Your Cart
SLI Search Template
Related Categories: Gesso Paint | Stretcher Brace | Mottler | Gesso Primer | Primer Brush | Oil Primer | Jack Richeson Stretcher Bars | Primer
There were no results that contained all of the words in your query. These results contain some of the words.
-
Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
-
Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
-
Gamblin Dry Pigment - Raw Umber, 47 GramsSave Up to25%Off listBrown 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More
-
Amsterdam Standard Series Acrylic Paints - Titanium White, 2.5 LitersSave Up to35%Off listWhite An excellent choice for the beginning or intermediate artist! An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland from carefully selected pigments. Features include a very high level of lightfastness, short drying time, and an acrylic resin paint that is virtually odorless when wet. The Standard Series Amsterdam Acrylic colors can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Please click on the yellow circle technote icon to view pigment information for each individual color. Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More
-
Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
-
Schmincke White Acrylic Gesso, 2.5LSave Up to15%Off listWhite Non-Aging Primer and Final Varnish! Schmincke Acrylic Gesso is a white, semi-transparent, and light-resistant primer for oil and acrylic colors. Once dry, the gesso forms an elastic matte film with the right level of absorbency. You can use it straight out of the bottle or dilute it with up to 10% water. After drying, the gesso is insoluble in water. Schmincke Waterborne Varnish is a colorless final varnish for acrylic paintings. It is age-resistant, contains a UV absorber, and dries crystal clear. Key Features: * Absorbent gesso primer * Once dry the gesso is insoluble to water * Final varnish for acrylic painting * Glossy or matte finish * Non-aging and fast drying Perfect For: * Priming oil or acrylic paintings * Working on linen, cotton, and wood * Varnishing acrylic paintings * Protecting art from UV light * Professional artists See More
-
Winsor & Newton Liquin Original Medium 2.5 Liter BottleSave Up to43%Off list…drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
-
Winsor & Newton Oil Color Solvents - Sansodor, 2.5L BottleSave Up to43%Off list…Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field