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Related Categories: Stretcher Brace | Mottler | Gesso Paint | Primer Brush | Gesso Primer | Jack Richeson Stretcher Bars | Gessoed Canvas | Artist Varnish
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Pebeo Studio Green White Gesso (475ml)Save Up to25%Off listWhite Eco-Friendly Formula Generates 6 to 7 Times Less CO2 Pebeo makes its Studio Green Gessoes with an eco-friendly formula of recycled resins. As a result, they generate 6 to 7 times less CO2 than gesso made of petrochemical resins. The gessos are as strong, flexible, and durable as traditional acrylic grounds. You can use the Studio Green Gessoes on various surfaces, including canvas, wood, or paper. Key Features: * Quick-drying opaque gessos * Eco-friendly recycled resin formula * Provides a flexible, stable, matt surface * Generates 6 to 7 times less CO2 than traditional gesso * Jars made from recycled materials * Improves adhesion of acrylic and oil paints * Sand for a smooth surface Perfect For: * Acrylic and oil painters * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives Studio Green White Gesso is an opaque gesso with good covering power. Studio Green White Gesso One Coat is formulated with a high concentration of Titanium White pigment to be very opaque. Only one coat of the ground is needed because it has superior covering power. Studio Green Black Gesso is an opaque gesso with good covering power. See More
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Old Holland Oil Color - Yellow Ochre Light, 475ml CanSave Up to44%Off listYellow Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Pebeo Studio Green Transparent Fluid Medium (475ml)Save Up to25%Off list…Perfect For: * Extending and thinning acrylic paint * Creating a collage or inlay * Acrylic image transfers * Different acrylic techniques * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green eco-friendly acrylic mediums work like traditional mediums but contain recycled resins that generate 6 to 7 times less C02 than petrochemical resins. Bindex 3-in-1 Acrylic Binder allows you to thin and extend acrylics without compromising paint stability. Bindex can also be used to create collages or image transfers. Pebeo Studio Green Transparent Fluid Acrylic Medium increases the transparency and flow of acrylic colors. Use it as a pouring assistant or as a topcoat. Bindex 3-in-1 Acrylic Binder and Transparent Fluid Acrylic Medium are non-yellowing and dry to a satin finish. Key Features: * Dries quickly to a satin finish * Eco-friendly recycled resin formula * Flexible and stable acrylic medium * Use to extend acrylics * Generates less CO2 than traditional mediums * Jars made from recycled materials * Sand for a smooth surface Perfect For: * Extending and thinning acrylic paint * Creating a collage or inlay * Acrylic image transfers * Different acrylic techniques * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives See More
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Pebeo Studio Green Modeling Paste (475ml)Save Up to25%Off list…Pebeo Studio Green Modeling Paste is an eco-friendly painting alternative with excellent adhesion and flexibility. You can use the modeling paste as a ground or mix it with acrylic paint to create more volume. Apply globs of the paste with a palette knife or brush to build layers of texture. As the… Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green Modeling Paste is an eco-friendly painting alternative with excellent adhesion and flexibility. You can use the modeling paste as a ground or mix it with acrylic paint to create more volume. Apply globs of the paste with a palette knife or brush to build layers of texture. As the modeling paste dries, it keeps its volume, remains opaque, and does not crack. Pebeo makes the paste from recycled resins that emit 6 to 7 times less C02 than the petrochemical resins in traditional modeling paste. Key Features: * Flexible modeling paste * Does not crack when drying * Eco-friendly recycled resin formula * Generates less CO2 than traditional paste * Use alone or mix with acrylic color * Can be sanded and sculpted once dry * Jars made from recycled materials Perfect For: * Building a textured ground * Adding volume to acrylic paint * Canvas and wood panels * Thick impasto application * Use with a palette knife or brush * Artists seeking sustainable alternatives See More
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Schmincke Horadam Watercolor 24 Light Colors Dot CardSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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