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Sennelier Artist Dry Pigments Phthalocyanine Blue 100 gramsSave Up to37%Off listBlue An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Raw Materials Balsam Resin 100gSave Up to40%Off list…Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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EconoSpace© Art and Glass Separator 1/4" 60 Ft Bundle 12, 5 Ft Pieces - ClearSave Up to11%Off list…that bonds to the edge of the glass in a picture frame. This is used to make the proper airspace between the art and glass in either wood or metal picture frames. This airspace helps prevent mold growth, paper buckling, image transfer, and adhesion to the glass. It is available in 4 sizes from… EconoSpace© is a clear, neutral pH plastic "peel & stick" type art-glass separator that bonds to the edge of the glass in a picture frame. This is used to make the proper airspace between the art and glass in either wood or metal picture frames. This airspace helps prevent mold growth, paper buckling, image transfer, and adhesion to the glass. It is available in 4 sizes from 1/16 inch airspace up to 3/8 inch and most come in clear, black, and white. EconoSpace can be used to frame photographs, watercolors, pastels, and any paper art or document. * Made from clear, neutral pH plastic* Quick and easy - Saves time* Works in both wood and metal frames* Professional looking - No painting* Neutral pH - No plasticizers - Won't harm fine art* Cuts easily & clean with razor or shears* .005 Inch neutral pH acrylic adhesive (Adhesive is 250% thicker than the others)* Hollow for stiffness and lightness - doesn't tend to sag in the frame* Both with glossy and matte finished sides See More
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Yasutomo Kozo Art Paper 58 gsm 13-3/4" x 10-1/2" Sheet (Pack of 10)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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Pebeo 4Artist Marker Odorless Medium 245MlSave Up to20%Off list…medium to erase marker designs from a dry, nonporous surface without altering the lower layers of a painting. The Pebeo 4Artist Marker varnishes are specially formulated to protect oil-based paint designs, but can also be used to protect mixed media and acrylic work. 4Artist Varnishes are available… Versatile Varnish and Medium for 4Artist Markers! Pebeo has created an Odorless Medium and Varnish series made exclusively for the 4Artist Pebeo marker line. The odorless medium can be used to dilute, fade and shade 4Artist Markers or other Pebeo Mixed Media products once fully dry. You can even use the odorless medium to erase marker designs from a dry, nonporous surface without altering the lower layers of a painting. The Pebeo 4Artist Marker varnishes are specially formulated to protect oil-based paint designs, but can also be used to protect mixed media and acrylic work. 4Artist Varnishes are available in Matte, Satin, and Gloss effects. Key Features:* Formulated for 4Artist Markers* Fast drying formula Perfect For:* Mixed Media Artists* Oil Paint See More
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