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Related Categories: Gesso Paint | Mottler | Extra Large Stretched Canvas | Stretcher Brace | Da Vinci Fit Synthetic | Jack Richeson Stretcher Bars | Primer | Natural Canvas
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to32%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Gamblin Dry Pigment - Titanium Dioxide, 76 GramsSave Up to25%Off listWhite 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More
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Lefranc & Bourgeois Flashe Vinyl Paint - Black, 750 ml JarSave Up to40%Off listBlack Highly Pigmented Opaque Vinyl Paint On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
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Pebeo Gedeo Crystal Resin Kit, 750mlSave Up to49%Off listPerfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon… Perfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon colors, Vitrail, Ceramic, and Studio Acrylics colors and mediums to create a wide range of beautiful effects such as precious stones, marbling, and much more.Please note: Make sure to follow the manufacturer’s instructions. Use only the recommended amount. Do not mix all of the resin at once because the reaction will cause the product to overheat and yellow. It dries completely in approximately 24 hours, depending on the thickness of the application. It can also be used as a protective coating on most surfaces or poured over Fantasy, Vitrail, and Ceramic colors. Wait a minimum of 7 days before adding a coat of resin over completely dry colors to add depth and brilliance to your creations. You can tint the Crystal Resin with up to 10% Vitrail or Ceramic color.* Gedeo Crystal Resin -Low-odor crystal clear resin that you can mix together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects. Perfect for casting in silicone molds, stained glass effects, resin jewelry, layered art, and mixed media applications. It dries completely in 24 hours, depending on thickness of the application.* Gedeo Pearl Resin -Low-odor pearl resin that comes in three opaque, luminous colors: Pearl white, Gold, and Vermeil. Perfect for casting in silicone molds, making frames, layered art, and mixed media applications. For layered effects, apply a first thin layer ; allow to cure, and then pour a second layer. To add suspended objects, pour a thin layer of resin first, allow to cure, add objects, and pour a second layer to fix them in place. It dries completely in 24 hours, depending on thickness of the application. Key Features:* Low-odor, liquid consistency resin* Easy-to-use, two-component epoxy resin system (resin and hardener)* High-gloss finish with no shrinking when dry* Can be mixed together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects Perfect For:* Stained glass effects* Resin jewelry* Mixed media applications See More
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Grumbacher Pre-Tested Picture Varnish, 2.5 oz BottleSave Up to42%Off list…arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Caravaggio Canvas #509 / 14 oz. Medium Texture 61x190"
Starting At: 174.10
White Caravaggio linen, cotton and polyester fabrics have been milled in Verese Italy for over 30 years. Caravaggio canvas is made from the highest quality materials to ensure the painting put upon it is of the highest archival quality. Caravaggio canvas is available in a variety of dimensions, textures and qualities. Artists can select Caravaggio canvas for a specific effect desired in a given painting such as extra smooth surface for portraiture, a bold texture for impasto, or an abrasive toothy surface to enhance adhesion for collage. Available in a selection of weights, dimensions, qualities & textures. All canvas is double primed using a universal primer that is suitable for oils and acrylics, with the exception of #511F, and #514F which are single primed with a clear acrylic coat, and new Raw (unprimed) rolls of #'s 509, 510, 512, and 514. #501 Canvas - 75% Cotton / 25% Polyester. #502 Canvas - 100% Cotton. #503 Canvas - 100% Cotton. #504 Canvas - 100% Polyester. #507 Canvas - 33% Cotton / 67% Polyester. #508 Canvas - 100% Jute. #509 Canvas - 100% Linen. #510 Canvas - 100% Linen. #511F Canvas - 100% Linen. #511 Canvas - 100% Linen. #512 Canvas - 100% Linen. #514F Canvas - 100% Linen. #514 Canvas - 100% Linen. #515 Canvas - 100% Cotton. #516 Canvas - 40% Cotton / 60% Linen. #528 Canvas - 100% Cotton. Please allow ADDITIONAL DELIVERY TIME for these items. For further information, call our Order Dept (800-827-8478). See More -
Daler-Rowney FW Acrylic Ink Pouring Medium, 750 mlSave Up to33%Off list…has excellent UV resistance, clarity, and transparency, making the FW epoxy system particularly suitable for the protection and decoration of paintings, artwork, sculptures, and many more. Key Features: * Pouring medium optimized for acrylic inks * Specially formulated for Daler Rowney Acrylic Inks… The first pouring medium optimized for inks! Daler Rowney FW Acrylic Ink Pouring Medium works well with Daler Rowney FW Acrylic Inks and Daler Rowney Aquafine Watercolour Inks. Mixing this medium with acrylic ink creates a pourable consistency and guarantees that the mixture will dry to a smooth, glossy finish without cracking. If you prefer the optically clear high gloss look of resin art, look no further. Daler-Rowney FW Epoxy Resin and Epoxy Hardener mix well with the heavy pigments found in FW inks to create bright and vibrant resin art. It has excellent UV resistance, clarity, and transparency, making the FW epoxy system particularly suitable for the protection and decoration of paintings, artwork, sculptures, and many more. Key Features: * Pouring medium optimized for acrylic inks * Specially formulated for Daler Rowney Acrylic Inks * Gives colors a smooth, pourable consistency * Dries to a smooth, even film * The poured mixture will not crack * Glossy uniform surface * Designed to be poured * Dries to a permanent hard surface * UV stabilized epoxy resin and hardener * Optimized to work with the pigments in FW inks Perfect For: * Acrylic and watercolor ink * Use on canvas, wood, and other primed surfaces * Dirty pour or flip-cup pour * Creating interesting pours * Optically clear, high gloss resin art * Resin coating canvas, wood, MDF, glass, perspex, concrete & metal * Laminating or casting load-bearing forms with resin * Pour or brush/roller application * Everyday studio use Directions for FW Pouring Medium: Mix one-part acrylic ink with one-to-three parts pouring medium (depending on the desired thickness). You can then pour the mixture over your chosen substrate. The Daler Rowney FW Acrylic Ink Pouring Medium has a gel-like consistency, and when you mix it with ink, you must mix it long enough to turn the gel ink mixture into a creamy, pourable liquid. The mixture's viscosity improves if it is left to stand for an hour before you pour it. Directions for FW Epoxy Resin and Hardener: Due to its flexibility and strength, FW Epoxy is perfect for creating resin art, laminating, or casting load-bearing forms, sculptures, and statues. Mix 1 part FW Epoxy Resin with 1 part FW Epoxy Hardener to finalize your 3D art. You can pour or brush it on the surface. The resin will self-level to form a perfectly flat gloss finish. It's important to cure the piece at ambient temperature. FW Epoxy is surface dry in 60 minutes, and the coating will be touch dry within 12-24 hours. Once cured, FW Epoxy Resin and Hardener won't shrink or distort over time. Equally suitable for indoor and outdoor use once dry. Please be advised although our resins are UV stabilized, this does not mean they are UV proof. Ultimately our FW clear epoxy resin will show signs of UV degradation over time. See More
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The Masters Brush Cleaner and Preserver Soap, 2.5oz JarSave Up to22%Off list…stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It… Clean, Preserve and Keep Brushes Like New! The Masters® Brush Cleaner & Preserver - trusted by artists since 1979. Made with the B&J Original Formula, it Cleans, Conditions, and Restores Paint Brushes in one step. Use with Wet or Dry Oil Paint, Wet Acrylic Pains, Watercolor Paint and Stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before—even the finest sable brushes! This unique product works on oils, acrylics, watercolor, varnishes, stains, shellac and most synthetic finishes. It will also restore most hardened brushes to like-new condition. Key Features:* The Best Cleaner - "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints* The Best Preserver - "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair* The Best Restorer - Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition The Best Cleaner "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It conditions the brush to hold more color and helps lay down a smoother more even flow. Use "The Masters"® after every session to keep your brushes like new. The Best Preserver "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair. It keeps your brushes like new so they'll retain the same natural snap and luster - for consistent performance - as the day you bought them. The Best Restorer Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition. Simply wet with water, swirl, lather and let brush sit a while before rinsing. Repeat process until all the paint is removed. Your brushes will be reconditioned and you will have a new old brush.How To Use "The Masters"® Brush Cleaner For Cleaning * 1. Wipe brush to remove excess paint* 2. Wet brush and/or "The Masters"® with water* 3. Swirl brush in "The Masters"® and work into a lather* 4. Rinse with clean water* 5. Repeat if necessary until brush is clean (lather will be white). You can clean one color after another without removing the previous colors from "The Masters"® first. For Preserving * 1. Clean brushes as above* 2. Leave clear lather on bristles, shape and allow to dry* 3. Shake powder off bristles when ready to use again. For Restoring * 1. Clean brush as above, but use hot water* 2. Allow lather to remain on bristles for a few minutes* 3. If necessary, tap bristles on hard surface to work paint out* 4. To clean paint from ferrule, allow lather to remain on the bristles for several hours, and repeat cleaning process* 5. Leave clear lather on bristles, shape, and allow to dry. See More
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Grumbacher MAX Linseed Oil Medium, 2.5 oz BottleSave Up to45%Off list…techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil,… Mediums with Maximum Performance with Water! Grumbacher MAX Oil Mediums aid in producing brilliant, lustrous transparent colors and glazes. Improves flow and water-mixability of oils. Holds precise lines and strokes during wet-in-wet techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely water-miscible. No solvents needed may be thinned with water. Clean up is as easy as washing brushes and tools with soap and water. Made in the USA. * QuickDry and Linseed Oil Mediums* Improves flow and water-mixability of oils* No solvents needed may be thinned with water* Non-yellowing* Made in the USA. See More
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Lascaux Thick Bodied Artist Acrylics Cadmium Red Light 750 mlSave Up to38%Off listRed The richest acrylic paints in the world! All Lascaux Thick Bodied Artist Acrylic colors dry to a consistent satin finish. The richness of the pigment along with the uniform character of the paint film produces vivid compositions not capable with any other brand. Colors are intensely pigmented, extraordinarily lightfast, and completely resistant to aging. They layer well without shrinking and cover exceptionally. Colors do not oxidize, yellow or crack even in the thickest layers. Synthetic Iron Oxide colors are substituted for natural earth colors to produce a richness in hue not possible with natural pigments. The range includes both transparent and opaque colors. Key Features: * In Sizes: 45ml, 200ml, 750ml * Maximum pigmentation * Lightfast, age-resistant & non-yellowing * Water-resistant when dry * Very good film flexibility * Semi-matt finish * Smooth and thick consistency * Highly concentrated and economical Perfect For: * Precision application with brush or palette-knife * Impasto * Thick texture * Painting on practically any surface * Plein air painters * Quick and easy cleanup * Artists and teachers See More
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