelry or sculpt… A polymer clay developed with an artist for artists! Kato Polyclay is an easy-to-use polymer clay that bakes in ten minutes to become a robust and sturdy material. You can mix Kato colors to create unique shades with ease once the clay has warmed up in your hand. Create beads for jewelry or sculpt figurines then bake in your household oven at 300 degrees Fahrenheit. Once cooked, the clay can be further improved by sanding and buffing. Kato Polyclays have color stability, uniform consistency, and excellent cured strength. More durable than other poly clays, objects made with Kato Polyclay become permanent works of art that will resist cracking and decay over time. Its smooth texture allows for detailed results for all types of craft, including sculpture, jewelry, home decor, and model making. Key Features: * Created in partnership with artist Donna Kato * Highly-pigmented non-sticky formula * Oven-hardening clay * Strong and durable * All colors are mixable * When sliced, it will maintain its shape * Keeps its shape and color after baking * Made in Georgia, USA * Certified non-toxic * Conforms to ASTM D-4236 * Sulfur-free, paraben-free, latex-free * Free of nuts, dairy, gluten, soy, corn, GMOs, pollen, nickel, lead, and VOCs *DO NOT EAT* Perfect For: * Creating figurines * Making jewelry * Custom color mixing * Letting your creative juices run wild * Sculpting character studies * School projects * Model making * Teachers and students * DIY up-cycling * Polymer caning-techniques * Bake between 275F (135C) and 325F (165C) for 10-30 minutes Polymer clay pieces may be cured in a standard oven or in a toaster oven. When curing compositions, it is recommended that you test the temperature of your oven (especially when using a toaster oven) with an oven thermometer. To do this, place the thermometer into the oven in the approximate location where you will be curing your piece; wait for the thermostat to adjust then adjust the temperature of your oven accordingly until the appropriate temperature is achieved. Kato Polyclay should be cured at about 300°F (150°C); however, it can be cured within the range of 275°F (135°C) and 325°F (165°C). It has been approved to be cured at 350°F (175°C). You should never exceed a temperature of 365°F (185°C) when curing Kato Polyclay. When cured at elevated temperatures, Kato Polyclay will become harder and more durable and have an increased surface gloss. For optimal strength, it is recommended that you cure your piece for 30 minutes. Curing Kato Polyclay for more extended periods will yield similar results as curing it at elevated temperatures; however, it is not recommended that you cure it for longer than the recommended time. Some projects may require that you cure a piece multiple times. For example, after adding an uncured piece of clay or another medium to it. When you create a project like this, it is a good idea to cure the piece in shorter increments of time. For example, if you were baking a piece three different times, it’s recommended that you cure the piece for 10 minutes the first two times and 30 minutes for the final curing this will save you time and ensure that your piece is permanent. See More
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Ampersand Scratchbord Claybord InksSave Up to36%Off list…and the project booklets! in Carmine Red, Yellow, Light Green, Ultramarine Blue, Sepia and Black Repair. Not sold individually. Key Features: * Ink set includes 6 -.5 oz bottles* Carmine Red * Yellow* Light Green* Ultramarine Blue* Sepia* Black Repair* Perfect For: * Painting* Drawing* Adding color… Ampersand Scratchbord Claybordâ„¢ Inks Add vibrant color to your scratchboard art with the inks specifically designed for Scratchbord™ and Claybord™. These pigmented inks are permanent, transparent and waterproof. Formulated for adding color to scratchboard, these terrific inks create vibrant colors without leaving an inky residue on black areas. On Claybord & other fine surfaces, these inks can also be used for painting and drawing. What a perfect accessory to the Ampersand line and the project booklets! in Carmine Red, Yellow, Light Green, Ultramarine Blue, Sepia and Black Repair. Not sold individually. Key Features: * Ink set includes 6 -.5 oz bottles* Carmine Red * Yellow* Light Green* Ultramarine Blue* Sepia* Black Repair* Perfect For: * Painting* Drawing* Adding color to scratchboard* Creating vibrant colors * Claybord & other fine surface See More
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Awagami Creative Washi Paper Pack, 1lbSave Up to29%Off listAssorted Colors Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More
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Claytoon Non-Hardening Modeling ClaySave Up to13%Off list…is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling… Non-toxic, non-hardening modeling compound perfect for any project! This vibrant and versatile modeling clay is a perfect medium for kids of all ages! Claytoon Modeling Clay is non-toxic and safe for kids' use, and since it never hardens and remains pliable, it is infinitely reusable for hours of sculpting fun! Claytoon clay is available in seven fun color combinations, each with a quarter pound of four brilliant colors. Each color is individually wrapped in cellophane for freshness and brilliance. Perfect for making figurines, finger puppets, school projects, sculpted characters and more, Claytoon Modeling Clay is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling * School projects & crafts * Creative fun for kids of all ages! See More
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Ampersand Museum Series ScratchbordsSave Up to40%Off list…scratchbord with a spray fixative to dissolve fingerprints or smudges. Then, frame your art without glass. Scratchbord Essentials Etching Set - This perfect gift package comes with everything needed for etching including three sizes of Scratchbord, a Scratchbord tool kit and Scratchbord ink set. Claybord Black™ Surface! Ampersand Scratchbords have all the features and benefits of Claybord, including its archival properties. Under its India ink layer, Scratchbord has a smooth, absorbent kaolin clay ground applied to a sealed, 1/8" True Artist Hardbordâ„¢. Simply put, Scratchbord is Ampersand’s Claybord panel, sprayed with an even coat of high-quality, deep black India Ink. Originally developed as an alternative to scratchboard paper, it is the surface of choice for most professional scratchboard artists today. Not only can you create exquisite white-on-black art, you can add color to create amazing colorful scratchboard works. Colored inks can be applied to the white areas and then scratched again for to create additional highlights and volume. Ampersand offers a collection of Scratchbord/Claybord Inks The Professional's Choice for Scratchboard Products! Perfectly Inked Clay Surface -Scratchbord™ has a smooth, absorbent kaolin clay ground evenly coated with India Ink. Acid-free and absolutely archival. Create the Finest Detail -Scratch easily with controlled, clean, crisp white lines to create exquisite white on black art. Will not tear, crack or bend. For best results, try the Claybord™ tools & accessories. Frame without Glass -Seal finished scratchbord with a spray fixative to dissolve fingerprints or smudges. Then, frame your art without glass. Scratchbord Essentials Etching Set - This perfect gift package comes with everything needed for etching including three sizes of Scratchbord, a Scratchbord tool kit and Scratchbord ink set. See More
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Ampersand Claybord 1/8" Flat Panel (Box of 2) + 2 Micron Pens BundleSave Up to53%Off listWhite Claybord™ The Ultimate Multi-Media Panel Museum Series Claybord™ is made using 1/8” Hardbord panels, featuring Ampersand’s simply amazing kaolin clay ground formula. This ultra-smooth sanded, highly absorbent clay ground is similar in paintability to the clay gesso grounds used during the Renaissance and allows paint colors to remain true and brilliant! While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected. Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens, and painting tools. Claybord is also an excellent printing surface, and can also be used for image transfers. Key Features:* Acid-free, ultra-smooth, highly absorbent kaolin clay ground * Amazing with alcohol inks * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood* Archival, eco-friendly and fully made in the USA* Perfect For:* Ink, graphite, acrylic, gouache, collage, egg tempera, airbrush, scratchboard, and more.* Ideal for image transfers and as a printing surface* Additive and subtractive processes with any artists tools* Surface ideal for brittle media like egg tempera and caseins * 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. * 3/4" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 1-1/2" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. With Claybord, paints, and inks can be manipulated to vary tonal values, develop highlights, and correct mistakes. Various artist tools, such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers, can be used. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick, allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allow the use of abrasives like oil-free steel wool or sand paper to remove pigment without damaging the finish. Ampersand & Golden High Flow Acrylics Smooth Sampler Value Pack - Ampersand and Golden Artist Colors have teamed up to introduce artists to the amazing synergistic possibilities that exist with our smooth panels and Golden's High Flow acrylics. Includes: * 9x12" 3/4" Ampersand Claybord * 9x12" 7/8" Artist Panel Primed Smooth * 1 oz Golden High Flow Acrylic Color - Green Gold * 1 oz Golden High Flow Acrylic Color - Indigo Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Claybord is archival, eco-friendly, formaldehyde-free, and made by hand in the USA. See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage,… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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