Your Cart
SLI Search Template
Related Categories: One Gallon Acrylic Paint | Pumice | Golden Matte Gel Medium | Glass | Art Resin | Gloss Gel Medium | High Gloss Acrylic Varnish | Matte Varnish
There were no results that contained all of the words in your query. These results contain some of the words.
-
GOLDEN Acrylic MSA Archival Varnish Spray, Semi-Gloss 10ozSave Up to40%Off list…acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
-
Yasutomo Acid-Free Nori Paste 10oz JarSave Up to19%Off list…mini jars, and 10 oz tubs. Key Features:* Acid-free* Dries clear and incredibly strong* Dries slowly, allowing for readjustments* Easy to wash off hands and clothes* Pleasant smell Perfect For:* Bunka embroidery* Woodblock printing* Using as a watercolor medium* Can be mixed with PVA glue Perfect paste for the perfect project! Japanese Nori Paste is a starch-based adhesive perfect for crafting. Nori Paste is a must-have for all paper projects, from bookbinding to scrapbooking, collage to archival storage. Thin Nori Paste with water to the right consistency for your project. It will adhere to glass, metal, plastic, wood, paper, and fabric. Nori Paste will not wrinkle or soak through the paper or fabric and is safe to use with even the most delicate artist papers. Non-toxic Nori Paste is available in 1.84 oz mini jars, and 10 oz tubs. Key Features:* Acid-free* Dries clear and incredibly strong* Dries slowly, allowing for readjustments* Easy to wash off hands and clothes* Pleasant smell Perfect For:* Bunka embroidery* Woodblock printing* Using as a watercolor medium* Can be mixed with PVA glue See More
-
Alumilite Acrylic Mixing Cups (Pack of 25) 10 ozSave Up to49%Off list…or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for… Creates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no polishing to produce a high gloss. One coat is all that is usually required for a deep attractive finish, however, two or more coats maybe applied one over the other by simply wiping the surface with a clean cloth and alcohol prior to re-coating. Key Features:* EnviroTex Lite: 8oz Kit, 32oz Kit & Gallon Kit* Use over acrylics or thoroughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish* Hardens to a high-gloss finish, and cures completely in 36 hours* The solvent-free formula is 100% solids and has no unpleasant odors* Waterproof as well as heat- and alcohol-resistant* Use Envirotex to coat, wood, rock, Sculpey, jewelry and more* Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish. Use Envirotex to coat, wood, rock, Sculpey, jewelry and more. Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish * Gallon Kit 02128: (1/2 gallon resin, 1/2 gallon Hardener), Coverage: 32 square foot* 32oz Kit 0232: (16oz resin, 16oz Hardener), Coverage: 8 square foot* 8oz Kit 02008: (4oz resin, 4oz Hardener), Coverage: 2 square foot* Envirotex Lite is used as a table tops, bar tops, resin art, wood, rock, sculpey clay, acrylic pour, jewelry and more. Envirotex Lite® is alcohol and heat resistant. Envirotex Lite® creates a hard lustrous finish for table tops, plaques, clocks, figurines etc. A Gallon Kit consists of 1/2 gallon of Resin and 1/2 gallon of Hardener, making a total of one gallon. See More
-
Spectrafix Finalfix Advanced Fixative 10 oz Aerosol SpraySave Up to15%Off list…FinalFix should not be used as a final layer on top of acrylics or oil paint. You can use FianalFix on acrylics and oil paint as long as you apply a final layer of acrylic or oil varnish. FinalFix absorbs moisture in the air, unlike acrylics and oils; as a result, it may separate from the paint if… No more framing under glass! FinalFix adds a lovely matte finish to your pastel and charcoal drawings. The non-yellowing archival formula is all-natural with no fumes and is completely workable. Spray a layer of FinalFix after SpectraFix Degas fixative or throughout your painting process. The spray is scuff-resistant. You can even clean the surface with a damp cloth once dry. FinalFix should not be used as a final layer on top of acrylics or oil paint. You can use FianalFix on acrylics and oil paint as long as you apply a final layer of acrylic or oil varnish. FinalFix absorbs moisture in the air, unlike acrylics and oils; as a result, it may separate from the paint if a final layer of varnish is not applied. Key Features: * Provides a lovely matte finish * All natural with no fumes * Workable and archival * Non-yellowing formula * Can combine with all media Perfect For: * Pastel and charcoal * A variety of media * Use throughout the painting process See More
-
Enkaustikos Encaustic Mediums Impasto Wax 10 ozSave Up to20%Off list…or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
-
Creative Mark Collapsible Water Cup 10ozSave Up to49%Off list…For: * Artists on the go * Travel and plein air painting * Mural painters working on site * Quick storage and transport * Rinsing watercolor and acrylic paint from brushes * Everyday use in the studio or classroom Water Cup Features: * The scalloped rim acts as a brush rest * Built-in… Leak-Proof Space-Saving Design! The Creative Mark Collapsible Water Cup and the Bucket are perfect for traveling artists or those with limited space. Both the cup and the bucket are made of premium, leak-proof materials, and feature collapsible sides. The Water Cup has a stylish scalloped rim that acts as a brush rest and stops brushes from rolling away. While the bucket has a handle that can hold up to 5 brushes upright as you work. They both include a built-in agitator to scrub dirty paintbrushes when it's time to clean up. Key Features: * Collapsible water cup and bucket * Durable leak-proof construction * Space-saving design for easy transport * Easy to wash by hand * Built-in agitator for scrubbing bristles Perfect For: * Artists on the go * Travel and plein air painting * Mural painters working on site * Quick storage and transport * Rinsing watercolor and acrylic paint from brushes * Everyday use in the studio or classroom Water Cup Features: * The scalloped rim acts as a brush rest * Built-in scrubbing ridges * 10 oz. (295 ml) maximum capacity * Max height 3-1/8" x 3-3/4" diameter * Collapsed height 1-1/4" Water Bucket Features: * Carrying handle doubles as a brush holder * Built-in agitator for scrubbing bristles * Clip to your backpack or easel for travel * Generous 1.5 liter (50.72 oz.) capacity * Max height 5-7/8" x 7-5/8" diameter * Collapsed height 1-3/4" Please note: The cup and the bucket should not be used with solvents See More
-
Spectrafix Degas Fixative 10oz Aerosol SpraySave Up to19%Off list…oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for… SpectraFix Fixative Is The Natural Choice! Degas SpectraFix Non-toxic Fixative contains casein, water, and alcohol. The formula is an update on a recipe used by French Impressionist Edgar Degas. It seals and protects your artwork while leaving colors brilliant! Degas Fixative is perfect for chemically sensitive people. You can spray it indoors and keep on working because the fixative does not release toxic fumes or odors. The spray dries to a hard, water-resistant, matte finish; and provides the traction you need to apply extra layers of dry media. There are no toxic fumes or odors You may spray the fixative on all papers (except LaCarte), primed and unprimed canvas, wood panels, unglazed ceramic, stone, leather, and glass. SpectraFix it the ideal fixative for soft pastel, Pan Pastel and oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill one of our Aerosol Spray Bottles to spray a fine mist on your work! Please note: Not for use as a final topcoat over acrylic or oil paint. Key Features: * Seals and protects artwork * Rapid drying pastel fixative * Contains casein, water, and alcohol * Protects fragile dry media * Prevents underpainting from smudging * No toxic fumes * 100% Archival * Non-yellowing * It does not dull colors * You can paint over it Perfect For: * Spraying indoors * Working with deep layers * Soft pastel, pan pastel and oil pastel * Colored pencil, graphite, charcoal, and chalk * Protecting watercolor paintings * All pastel papers (except LaCarte) * Primed and unprimed canvas * Wood panels, unglazed ceramic, stone, leather, and glass * Classrooms Dries quickly to an invisible matte finish and allows deep layering as well as providing extra traction on thickly layered, slippery media such as color pencil or oil pastel. Combines well with almost all media, and dries to a hard, water-resistant finish. Should not be used as a final top coat over acrylic or oil paint. Use with Soft Pastel, Pan Pastel and Oil Pastel, Colored Pencil, Graphite, Charcoal, Chalk or in combination with Watercolor, Gouache, Casein, Ink or to layer other media into Encaustic. Perfect for crafts, it holds a wide variety of media without dulling their sheen or brilliance. Use under Oil or Acrylic paints to prevent underdrawings from smudging. Casein actually bonds permanently with the covering layer of oil paint, and similar to egg tempera, has been used for centuries for grisaille or colorful underpainting which can then be glazed with oil. Remember, it is not recommended as a final top coating for acrylic or oils See More
-
Winsor & Newton Artists Oil Chungking Brush Filbert #7Save Up to75%Off list…ends for picking up color * Stiff interlocked construction * Ergonomically balanced handles * Satin finish on handle and ferrule Perfect For: * Oil and acrylic painters * Moving paint with ease * Holding large amounts of color * Plein Air painting * Comfortably holding your brush for a long time World's Finest Chungking Bristle - Naturally Interlocked With Perfect Flags This is what happens when you stand your ground on quality! Winsor & Newton Artists' Oil Brushes are made of the world's finest Chungking bristle, hand-dressed for perfect flags and a naturally interlocked head. The natural curve of the hair provides excellent spring and is highly resilient, retaining its shape far longer than other brushes. The brushes are stiff, the bristles flagged (i.e. split at the ends), allowing large amounts of colour to be applied evenly to the surface. The uniquely shaped ergonomic handle offers exceptional balance and control. And the satin matte finish of the ferrule and handle minimizes light reflection when painting outdoors. Because with Winsor & Newton - compromise isn't an option. Key Features: * Chungking hog bristle brushes * Flagged split ends for picking up color * Stiff interlocked construction * Ergonomically balanced handles * Satin finish on handle and ferrule Perfect For: * Oil and acrylic painters * Moving paint with ease * Holding large amounts of color * Plein Air painting * Comfortably holding your brush for a long time See More
-
New York Central Oasis Synthetic Brush Short Handle, Size #2X0 RoundSave Up to82%Off listElite Professional Watercolor Brushes for Use With Watercolor, Gouache, Ink, and Acrylics The New York Central brush makers didn't just try to imitate the characteristics of natural hair they set out to create something superior and succeeded with Oasis! The Oasis synthetic watercolor brushes were… Elite Professional Watercolor Brushes for Use With Watercolor, Gouache, Ink, and Acrylics The New York Central brush makers didn't just try to imitate the characteristics of natural hair they set out to create something superior and succeeded with Oasis! The Oasis synthetic watercolor brushes were created by combining centuries of brush-making knowledge with the latest technology. Each Oasis synthetic brush is made by blending different filament diameters, taper ratios, and lengths. A computer simulation determines the precise combination of filaments before each brush is assembled by hand. Over 30 types of synthetic hair are blended to accurately imitate natural hair. This attention to detail results in a soft, extremely absorbent brush that holds its shape well and has great snap. Handmade in Germany by Expert Brush Makers One of the first brushes designed using computer simulation for every single brush. This will outshine virtually all brushes! Each brush has the optimal combination of hair to maximize its performance. This yields a uniform brush response and color-holding ability. Oasis brushes are extremely thirsty and can hold a large amount of water and paint compared to other brushes. After working with these brushes, you will be amazed by how well they perform. Move Over Kolinsky! Oasis is the Best Brush for Watercolor and Design Why: Oasis Brushes outperform and hold more color than Kolinsky. Designed and optimized with cutting edge technology Key Features: * Designed and optimized with advanced 3D imaging tech * Hair Type: Over 30 types of synthetic hair blended to accurately imitate natural hair * Absorbent synthetic filaments hold a large amount of liquid * Superior split-proof point * Designed to outperform natural hair * Vegan (no animal by-products) * Ergonomically shaped birch wood handle * High-quality anthracite colored ferrule * Hand-made by skilled artisans in Germany Perfect For: * Animal-friendly artists * Use with watercolor, gouache, ink, and acrylics * Painting fine details or bold washes of color * Controlled painting techniques that require a sharp edge * Professionals, art enthusiasts, and students Don't be alarmed if your Oasis brush is still wet after a day! The brush is designed to retain water for a very long time. It's best to dry Oasis brushes with the bristle pointing down. Drying the brush this way will help maintain the brush shape and allow any remaining water to drip out. The Set of 3 Includes: Travel Round sizes 2, 4, and 8. Mot's Favorites Set of 5 Includes: Round sizes 2 and 12, one French Quill size 10, a 3/4" Flat, and a 1/4" Oval Wash The Set of 5 Includes: Round sizes 0, 4, 8, and 12, and a Script Liner size 6. The Set of 7 Includes: Round sizes 0, 4, 6, 10, and 16, Script Liner size 6, and a 3/4" Oval Wash. The Set of 8 Includes: Round sizes 00, 2, 4, 8, and 12, Flat size 3/4, liner size 2, and a 50mm Mottler. Contents in the set may be substituted without notice. Innovation & The Technology Behind Oasis Synthetic Watercolor Brushes Read Article See More
-
Mimik Hog Professional Synthetic Bristle Brush, Double Thick Filbert Size #7Save Up to64%Off list…Brushes are perfect for painting with oils, acrylics, inks, dyes, gouache, watercolor, casein, egg tempera, and more! Mimik Professional Synthetic Hog Brushes are the only brush you need for acrylic painting. You may use them to paint with the heaviest acrylic paint and the thinnest watercolor or… Professional Synthetic Hog Brushes - Nature, Improved! Mimik Hog Synthetic Hog Bristle Brushes from Creative Mark provide better brush performance than natural hog bristle brushes. The synthetic bristles are animal friendly, easy to clean, and provide consistent brush response, time after time. The long-lasting synthetic bristles are responsive and do not lose their shape or integrity no matter how often you paint! That's why Mimik Hog Synthetic Hog Bristle Brushes are perfect for painting with oils, acrylics, inks, dyes, gouache, watercolor, casein, egg tempera, and more! Mimik Professional Synthetic Hog Brushes are the only brush you need for acrylic painting. You may use them to paint with the heaviest acrylic paint and the thinnest watercolor or ink! Key Features: * Synthetic multi-filament hair * Professional bristles hold a lot of paint * Hold and release paint with controlled strokes * Seamless, reinforced dual-crimp nickel-plated brass ferrules * Ferrules are electroplated in a stain-resistant black finish * Beautifully balanced, long lacquered wood handles * Easier to clean than natural hair bristles Perfect For:* Oils, acrylics, inks, dyes, gouache, watercolor, casein and egg tempera* Consistent brush response and control of color release* Artists looking for an animal-friendly alternative without sacrificing quality* Artists looking for a quality brush for the price See More
-
Yasutomo 7" Bamboo Folding ToolSave Up to21%Off listBamboo Perfect For Folding Origami! Yasutomo Origami Paper is excellent for practicing and perfecting the art of paper folding. Paper packs are available in a variety of bright colors and patterns. The thickness of the paper is specifically designed for the crisp, sharp folds needed for origami. Yasutomo Origami Paper is a reliable choice for anyone interested in the art of paper folding, offering the quality and variety needed to bring your creative ideas to life. Popular Uses: Traditional Origami: Yasutomo paper is perfect for traditional origami models, such as cranes, flowers, and animals. Modular Origami: The consistent quality and variety in color make it ideal for modular origami, where multiple sheets of paper are folded and assembled into a single, complex structure. Kirigami: The paper’s strength also makes it suitable for kirigami, a variation of origami that involves folding and cutting paper to create intricate designs. Key Features: * Assorted square paper sizes * Available in bright solid colors and patterns * 8 to 1000 sheets per pack Perfect For: * Practicing origami * Mixed media art * School or group projects * Parties See More
-
Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field