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NYC Gigante Long Handle #20 Domed Sash Round Bristle BrushSave Up to64%Off list…sorts of decorative paints* Endless possibilities* All artists painting large scale* Complimenting all your other high end bristle brushes* Long handle makes them a favorite of artists* Covering a lot of area* Excellent control of your paint* FLAT MOTTLERS: Priming to painting to varnishing* OVAL… Stiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line is that most artists use regular size bristle brushes for most of their needs and that would include painting on a grand scale. They are not made just to be big but are made to work flawlessly. The long handle makes them a favorite of artists in the world all over. you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade by skilled artisans in Germany* High quality hog bristle brushes* Available in 4 shapes* Angular, oval, flat mottlers & Domed sash round* Made to work flawlessly* Long handle professional brushes* Varnished beech wood handles* Nickel plated ferrule, a rust proof tin coating* Exceptional quality for the price* Note: Click on Yellow Icon Next to each product for more details* Perfect For:* Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints* Endless possibilities* All artists painting large scale* Complimenting all your other high end bristle brushes* Long handle makes them a favorite of artists* Covering a lot of area* Excellent control of your paint* FLAT MOTTLERS: Priming to painting to varnishing* OVAL MOTTLERS: Cutting in backgrounds, general painting, varnishing and large scale glazing There are four shapes to the Premium Gigante Brush line: ANGULAR MOTTLERS Sometimes artists look at this brush as if it is a specialty brush but it is not. It is used by some of the most famous artists of our time and a real tool for professional house and industrial painting. As you glance at the brush you will see one end has a hair length of 1.57" it then angles to 2" on the 2" wide brush and to 2.17" on the 3" wide brush. The shape allows artists and painters to curve their strokes. This is especially useful for cutting in basic shapes and to run the brush along a circular area. These brushes hold a lot of color and the tip of the brush is most useful for reaching smaller areas without having to switch brushes. You can cover a lot of area with this brush like all flat brushes. 2" brush is 13" long and the 3" is 13.6" long. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. OVAL MOTTLERS You'll immediately appreciate the natural flagged ends of these brushes that provide an excellent control of your paint. The oval shape is like an artists' filbert brush. Its intention is to allow for clean controlled strokes without flaring of the hair through the stroke. You can use this brush for cutting in backgrounds, general painting, varnishing and large scale glazing. FLAT MOTTLERS This brush is a workhorse of epic proportions and is one of the most beloved of all brushes used by artists that work large in scale. It has superior quality bristle hair with natural flagged ends to grip and release color with superb precision. It can be used flat or on its sides for various needs. The endless uses of this brush can't all be listed however it is ideal for almost all stages of a painting from priming to painting to varnishing. Use it with all your favorite media. Available in 2" wide with 2" long hair and a 12.7" length or 3" wide with 2" hair length and a 13.4" length. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. DOMED SASH ROUND BRUSHES The bushy round shape of the brush make it perfect for loading and creating long continuous soft edged linear strokes. The natural flagged ends and fullness of the hair allows it to cover large areas with ease. The brush works in unison with the other three shapes in this series and is a vital tool for a myriad of uses. This brush style has a history dating back to birth of artist brushes and has been the go to brush ever since. These brushes feature a long length which is instrumental to working large. It will be a brush you won't want to stop using. Available in 3 diameters: 20mm (.787") with a hair length of 43mm (1.7") and a total length with handle of 10.8", 25mm (1") with a hair length of 48mm (1.9") and a total length with handle of 11.2" and 30mm (1.18") with a hair length of 53mm (2.1") and a total length with handle of 11.8". With special nickel, encapsulated ferrule and long varnished beech wood handles. Clean and Care Recommendation: These brushes are made to be professional tools. For cleaning oil colors from brushes, we recommend Chelsea Classical Studios Lavender or Citrus brush cleaners. They not only will thoroughly clean the paint out of your brush but also will condition them to work flawlessly each time See More
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Grumbacher Pre-Tested Picture Varnish, 2.5 oz BottleSave Up to42%Off list…arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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The Masters Brush Cleaner and Preserver Soap, 2.5oz JarSave Up to22%Off list…stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It… Clean, Preserve and Keep Brushes Like New! The Masters® Brush Cleaner & Preserver - trusted by artists since 1979. Made with the B&J Original Formula, it Cleans, Conditions, and Restores Paint Brushes in one step. Use with Wet or Dry Oil Paint, Wet Acrylic Pains, Watercolor Paint and Stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before—even the finest sable brushes! This unique product works on oils, acrylics, watercolor, varnishes, stains, shellac and most synthetic finishes. It will also restore most hardened brushes to like-new condition. Key Features:* The Best Cleaner - "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints* The Best Preserver - "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair* The Best Restorer - Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition The Best Cleaner "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It conditions the brush to hold more color and helps lay down a smoother more even flow. Use "The Masters"® after every session to keep your brushes like new. The Best Preserver "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair. It keeps your brushes like new so they'll retain the same natural snap and luster - for consistent performance - as the day you bought them. The Best Restorer Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition. Simply wet with water, swirl, lather and let brush sit a while before rinsing. Repeat process until all the paint is removed. Your brushes will be reconditioned and you will have a new old brush.How To Use "The Masters"® Brush Cleaner For Cleaning * 1. Wipe brush to remove excess paint* 2. Wet brush and/or "The Masters"® with water* 3. Swirl brush in "The Masters"® and work into a lather* 4. Rinse with clean water* 5. Repeat if necessary until brush is clean (lather will be white). You can clean one color after another without removing the previous colors from "The Masters"® first. For Preserving * 1. Clean brushes as above* 2. Leave clear lather on bristles, shape and allow to dry* 3. Shake powder off bristles when ready to use again. For Restoring * 1. Clean brush as above, but use hot water* 2. Allow lather to remain on bristles for a few minutes* 3. If necessary, tap bristles on hard surface to work paint out* 4. To clean paint from ferrule, allow lather to remain on the bristles for several hours, and repeat cleaning process* 5. Leave clear lather on bristles, shape, and allow to dry. See More
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Grumbacher MAX Linseed Oil Medium, 2.5 oz BottleSave Up to45%Off list…techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil,… Mediums with Maximum Performance with Water! Grumbacher MAX Oil Mediums aid in producing brilliant, lustrous transparent colors and glazes. Improves flow and water-mixability of oils. Holds precise lines and strokes during wet-in-wet techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely water-miscible. No solvents needed may be thinned with water. Clean up is as easy as washing brushes and tools with soap and water. Made in the USA. * QuickDry and Linseed Oil Mediums* Improves flow and water-mixability of oils* No solvents needed may be thinned with water* Non-yellowing* Made in the USA. See More
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Creative Mark Muscle Long Handle Brush, Round #20Save Up to70%Off list…angular, oval, and round * Perfect For: * Anything from fluid acrylics to heavy impasto oils or acrylics * Oil and acrylic paints as well as acrylic gouache and decorative paints * Covering large areas * Painting on all surfaces from smooth to very rough such as brick * Painting outdoors * Murals Stiffness Watercolors Acrylics Oils Brushes that pack a punch! The Muscle Brushes are a line that stays true to their name. These brushes are perfect for painting large areas on a variety of surfaces. The very fine, high-quality synthetic filament allows the artist to work on smooth surfaces to very rough surfaces like brick with excellent shape retention. They come in a variety of shapes to accommodate many different painting styles. You can use the Muscle Brushes with anything from fluid acrylics to heavy impasto oils or acrylics. Key Features: * High-Quality 0.16mm PBT tapered filament * Nickel-plated ferrule * Long varnished beechwood handles * Handmade by skilled artisans in Germany * Excellent shape retention * Work on smooth surfaces to very rough surface * Available in 4 shapes: flat, angular, oval, and round * Perfect For: * Anything from fluid acrylics to heavy impasto oils or acrylics * Oil and acrylic paints as well as acrylic gouache and decorative paints * Covering large areas * Painting on all surfaces from smooth to very rough such as brick * Painting outdoors * Murals See More
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