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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Pro Birch Wood Panel 30"x36", 1-5/8in DeepSave Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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AlumaComp Aluminum, 30"x36" Archival Painting & Mounting PanelSave Up to78%Off listSilver 100% Archival / Unprimed Aluminum Boards - Acid Free- Adds Value to Your Artwork 100% Archival Boards - Acid Free- Adds Value to Your Artwork Great for Plein Air Painting - Painting on metal panels has been historically recorded since before the times of Rembrandt, who painted many of his great masterpieces on copper. In the last 20 years, professional artists have been moving towards working on aluminum composite panels (ACP), which feature lighter weights and stronger construction. AlumaComp is widely used for mounting fine art, photographs, linen and canvas to create an incredibly stable painting panel, or to use on its own as a reliable, archival painting support. The brushed aluminum surface takes primer beautifully, providing texture that grips the primer for a perfect bond. The smooth aluminum surface can be used as is to take advantage of its' beautiful finish, or custom sanded or polished for any texture necessary for your artistic applications. When used as a painting panel, the smooth side can be used as the work’s actual highlights for a modern look— either left bare as is, or sanded/buffed back to the bare metal before varnishing to take advantage of the metallic glow. Simply peel the screened film used to protect both sides, and let your creativity do the rest. Key Features: * Double-sided – one brushed aluminum, one polished smooth * 100% Archival Rigid and strong, yet lightweight * 4mm (3/16") thick * Acid-Free - Archival, will not decay * Prime and Paint in traditional oils & acrylics * Use primed or unprimed * Accepts most fine art media, primed or painted directly * Perfect for use as a mounting surface for photography, linen and canvas, even image transfers * Will not mold, or mildew like stretched canvas or wood panels * Can be Framed - No backing board needed * Sold Individually or in Boxes of 2 Perfect For: * Adding Value to Your Art * Plein Air - Lightweight & free from moisture * Professional Photographers, Fine Artists, Graphic Artists * Oils, Acrylics, Mixed Media, Watercolors * Art Prints, Inkjet, Screen Printing, Photos * Creating artwork with a fresh, modern look * Saving shipping costs to clients and galleries, due to lighter weight * Experimental and modern art * Working in environments where humidity levels fluctuate* See below for the larger sizes sold in boxes of 2: 36" x 36" - 18" x 72" - Also not for larger sizes, may need to support to prevent bending Professional Artist Eric Armusik "My work requires the highest standards and after 15 years of painting on wood i have abandon it forever after painting on AlumaComp, I will be painting all 40 large panels using this substrate as well as many more paintings, commissions and mounting of my prints", "It's an amazingly versatile substrate for those who want the smooth surface of a panel but are afraid to paint on something like wood which is prone to warping" Eric Armusik, (b. 1973) paints classical figurative art that fuses his life experiences with art history. His paintings are a declaration to the dramatic power of representational art. The origin of his inspiration does not lie in academia, but rather his childhood, surrounded by the vivid paintings he saw in Gothic cathedrals as a child. Eric doesn’t aspire to simply paint a figure; he paints a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself. See More
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Da Vinci Pro Ultra Smooth Panel 30"x36", 2" Deep (Box of 4)Save Up to75%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Paramount PRO Cotton 30" x 36" Stretched Canvas, 11/16" Deep (Box of 6)Save Up to73%Off listWhite Professional, Versatile 100% Unbleached Cotton Triple-Primed & Acid Free. Better canvas for better results! Good for oil, acrylic and alkyd paints Paramount provides you with a professional stretched canvas in every aspect. The canvas is a heavyweight 12 oz triple primed 100% pure unbleached cotton. The primer is acid-free. The surface has just the right tooth (medium surface tooth) to accept paint and allow for building up texture and vigorous working. The canvas is stretched onto the back of the canvas to allow you to re-stretch at any time without sacrificing your finished painting. The solid wood stretcher bars have a full outer lip and the stretching is tight to provide excellent "bounce back" at each stroke. This economical canvas considers the painter creating a great product for painting in all media. Paramount canvas is 12oz. triple primed weight and can take heavy textural buildups with less sagging than other canvases Get a Professional canvas at Jerry's affordable prices. Better canvas for better results! Key Features:* Available in: Singles & Boxes of 6* 12oz. primed weight / 7oz. unprimed* 11/16" Deep* Unbleached, 100% cotton canvas* Triple-primed with acid-free titanium white acrylic primer* Medium tooth surface* Back-stapled to allow for keying or re-stretching (keys included)* 4 paintable edges* Frameless presentation Perfect For:* Oil, alkyds and acrylic paints* Re-stretching at any time without sacrificing your finished painting* Artists of any skill level* The best outcome & final works of art* Artists seeking quality professional canvas* The solid wood stretcher bars have a full outer lip and the stretching is tight to provide excellent "bounce back" at each stroke. This professional yet affordable canvas considers the painter, creating a great product for painting in all media. Paramount canvas is 12oz. triple primed weight and can take heavy textural buildups with less sagging than other canvases. See More
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Museo Stretched Belgian Linen Canvas, Alu-Frame, 30" x 36", 1" Deep, 2 PackSave Up to40%Off listWhite Museum-Grade Aluminum Stretcher & Claessens Belgian Universal Primed Linen Claessens Belgian Stretched Linen Canvas With MUSEO Aluminum Bars - Professional Museum Grade Stretched Canvas MUSEO ALU Frame Professional museum-grade canvases feature the finest Claessens 11.64 oz. triple universal primed belgian linen stretched on MUSEO ALU Frame Stretcher Bars. Aluminum stretcher frame is non-corrosive, super strong, & lighter in weight than similar dimension wood bars. They will not warp, even in humid climates, & feature a warp & bend free guarantee! MUSEO ALU Frame stretched canvas features 1¾" wide aluminum insert attached to a high quality warp-resistant spruce wood and professionally stretched Classens 100% Belgian linen. The stretching is performed with enough overlap to re-stretch if ever desired. The total stretcher profile measures 1¾" high × 2.6" wide. Key Features:* Warp & Bend Free Guarantee!* Features professionally stretched Claessens universal acrylic primed belgian linen – perfect for acrylics, oils, alkyds, etc.* One of a kind...Museum-grade aluminum & spruce stretcher bars boast 1 3/4" gallery depth* Archival support, Claessens 100% Belgian linen* Used by museums and galleries worldwide* Provides maximum stability for canvas painters* 11.64 oz. triple-coated universal acid free primed linen* Lightweight yet strong aluminum frame greatly reduces artwork weight for large canvases* Disassembles easily to fit rolled canvas & stretchers in separate tubes for shipping* Reduces shipping costs to clients & galleries* Enhanced Features:* Warp and Bend Free* Museums and Galleries* Disassembled for transport* Stretcher frame is non-corrosive* More Dimensionally stable than wood * Easy to Adjust Tension* Good for artists creating large-format and/or heavy works* Hand-stretched around and back-stapled* No corner keys required* Disassemble & reassemble the stretcher frame in matter of minutes The lightweight aluminum stretcher bars weigh less than heavy-duty wood frames.The MUSEO frame is easily disassembled for transport, allowing the rolled canvas & stretchers to be shipped in separate tubes for a sizeable reduction in shipping costs. Corner connectors & crossbars are removed easily without harming the stretcher bars, using an Allen key. Disassembling & reassembling the stretcher frame takes a matter of only minutes. Included hardware: (see product images for even more details) Spanner: Used to tighten canvas. The Spanner is attached next to the corner connector. Simply loosen the corner connector & tighten by pushing it towards the corner & then tighten the corner connector (repeat this for all four sides). Allen Key: Required to disassemble and reassemble canvas frame, & also needed to tighten the Spanner. Hangers: Attach easily to the grooves of the aluminum section of the bars. Depending on the weight or size of the canvas, you will receive either the screw eyelets or the heavy duty hangers. Video: See videos in video tab to learn more about this amazing product! See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to10%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Pebeo Studio Green Black Gesso (225ml)Save Up to25%Off listBlack Eco-Friendly Formula Generates 6 to 7 Times Less CO2 Pebeo makes its Studio Green Gessoes with an eco-friendly formula of recycled resins. As a result, they generate 6 to 7 times less CO2 than gesso made of petrochemical resins. The gessos are as strong, flexible, and durable as traditional acrylic grounds. You can use the Studio Green Gessoes on various surfaces, including canvas, wood, or paper. Key Features: * Quick-drying opaque gessos * Eco-friendly recycled resin formula * Provides a flexible, stable, matt surface * Generates 6 to 7 times less CO2 than traditional gesso * Jars made from recycled materials * Improves adhesion of acrylic and oil paints * Sand for a smooth surface Perfect For: * Acrylic and oil painters * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives Studio Green White Gesso is an opaque gesso with good covering power. Studio Green White Gesso One Coat is formulated with a high concentration of Titanium White pigment to be very opaque. Only one coat of the ground is needed because it has superior covering power. Studio Green Black Gesso is an opaque gesso with good covering power. See More
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Winsor & Newton Artists Acrylic Mediums And Additives Clear Gesso 225 mlSave Up to40%Off listWhite Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More
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Fredrix Dixie PRO Series Stretched Canvas 1-3/8" Box of Three 30x36"Save Up to46%Off listWhite Gallerywrap Style Artists Professional Grade Cotton Canvas! PRO Dixie Stretched Canvas is one of the highest quality cotton canvases on the market today! The 100% cotton duck canvas is double-primed just north of Atlanta, Georgia, with an acid-free acrylic titanium gesso for professional results. The 12oz raw canvas weighs 17.5oz once primed. FREDRIX stretches the canvas on 1-3/8" deep kiln-dried stretcher bars sourced from regional sustainable forests. Back stapled to allow for a frameless presentation, PRO Dixie Cotton Canvases are the perfect surface for oils, acrylics, water-soluble oils, paint markers, permanent markers, spray paints, and alkyds! Key Features: * 100% cotton duck canvas * 12oz. cotton base weight * 17.5oz primed weight * Acid-free universal acrylic primer * 1 3/8" deep, kiln-dried stretchers * back stapled for clean edges * Boxes of 3 canvases * Perfect For: * acrylics, oils, alkyds * mixed media artists * frameless deep presentation * great value, three canvas pack * students, artists, instructors See More
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Soho Heavyweight Stretched Canvas, 30"x36" - 1-1/2" Deep (Box of 3)Save Up to81%Off listWhite Go Bold! High-quality, Triple-Primed, 100% Cotton Canvas SoHo Heavyweight Stretched Canvases are manufactured using top-quality acrylic primed cotton. Acid-free and archival, the medium textured cotton is neatly wrapped around a sturdy pine stretcher frame. Deep slanted stretcher bars prevent "ghost" impressions and give the canvas a crisp edge. The cotton canvas has a sturdy 18.7 oz. triple-primed weight suitable for bold, expressive painting techniques. Each canvas has a wide 1-1/2" deep edge that you can paint for a frameless gallery presentation. High-quality heavyweight canvas - In a complete range of sizes, including squares! SoHo Heavyweight Canvas has a standard 1-1/2" x 1-1/2" stretcher bar and bold 12oz. unprimed / 18.7oz. primed weight! Has more heft (18.7oz. primed weight) so that the canvas can take build ups with very little to no sagging! {{widget type="Magento\Cms\Block\Widget\Block" template="widget/static_block/default.phtml" block_id="priming-weight-soho-heavyweight-canvas"}} Key Features: * Universal acrylic primed, 100% cotton canvas * 12oz. unprimed / 18.7oz. primed weight * Triple-primed archival, acid-free surface * Tight weave and medium coarse texture * 1-1/2" deep solid pine stretchers (Standard 1-1/2" x 1-1/2" stretcher bar) * Deep slanted stretcher bars prevent ghosting * Back stapled with removable staples * Wood keys included * Larger sizes are braced with rigid cross braces Perfect For: * Oils, acrylics, alkyds, and mixed media * Expressive brushwork * Thick and thin paint application * Art that needs a stable support * Gallery-ready paintings * Professional use Go Bold w/Soho Heavyweight Stretched Canvas! SoHo stretcher bars are cut at a special angle so you can paint boldly without worrying about ghost marks. The wooden bars of the canvas can't make contact with the canvas, no matter how forceful the brush stroke. There's no need to hold back - Let the paint fly on a canvas that can take build ups with very little to no sagging! See More
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Ampersand Claybord Panel 1-1/2" Cradle - 30" x 36" (Box of 2)Save Up to43%Off listWhite Claybord™ The Ultimate Multi-Media Panel Museum Series Claybord™ is made using 1/8” Hardbord panels, featuring Ampersand’s simply amazing kaolin clay ground formula. This ultra-smooth sanded, highly absorbent clay ground is similar in paintability to the clay gesso grounds used during the Renaissance and allows paint colors to remain true and brilliant! While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected. Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens, and painting tools. Claybord is also an excellent printing surface, and can also be used for image transfers. Key Features:* Acid-free, ultra-smooth, highly absorbent kaolin clay ground * Amazing with alcohol inks * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood* Archival, eco-friendly and fully made in the USA* Perfect For:* Ink, graphite, acrylic, gouache, collage, egg tempera, airbrush, scratchboard, and more.* Ideal for image transfers and as a printing surface* Additive and subtractive processes with any artists tools* Surface ideal for brittle media like egg tempera and caseins * 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. * 3/4" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 1-1/2" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. With Claybord, paints, and inks can be manipulated to vary tonal values, develop highlights, and correct mistakes. Various artist tools, such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers, can be used. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick, allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allow the use of abrasives like oil-free steel wool or sand paper to remove pigment without damaging the finish. Ampersand & Golden High Flow Acrylics Smooth Sampler Value Pack - Ampersand and Golden Artist Colors have teamed up to introduce artists to the amazing synergistic possibilities that exist with our smooth panels and Golden's High Flow acrylics. Includes: * 9x12" 3/4" Ampersand Claybord * 9x12" 7/8" Artist Panel Primed Smooth * 1 oz Golden High Flow Acrylic Color - Green Gold * 1 oz Golden High Flow Acrylic Color - Indigo Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Claybord is archival, eco-friendly, formaldehyde-free, and made by hand in the USA. See More
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Ampersand Museum Series Gessobord 1-1/2" Cradled Panel, 30" x 36" - Box of 2Save Up to40%Off listWhite Gessobord™ The #1 Painting Panel for Oils and Acrylics It's true. Ampersand Museum Series Gessobord™ is the most trusted pre-gessoed wood panel by artists for their work. The superior, professional quality acrylic gesso ground does not dull colors, and the wonderful lightly sanded surface provides exceptional paint adhesion and brush control. The bright titanium white ground makes colors pop, or can easily be tinted with any ground color of choice. Just unwrap and paint, no additional priming needed! Choose from 1/8" Flat Panels, 3/4" Cradled, 1.5" and 2” Deep Cradled Panels, all made in the USA Made with Ampersand’s 1/8" True Artist Hardbord™ and Archiva-Seal™ technology, the surface is acid-free, non-yellowing, and archival. Perfect for all painting techniques with traditional and water-mixable oils, acrylics and acrylic gouache, and even brittle paints like Egg Tempera and Caseins! A delicate enough surface for glazing, fluid brush strokes, and tight detail, it is still tough enough to hold up to the most rigorous palette knife painting, collage, and mixed media applications. Only Ampersand builds their cradles by hand with premium grade 13-ply birch hardboard for maximum stability and a clean, finished look from edge to edge. Gessobord is manufactured from products that are sustainably forested, to ensure the protection of wildlife, plants, soil, and water. Panels are formaldehyde-free, and contain no harmful volatile organic compounds. The most trusted pre-gessoed wood panel by artists for their work. The #1 painting panel for oil & acrylics! Key Features: * Ready to use, pre-gessoed wood panel * 88% thicker gesso than other brands * Ideal for oil paints, acrylics, and mixed media * Lightly sanded surface provides exceptional brush control * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly and fully made in the USA * Perfect For: * Oils, Acrylics, and Mixed Media * Brittle media like Caseins and Egg Tempera * Excellent for anything from fine brushwork to palette knife painting * Ideal for thin glazing, alla prima, and even impasto * Tough enough to hold the most rigorous pallet knife painting and collage * Plein air painting - 1/8” panels fit easily into pochade boxes * #1 painting panel for oil & acrylics! * 1/8” Flat Panels- perfect for plein air or studio painting; fit most standard rabbeted frames. * 3/4” Cradled Panels - offer more support for heavier weight media like collage, mixed media, or heavy texture applications; fit traditional canvas-style framing. * 1 1/2” Cradled Panels - can be used with all techniques and mediums, standard gallery depth sides can stand alone or frame with floater-style framing options. * 2” Deep Cradled Panels - offers maximum support and frameless presentation, all in one. See More
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Old Holland Oil Color - Coral Orange, 225ml TubeSave Up to44%Off listOrange Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Pebeo Studio Green Phosphorescent Gel (225ml)Save Up to25%Off list…Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green Phosphorescent Gel is an eco-friendly painting medium that produces a glow-in-the-dark effect. Apply the gel thickly with a palette knife to achieve the best glow. The dry gel has a translucent, satin matt finish under light but shines… Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green Phosphorescent Gel is an eco-friendly painting medium that produces a glow-in-the-dark effect. Apply the gel thickly with a palette knife to achieve the best glow. The dry gel has a translucent, satin matt finish under light but shines bright in the dark. Pebeo makes its Phosphorescent Gel with recycled resins that emit 6 to 7 times less C02 than the petrochemicals in traditional acrylic gels. Key Features: * Produces glow-in-the-dark effect * Translucent, satin matt finish * Eco-friendly recycled resin formula * Generates less CO2 * Can be mixed with acrylic paint * Use alone for best effect * Jars made from recycled materials Perfect For: * Creating glow-in-the-dark artwork * Thick application with a palette knife * Canvas and wood panels * Artists seeking sustainable alternatives See More
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Winsor & Newton Artists Acrylic Mediums And Additives Matt UV Varnish 225mlSave Up to40%Off list…remove Artists' Acrylic varnish without damaging your painting, allowing you to clean any trapped pollutants before re-varnishing your work for maximum protection. Don't let time ravage the brilliance of your art: protect your paintings with Artists' Acrylic UV Varnishes!* Guards against dirt,… Protect your finished paintings from damage by dirt, grease and airborne pollutants! After all your hard work in creating your Artists' Acrylic paintings, you want them to last for generations! Professional artists know that varnishing your finished artwork is an indispensible final step in the creation process. Varnish serves to protect paintings from damage inflicted by dirt, grease, and airborne pollutants, and the UV protective agents in Artists' Acrylic Varnish also safeguard against color fading and improve lightfastness. In addition to being an excellent varnish for acrylic paintings, this UV protection means it is also a beneficial final varnish for non-lightfast works such as digital or giclée prints. Varnish is available in Gloss, Satin and Matt finishes, all of which can be intermixed for limitless customized variations on final sheen. A Varnish Remover is also available, to safely remove Artists' Acrylic varnish without damaging your painting, allowing you to clean any trapped pollutants before re-varnishing your work for maximum protection. Don't let time ravage the brilliance of your art: protect your paintings with Artists' Acrylic UV Varnishes!* Guards against dirt, oil and airborne pollutants * UV protection improves lightfastness and hinders color fading * Excellent for acrylic paintings and even digital or giclée prints! * Available in Gloss, Satin and Matt; which can be mixed for customized finishes * Varnish Remover is easy to use for conservation purposes * Preserve your paintings for generations! You might also be interested in:* Winsor & Newton Artists' Acrylic Gessos * Winsor & Newton Artists' Acrylic Mediums and Additives See More
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Pebeo Studio Green Transparent Fluid Medium (225ml)Save Up to25%Off list…Perfect For: * Extending and thinning acrylic paint * Creating a collage or inlay * Acrylic image transfers * Different acrylic techniques * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green eco-friendly acrylic mediums work like traditional mediums but contain recycled resins that generate 6 to 7 times less C02 than petrochemical resins. Bindex 3-in-1 Acrylic Binder allows you to thin and extend acrylics without compromising paint stability. Bindex can also be used to create collages or image transfers. Pebeo Studio Green Transparent Fluid Acrylic Medium increases the transparency and flow of acrylic colors. Use it as a pouring assistant or as a topcoat. Bindex 3-in-1 Acrylic Binder and Transparent Fluid Acrylic Medium are non-yellowing and dry to a satin finish. Key Features: * Dries quickly to a satin finish * Eco-friendly recycled resin formula * Flexible and stable acrylic medium * Use to extend acrylics * Generates less CO2 than traditional mediums * Jars made from recycled materials * Sand for a smooth surface Perfect For: * Extending and thinning acrylic paint * Creating a collage or inlay * Acrylic image transfers * Different acrylic techniques * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives See More
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Pebeo Studio Green Heavy Modeling Paste (225ml)Save Up to25%Off list…Pebeo Studio Green Modeling Paste is an eco-friendly painting alternative with excellent adhesion and flexibility. You can use the modeling paste as a ground or mix it with acrylic paint to create more volume. Apply globs of the paste with a palette knife or brush to build layers of texture. As the… Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green Modeling Paste is an eco-friendly painting alternative with excellent adhesion and flexibility. You can use the modeling paste as a ground or mix it with acrylic paint to create more volume. Apply globs of the paste with a palette knife or brush to build layers of texture. As the modeling paste dries, it keeps its volume, remains opaque, and does not crack. Pebeo makes the paste from recycled resins that emit 6 to 7 times less C02 than the petrochemical resins in traditional modeling paste. Key Features: * Flexible modeling paste * Does not crack when drying * Eco-friendly recycled resin formula * Generates less CO2 than traditional paste * Use alone or mix with acrylic color * Can be sanded and sculpted once dry * Jars made from recycled materials Perfect For: * Building a textured ground * Adding volume to acrylic paint * Canvas and wood panels * Thick impasto application * Use with a palette knife or brush * Artists seeking sustainable alternatives See More
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Michael Harding Handmade Artists Oil Color 225ml - ViridianSave Up to25%Off listGreen ”These Michael Harding paints that I am using are doing exactly what he said they would - they’re changing my life!!! Warning - these Professional Oil Paints are highly addictive! Over 30 years ago, painter Michael Harding set out for perfection in a line of handmade oil colors. Today, Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients (without the use of artificial driers, extenders, or fillers) gives artists working qualities unlike any other oils, making their work stand out in a room full of paintings. The consistency is creamy, buttery, and easy to handle, offering the greatest possible coverage with 100 brilliant, vibrant colors to choose from. Please note that packaging may vary. Key Features: * Exquisitely Handmade Oil Colors * Highest, most brilliant pigment load * No added driers, fillers, or extenders * Highest lightfastness ratings * Professional Quality * Rich, creamy consistency Perfect For: * Professional Oil Painters * discerning students & amateurs * Artists favoring Old Masters materials * Use with Michael Harding Mediums * Artists requiring highest pigment oils * Painters using only handmade oils Are Michael Harding paints good? Yes! Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients gives artists working qualities unlike any other oils! See More
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Daler-Rowney Georgian Oil Color 225ml Tube - Blue GreySave Up to40%Off listBlue Artist quality oil colors at a much better value! "Buttery and vivid... These paints come alive!"-Thumper, Artist & Customer (Auburn, WA) Daler-Rowney’s Georgian Oil Colors are the product of over 200 years of fine craftsmanship from the company’s color factory in Bracknell, England. Named for the company’s founder, George Rowney, his passion for traditional milling techniques in the pursuit of classical and modern colors has translated into the satisfying experience for both brush and palette knife painting today. Georgian Oil Colors provide a high quality oil color at a uniform and economical price. They use lightfast and permanent pigments that are triple-milled for easy mixing and consistent brilliance across all colors. The precise measurements used for individual colors requires the perfect balance of oil content and high quality pigment, finely ground to release the full intensity of the color and to ensure complete dispersion. Their new and improved formula provides enhanced single pigment color brightness, which remain consistent from first application to final finish. The Georgian Oil Colors generally require very limited quantities of added mediums, which is perfect for using freely straight from the tubes. Students and professional artists alike will feel they have found a workhorse, both for their studios and for plein air painting. Key Features:* 54 brilliant colors available* High lightfast ratings and highly permanent* 24 single pigments, 31 opaque or semi-opaque colors* Improved color strength (color reduction 5:1; mix of 5 part of white and 1 part of the color to show the effect/ result)* Improved consistency of drying from 4-5 days to 2-5 days* All colors are rated as Permanent**** or Normally Permanent*** Perfect For:* Student to professional works * Classrooms and workshops * Large scale projects * Artists in search of an unbeatable value * Daler-Rowney Georgian Oil Color Selection Set of 10 - The Perfect Set For The New Oil Artist! This set includes ten popular colors in generous 38ml tubes Ten 38ml Colors include: Titanium White, Lemon Yellow, Cadmium Red Hue, Alizarin Crismon, French Ultramarine, Viridian Hue, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black See More
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