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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Pro Birch Wood Panel 4"x12", 1-5/8" Deep (Box of 6)Save Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Da Vinci Pro Ultra Smooth Panel 4"x12", 3/4" Deep (Box of 6)Save Up to76%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Creative Mark 4x12" Canvas Panels Pack of 60Save Up to91%Off listWhite Fine Weave Acrylic Primed 100% Cotton Canvas Panels! Creative Mark Canvas Panels are made of a fine weave, double all media primed cotton canvas that is hand turned on select quality boards. The acrylic primed surface texture provides a very definite paint-gripping "tooth," providing the perfect support for painting in oil, casein, tempera, or acrylic paints. The lightweight canvas boards take up little storage space and are perfect for traveling to workshops or painting outdoors. Backing boards are firm and stable, with clean, hand-turned canvas edges; they provide the ideal surface for studies or initial renderings in the studio, classroom, or outdoors. Key Features: * Acrylic gesso primed * Fine weave, durable 100% cotton canvas * Wonderful canvas texture * Turned under and glued edges will not fray * Sturdy panel board * Will not take up a ton of storage space * Bulk buying options available * Not recommended as an archival support * Great value, great panel! Perfect For: * Painting with acrylics, oil colors, or tempera * Sturdy enough for mixed media and impasto * Artists of all levels * Teachers and students * Studies or initial renderings * Studio, classroom, or Plein air * Great for practice and studies * Acrylic image transfers * Lightweight travel * Quick and easy framing See More
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New York Central Portrait-Smooth Artist Canvas Panel, 4"x12" Pack of 3Save Up to57%Off listWhite Exceptionally Smooth Professional Quality Cotton Panels Ideal for oils, acrylics, caseins, and alkyds, the New York Central Portrait-Smooth Artist Canvas Panels are manufactured using high-quality acrylic primed cotton canvas. Only the purest 100% cotton is used in the extra-tight weave to create an exceptionally smooth canvas free of the knots and bumps usually found in linen. The portrait-smooth canvas is then cleanly wrapped and adhered to a warp-resistant 3.5mm MDF board. Acid-free, archival glue acts as an archival barrier between the MDF and the canvas. New York Central's universally primed surface is ideal for oils, acrylics, caseins, and alkyds. Perfect for traveling and painting outside, the canvas panels are sturdy yet lightweight and take up less space than a standard stretched canvas. All New York Central products are premium quality and made with only the finest materials. Packaging Note: The primed canvas weighs 8.82 oz. per m2 and 7.37 oz per sq.yd. The square yard weight is listed on the canvas label; however, the correct weight is 8.82 oz. Key Features: * Universal acrylic primed, 100% cotton canvas * 4 oz. unprimed / 8.82 oz. primed weight * Mounted on durable MDF 3.5mm board * Extra-fine portrait-smooth texture * Smoother than most linen weaves * Acid-free, archival glue protects against SID* * Resistant to warping and sagging * Clean paper backing Perfect For: * Oils, acrylics, alkyds, and caseins * Oil sticks, soft pastels, and oil pastels * Delicate brushwork and fine details * Portraits and highly detailed paintings * Painting en Plein air and traveling * Painting highly realistic landscapes and still lifes * Achieving a luminous, refractive effect with oils * Artists of all skill levels Pre-Treated With Acid-Free, Archival Glue To Protect Against SID Acid-free, archival glue helps to prevent Support Induced Discoloration (SID) between the MDF and the canvas. While acid-free, archival glue can help to avoid SID, it is also essential to protect the artwork from material and environmental factors that can cause deterioration. All New York Central products are premium quality and made with only the finest materials. See More
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Da Vinci Pro Resist-Grip Panel 4"x12", 3/4" DeepSave Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Rembrandt Watercolor Dot Card 46 ColorsSave Up to25%Off listAssorted Colors Rembrandt Artists Watercolors - Very Pure And Intense Colors! Rembrandt Artists' Watercolor Paints are made of various elements, including pure pigments and gum arabic, which ensures the pigments adhere to the paper. Eighty colors made in Holland make up this marvelous range. They include colors such as Transparent Titanium White, which is excellent for applying a very transparent veil-like layer, Super Transparent Azo Yellows, and Reds. A full range of Transparent Iron Oxides for open earthy tones, and a variety of granulating colors, such as cobalt, French Ultramarine and Earth Green for grainy effects. Rembrandt Watercolor Paint Sets - You can enjoy the Rembrandt line of colors in a convenient and luxurious wood box set. These great half-pan sets are all-inclusive, with colors, brushes, and palette accessories. The professional box sets are designed to be portable painting studios that are travel-friendly. All-inclusive, with brushes and palette accessories and a set in a Luxurious wood box Key Features: * Highest degree of lightfastness * Very pure and intense colors * Finest pigments in gum arabic * Maximum degree of transparency * Made in Holland * The complete range consists of 120 colors Perfect For: * Maximum degree of transparency * Watercolor painting * Artists seeking a quality watercolor with a wide array of colors and effects * Best in lightfastness and permanence * Maximum color clarity Pigments are triple-ground to a superfine consistency that produces maximum color clarity and allows the application of uniform washes even when highly diluted. See More
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Cardinali Diploma Black/Gold 8-1/2"x11", Acid-free Mat Plus UV GlassSave Up to49%Off listBlack Cardinali Diploma Frames are the best for displaying your hard-earned work! An archival high quality frame at great prices.The best archival solution for your certificates, diplomas and cherished documents! Conservation grade frames include archival backing, archival mounting strips, as well as made out of UV glass, and includes hanging hardware for easy set-up. Proudly display and showcase your certificates, diplomas and documents in the Cardinali high quality hand crafted frames assembled in NC, USA. 99% UV glass, Acid Free Matboard and backing for preserving and protecting your prized possessions for both 8-1/2" x 11" and 11" x 14" certificates. Please note: these frames are made to order by our in-house expert framers. We carefully make each frame by hand, so it may take longer to ship your frame. Please take this extra processing time into account when placing your order. Trust your hard earned work in a Cardinali! 99% UV glass, Acid Free Matboard and backing for preserving and protecting your prized possessions! Key Features:* Displaying diplomas, certificates & documents* 99% UV glass for protection* Conservation grade* Double alpha-cellulose mat, Acid-free Matboard* Acid-free backing* Template & directions sheet* Archival mounting strips* All hanging hardware included* Elegant high quality frames* 2 Colors: Black/Gold & Silver* Assembled in NC, USA* Keeping your work safe and protected Perfect For:* For both 8-1/2" x 11" and 11" x 14" certificates* Archival, Conservation Grade* Displaying Your Hard-Earned Work* Diplomas* Certificates* Important documents* Protecting as well as enhancing your work* High quality frame for an amazing price!* Comes in two dynamic colors- Black/Gold & Silver Cardinali black frame has a gold lip and double alpha-cellulose mat (top white, inner metallic gold) for both 8-1/2" x 11" and 11" x 14" certificates. Cardinali silver leaf frame comes with double alpha-cellulose mat (top white, inner metallic silver) for both 8-1/2" x 11" and 11" x 14" certificates. Both frames include archival backing, archival mounting strips, template/directions, as well as made out of UV glass, and includes hanging hardware for easy set-up!Why it is important to choose conservation framing & UV protection? Make your work last! A mount and frame should always be selected to protect as well as enhance a picture. "Conservation framing" is a term used to describe the use of materials and techniques which provide protection to framed works of art on paper. UV protection is important! We use UV filtering glass and it should be strongly considered for conservation level. Light exposure has a pronounced effect on paper condition and pigments. The harmful effects of light exposure causes permanent damage that manifests in fading, yellowing/discoloration, embrittlement, and other irreversible changes. ARCHIVAL QUALITY: To ensure the upmost protection, we provide with every frame an acid-free double alpha-cellulose mat to protect your document from dirt, dust and other harmful pollutants and Conservation Grade 99% UV Glass providing protection against sunlight, fading and aging. We include a mat opening equipped with archival backing and archival mounting strips should you ever need to remove your diploma or document at a later date without damaging it. See More
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Yes! All Media Cotton Canvas Pad 8.5"x11", 10 SheetsSave Up to54%Off listWhite If It's Wet It Goes On Yes! A Canvas That Accepts Every Wet Media Lightweight and versatile for travel and outdoor painting in gouache, acrylic or watermixable oils. Taped to a board, the smooth, thin canvas has just enough texture to absorb paint and can be mounted later. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. A Canvas That Accepts Every Wet Media - Patented priming accepts all media Key Features:* Wet Media Canvas Pad (10 Sheets)* 11oz weight 100% unbleached cotton canvas* Patented priming accepts all media* Triple-primed with acid free special wet media primer* Portrait smooth fine weave surface* 10 sheet canvas pads can be used for inkjet printing* Perfect For:* watercolors, oils, acrylics, markers, shellac and acrylic-based inks, airbrush colors & alkyds* Heavy body to acrylic based inks to airbrush colors* You can easily draw on it* Paint on it with any media* Great for making color charts* Class projects and studies for large scale works The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors.Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to10%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Jacquard SolarFast Film 8.5"x11", 8 Sheet PackSave Up to30%Off list…lightfast and archival. SolarFast can also be used to create photograms, shadow prints, and ombrès on fabric and paper. It can also be enjoyed with painting, tie dyeing, screen printing, stamping, batik and more. Just apply the dye, expose it to sunlight, wash and you're done! SolarFast is permanent… Quick and Easy! This new method of fabric printing produces incredibly detailed results, with very little effort! This exciting new line of Jacquard SolarFast Dyes opens a whole new world of possibilities, in both DIY fashion and fine arts. Textile and paper artists alike can now print continuous tone photographs in any color, quickly and easily. No darkroom required! Printing on fabric has never been easier: no heat, steam or chemical setting needed, and it leaves fabric completely soft to the touch! On paper, SolarFast has zero relief and offers unbelievable detail. SolarFast is washable, lightfast and archival. SolarFast can also be used to create photograms, shadow prints, and ombrès on fabric and paper. It can also be enjoyed with painting, tie dyeing, screen printing, stamping, batik and more. Just apply the dye, expose it to sunlight, wash and you're done! SolarFast is permanent on all artist papers and natural fabrics, including cotton, linen, canvas, silk, hemp, and wool. Key Features: * Sun exposure time is 10 minutes to 1 hour depending on surface * 14 different colors of dye * SolarFast thins and cleans up with water * Permanent, washable, lightfast and archival * Leaves fabric completely soft to the touch! Perfect For: * DIY fashion and fine art * Photo transfer without a dark room * Screen printing that is soft to the touch * Textile and paper artists * Creating photograms, shadow prints, and ombrès on fabric and paper See More
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Norma Blue Water-Mixable Oil Color Handpainted Color ChartSave Up to36%Off listAssorted Colors Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Da Vinci Dual Sided Pro Panel 4"x12", 6mm Deep (3-Pack)Save Up to61%Off listWhite Professional quality Dual Sided & Texture 1/4" Archival Panels As a serious artist, you always need to consider what you are painting on. Will it be stable and not warp? So many inferior products have come onto the market that this is not an idle question. Our scientists have done exhaustive research on the materials of other brands and their methodology. While many vendors claim they are stable, they don’t use time tested methods to ensure their stability over time. Our Da Vinci Dual Sided Pro Panels are not 1/8" deep but almost 1/4" deep, which is twice the thickness of our competitors and is more stable. Both sides of the Da Vinci Pro Flat panel are primed to assure that there is no natural tendency for warping. In addition to all this, we have concluded that they are archival and only under the most extreme conditions will they ever warp. Our panels have both a medium tooth surface and a smooth surface on the other side. The two-sided panel allows for exploration and eliminates the need to gesso or sand the board yourself. The Da Vinci Pro Flat Panels are quite durable on both sides and allow for mixed media build-ups Pick A Side! Dual sided archival panels- one side medium tooth, one side smooth. Twice as thick as other brands panels, warp resistant & time tested methods ensure panel stability! Ultra Smooth Side: good for technical drawing pens, graphite, colored pencils, charcoal, oil and acrylic gouaches, egg tempera, caseins and more. Medium Texture Side: good for oils, oil pastels, drawing sticks, crayons, graphite, colored pencils, hard & soft pastels, acrylics, acrylic gouache, mixed media and more. Key Features:* Dual sided: one side medium tooth, one side ultra smooth* Archival and acid-free* 1/4" Deep (6mm) panel thickness is stable* Warp resistant* Time tested methods ensure panel stability* Very durable panel - both sides primed* Extremely resistant to warping* Almost twice as thick as other brands panels that are only 1/8" thick* Primed with real gesso and no plasticizers* Slimmer panel profile for limited space reasons or weight reasons* Perfect For:* Dual sided for use on both sides* Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels* Presentation in or out of a frame* Archival art that will last a lifetime* Students, teachers, professionals* Mixed media build-ups* Limited space We are able to sell these new 6mm panels at a very reasonable price point. If you prefer a slimmer profile for space reasons or weight reasons, these panels are the ones to buy. See More
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DANIEL SMITH Extra Fine Watercolor 66 Color Dot CardSave Up to40%Off listAssorted Colors The go-to sets for many professional watercolorists We are proud to carry the exceptional line of DANIEL SMITH Extra Fine Watercolors. These paints are a go-to for many professional watercolorists. With DANIEL SMITH Watercolor Sets, pigments are key and each color offers unrivaled quality and versatility. The DANIEL SMITH color range offers 250 colors, of these 249 have a lightfast rating of LR I or LR II. DANIEL SMITH Finest Watercolors – A classic watercolor of unsurpassed purity and permanence.” The vision in the formulation of a new line of watercolors was twofold; * First and foremost, to produce watercolors that are the best in lightfastness and permanence. Experience the quality of color with DANIEL SMITH — Manufactured in the United States in Seattle! Key Features: * Variety of watercolor sets to choose from * A wide range of colors * Bright vibrant colors * PrimaTek pigments made from minerals * Available in 5 ml, 15 ml tubes * Unsurpassed purity and permanence * Lightfastness * Color re-wet quickly and easily * DANIEL SMITH uses the exact same formula for both tube and hand-poured pan colors * Portable and easy to use sets * Hand Crafted and proudly made in Seattle, WA USA. Perfect For: * Professional watercolorists * Artists seeking a quality watercolor with a wide array of colors and effects * Lightfastness and permanence * Watercolorists of any level looking for exceptional paint * Traveling * Plein air painting * Urban sketching * Exploring unique color combinations * Daniel Smith has developed safe and vibrant Cadmium Hues with the density and richness of cadmium colors without the cadmium pigment. Virtually identical in color to their namesakes, they are cleaner in mixtures and much stronger in tints. The working properties – staining power, semi-transparency and excellent lightfastness – are nearly identical to those of the low-soluble cadmium colors Daniel Smith previously manufactured Please click on the yellow tech-note icon to view the color description for each set. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Da Vinci Pro Medium Textured Panel 4"x12", 1-5/8" DeepSave Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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DANIEL SMITH Extra Fine Watercolor 66 Color Dot CardSave Up to40%Off listAssorted Colors Experience the quality of Daniel Smith Watercolor Paints! We are proud to carry the exceptional line of Daniel Smith Extra Fine Watercolors. These paints are a go-to for many professional watercolorists. With Daniel Smith Watercolors, pigments are key. Featuring 265 stunning colors—the widest color range of professional watercolors—this line offers unrivaled quality and versatility. This color range offers 14 Quinacridone colors, 35 PrimaTek pigments made from (naturally occurring) minerals, and an astonishing selection of 206 single pigment colors! Of these 265 colors, 249 have a lightfast rating of LR I or LR II. Experience the quality of color with Daniel Smith—manufactured in the United States in Seattle! DANIEL SMITH has undergone a recent packaging change. Tube packaging may vary. Key Features:* Wide range of 265 colors* 14 Quinacridone colors* 35 PrimaTek pigments made from minerals* 206 single pigment colors* 249 colors with a lightfast rating of LR I or LR II* Available in 5 ml and 15 ml tubes* Unsurpassed purity and permanence Perfect For:* Professional watercolorists* Artists seeking a quality watercolor with a wide array of colors and effects* Best in lightfastness and permanence* Watercolorists of any level looking for an exceptional paint* DANIEL SMITH Finest Watercolors A classic watercolor of unsurpassed purity and permanence. ”The vision in the formulation of a new line of watercolors was twofold First and foremost, to produce watercolors that are the best in lightfastness and permanence. *Second, to offer a selection of truly unique colors. Formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints”, and every batch made is tested and analyzed for its performance qualities: * Lightfastness* Color value* Tinting strength* Clarity* Vibrancy* Undertone* Particle size* Density* Viscosity Cadmium Hues, Daniel Smith has developed safe and vibrant Cadmium Hues with the density and richness of cadmium colors without the cadmium pigment. Virtually identical in color to their namesakes, they are cleaner in mixtures and much stronger in tints. The working properties – staining power, semi-transparency, and excellent lightfastness – are nearly identical to those of the low-soluble cadmium colors Daniel Smith previously manufactured See More
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