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Sennelier Artist Dry Pigments Emerald Green Hue 80 gramsSave Up to37%Off listGreen An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Red Ochre 80gSave Up to40%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Turner Acryl Gouache Empty Palette Ruler & ClothSave Up to60%Off list…for use with Turner Acryl Gouache Paints* Cards are the perfect size for your pocket* Create up to 120 colors by following mixing ratios* Empty plastic palette with 5 compartments* Ruler and wipe cloth included with the palette Perfect For:* Painting with Turner Acrylic Gouache* Fine artists,… Try Turner Acryl Gouache accessories today! The Turner Acryl Gouache Color Mixing Guide is designed for use with Turner Acryl Gouache Paints. You can create up to 120 individual colors by following the mixing ratio written on the back of each card. The Empty Palette Box is made of translucent plastic and includes 5 separate compartments, a clear ruler, and a wipe cloth. It's perfect for making your very own portable paint set. Snap the clear plastic lid over the box when it's clean-up time. Key Features:* Mixing Guide cards designed for use with Turner Acryl Gouache Paints* Cards are the perfect size for your pocket* Create up to 120 colors by following mixing ratios* Empty plastic palette with 5 compartments* Ruler and wipe cloth included with the palette Perfect For:* Painting with Turner Acrylic Gouache* Fine artists, illustrators, and designers* Color mixing 120 different colors* Reproducing colors with mixing instructions* Storing materials and paints* Everyday studio use See More
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Sargent Herringbone Weave Linen Canvas Single Oil Primed (680 gsm) 41" x 1 Yard SampleSave Up to79%Off listWhite A highly coveted, master-crafted canvas - Perfect for even the most detailed paintings! John Singer Sargent was one of the greatest portrait artists of all time, and part of his success was dependent on the canvas he used. New J.S. Sargent Herringbone Weave Linen Canvas from Creative Mark is a unique addition to their canvas line, with innovative qualities unavailable anywhere else. This canvas is made from only the finest linen flax, meticulously hand-processed and woven into a twill herringbone pattern that provides uniformity, elegance, and strength. The unique weave makes for a smooth surface with superior resilience that can withstand stretching in any direction and the most rigorous of painting techniques. Available in unprimed, oil primed, and glue-sized surfaces, there is the perfect option for any painter. Great care is taken in producing each oil-prepared canvas. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. We have not used white lead for many years, per Belgian and European legislation. The coating itself consists of linseed oil as a binder, chalk, and titanium white oil paint as the pigment ground. Gesso the unprimed version for acrylic painting, mount the glue-sized onto board for egg tempera, or stretch the oil-primed canvas onto gallery bars and paint a masterpiece worthy of Sargent himself! Key Features: * Highly coveted, master-crafted canvas rolls * Strong herringbone twill weave * Incredibly fine surface * Oil Primed features 2 coats of professional quality primer * Sold in 83" x 6 yard rolls or sample sheets * 3 surfaces: unprimed, glue-sized, and oil primed Perfect For: * Professional realist artists * Highly detailed oil paintings * Priming and painting in any medium * Portrait artists and detail painters * A superior, resilient and durable substrate * Archival art that will last for lifetimes! See More
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Pastelmat Board - Brown, 70 x 100 cm (Pack of 5)Save Up to20%Off listBrown A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
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