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Winsor & Newton Cotman Watercolor Plus Set of 12, 8ml TubesSave Up to49%Off listAssorted Colors Quality watercolors at affordable prices! Winsor & Newton produce their Cotman Watercolors at a reduced cost for students and beginners while meeting quality standards. They use modern organic pigments instead of costly metallics to make their quality colors affordable. Some of the rare pigments used in Artists' Watercolors are replaced with less expensive alternatives in the Cotman line. The range of 40 colors offers excellent lightfastness and tinting strength. All the colors mix cleanly and are easy to manipulate with a brush or sponge. Key Features: * Available in: 8ml and 21ml tubes * 40 beautiful tones * Excellent tinting strength * Affordable but uncompromising in quality * Easy to work with * Good transparency * Imported from England Perfect For: * Students and beginners * Painting watercolor washes * Gradient effects * Basic and advanced color mixing * Creating long-lasting works of art * Artists of all skill levels See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Charvin Unprimed Canvas Jute - 380gsm 78.6" x 5.5 yardsSave Up to55%Off listNatural A canvas style offering for every type of painter Acrylic Priming - double acrylic primed with professional-quality gesso; suitable for acrylics, oils, alkyds. Acrylic Primed Medium Linen has a medium weight. Medium Linen - Extremely popular, medium linen is perfect for general painting techniques and genre styles. Coarse Linen -Great for larger paintings, murals, or works where a pronounced weave is desirable. Acrylic Primed Coarse Linen has a Heavy weight. Jute - An ancient fabric, the extra tight weft and coarse grain of this unprimed jute gives paintings an original, unique look. See More
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Brusho Crystal Colour, Cobalt Blue, 15 gramsSave Up to11%Off listBlue Incredibly versatile, highly pigmented watercolour ink powder Totally intermixable, Brusho Crystal Colours can be used on paper, canvas, or even wood. Brusho Crystal Colours are a unique new watercolour ink that is transparent and highly pigmented. It is renowned for its versatility and can be used in many different ways. With a broad, vibrant color range, many fantastic effects can be made when mixing Brusho and other solvents like water or bleach. They can be sprinkled on a brush for painting, dissolved in water, sprinkled on wet paper, painted on papier-mâché, fabric and much more. They are completely non-toxic and non-harzardous, but can still stain unprotected skin. They have been manufactured in Sheffield, England for over 35 years. They are the versatile ink powder crystals to fuel your imagination! Key Features:* Highly Pigmented Water Colour Ink Powder* Versatile ink powder crystals* Can be mixed with water to make watercolour washes and designs* Versatile powder crystals can be used for numerous creative effects and enhancements* Wide range of 32 colours* Completely non-toxic and non-harzardous* Dissolves in water* Sprinkled on wet paper* Painted on papier-maché, fabric and more Perfect For:* Can be sprinkled on a brush for painting* Watercolour painting * Fabric effects for wall hangings, design work, stage backdrops* Stencils* Creating designs using wax, crayons or candles. Craft Spritzer Set — Ideal for card making and other crafts, this set includes six 15 gram pots Brusho Crystals (Sunburst Lemon, Orange, Alizarin Crimson, Violet, Turquoise, and Sea Green), plus a spritzer bottle for creating bursts of vibrant background color. Assorted Set of 8 — This basic introductory set contains Yellow Ochre, Rose Red, Lime Green, Olive Green, Moss Green, Sandstone, Terracotta, and Burnt Sienna in 15 g pots, plus an instructional leaflet. Assorted Set of 12 — This broader range of 12 colors includes Lemon, Yellow, Orange, Scarlet, Brilliant Red, Purple, Ultramarine, Leaf Green, Emerald Green, Turquoise, Dark Brown, and Black in 15 gram pots, along with an instructional leaflet. Assorted Set of 24 — This complete set of 24, 15 gram colors includes Lemon, Yellow, Gamboge, Orange, Vermilion, Scarlet, Brilliant Red, Ostwald Red, Crimson, Cobalt Blue, Ostwald Blue, Ultramarine, Prussian Blue, Turquoise, Leaf Green, Emerald Green, Sea Green, Violet, Purple, Light Brown, Dark Brown, Grey, Black, and White, plus an instructional leaflet. See More
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Holbein Watercolor Masking Fluid Ballpoint Pen, 8mlSave Up to10%Off listGrey Holbein Masking Fluids Ideal For Watercolor! Holbein Masking Fluid allows you to protect or highlight areas of your work when painting with watercolors. If you prefer your masking fluid thinner, you can thin it with plain or soapy water before applying it with a brush or dip pen. Wait for masking fluid to dry completely before painting around the dried fluid. You can use the Holbein Ballpoint Masking Pen to highlight areas, draw fine lines, or make detailed expressions. The pen masking fluid is an easy to see gray color when wet and turns black once dry. Shake the pen well before use and gently squeeze the barrel to release masking fluid as you draw. Allow your masking fluid lines to dry before applying watercolor paint. To remove dried masking fluid, use a soft eraser or a rubber pick-up. Masking Fluid Jar: * Thin fluid with plain or soapy water * Easy to see blue color when wet and dry * Apply with a brush or dip pen * Allow masking fluid to dry before painting * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 Perfect for : * Highlighting areas * Drawing fine lines or detailed expressions * Watercolor compositions * Hand-lettering * Line drawing on watercolor paper * Masking areas that you want to preserve * Using with Holbein watercolors Masking Fluid Ballpoint Pen: * Easy to see gray color when wet- turns black once dry * Shake the pen well before use * Gently squeeze the barrel to release fluid as you draw * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 See More
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