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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Painter's Edge Stainless Steel Painting Knife Style 34T (3-1/4" Blade)Save Up to67%Off list…designs into your compositions, or for removing color. Painting Palette Knives* 60 shapes, 5 Sets* T = Trowel Shape* F = Flat Shape* S = Scraper Shape* Italian-style painting knives* Made from polished stainless steel* Perfect painting response* Blades are fixed into its wooden handle with the… Stainless Steel Italian Style Painting Knives! These Italian styled painting knives are made from polished stainless steel and are specially tempered to provide just the right amount of give for the perfect painting response. Each blade is fixed into wood handle with the aid of a brass collar. The handle is comfortable to grip and features a deep walnut stain beauty and durability. With 60 shapes and 5 sets there is surely a style right for your painting endeavors. "T "knives have a trowel (offset) blade making it easy to work the knife into the painting. "F" knives are traditional palette knives used move for mixing. "S" knives are scraper blade knives use for shaping, contouring and scraping designs into compositions and for removing color. * Polished tempered stainless steel blades* Deep inset shaft* Fixed into wood handle with the aid of a brass collar* Finished hardwood handles* For all media With 60 shapes and 5 Sets to choose from, you're sure to find the perfect style for every painting endeavor. * Each series "T" knife features an offset, trowel-shaped blade, making it easy to work the knife into the painting.* Series "F" knives feature a traditional, flat blade perfect for mixing* Series "S" knives feature scraper blades for shaping, contouring and scraping designs into your compositions, or for removing color. Painting Palette Knives* 60 shapes, 5 Sets* T = Trowel Shape* F = Flat Shape* S = Scraper Shape* Italian-style painting knives* Made from polished stainless steel* Perfect painting response* Blades are fixed into its wooden handle with the aid of a brass collar* Comfort-grip handles feature a deep walnut stain for beauty and durability Palette Knife Basic 5 Set - Includes styles 1T, 6T, 10T, 53F and 61S. Palette Knife Set Collection 5A - Includes styles 1T, 4T, 6T, 7T and 10T. Palette Knife Set Collection 5B - Includes styles 20T, 30T, 32T, 37T and 61S. Palette Knife Set Collection 5C - Includes styles 3T, 15T, 35T, 36T and 38T. Palette Knife Set Collection 5D - Includes styles 39T, 41T, 44T, 48T and 51T. Studio Palette Knives with Case Set of 8 - Made of polished stainless steel each blade is deeply inset into the wood handle with the aid of a brass collar. The deep walnut stained wooden handle while being extraordinarily comfortable to grip and maneuver is sure to transpose each idea with ease. You will receive the 1T, 10T, 23T, 29T, 35T, 36T, 60S and 61S fitted into a zippered carrying case featuring a carrying loop. Making this set extraordinarily convenient to bring along with you wherever your creativity may take you. See More
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Jacquard Lumiere Fabric Color - Metallic Russet, 2.25oz JarSave Up to37%Off listMetallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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Jacquard Pearl Ex Pigment Mediums - Pearl Ex Varnish, 2 1/4ozSave Up to29%Off list…you can create custom watercolor paints. Gum Arabic is a binder medium that produces a glossy, easy-to-brush color when mixed with dry pigments and water. You can use the water-based Pearl Ex PX Varnish as a medium, or use is as a protective topcoat over your painting. This varnish enables Pearl Ex… Create custom watercolor paints with Gum Arabic! Pearl Ex Powdered Pigments can be mixed into any media and applied to any surface! The variety of finishes Pearl Ex Powdered Pigments can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. If you mix Pearl Ex pigments with Jacquard's Pearl Ex Gum Arabic, you can create custom watercolor paints. Gum Arabic is a binder medium that produces a glossy, easy-to-brush color when mixed with dry pigments and water. You can use the water-based Pearl Ex PX Varnish as a medium, or use is as a protective topcoat over your painting. This varnish enables Pearl Ex users to show off the lustrous metallic finish of mixed Pearl Ex paints. The durable varnish also protects artwork on a variety of surfaces. Works great on paper, clay, metal, wood, or plastic and cleans up easily with water. Key Features: * Gum arabic binder * Binder produces a glossy easy-to-brush color * Water-based varnish * Use varnish as a medium or topcoat * Cleans up easily with water Perfect For: * Washes, glazes, and stamping * Metallic watercolor * Pearl Ex Powdered Pigments * Wider variety of watercolor effects * Protective topcoat over your painting See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Jacquard Water Based Resist - Clear, 2.25ozSave Up to29%Off listClear Transparent Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Jacquard Neopaque Fabric Color - Turquoise, 2.25oz JarSave Up to30%Off listBlue Dazzling opaque colors for fabric, paper, leather, wood and more! These gorgeous, brilliant opaque paints spread smoothly and stay flexible. They are a perfect choice for fabric and leather, but are also stunning on surfaces like paper, photos, wood, shrink plastic and even styrofoam! Neopaque paints are designed to cover dark backgrounds with light application. On light backgrounds they produce a subtle "designer palette" alternative to a more intense color scheme. Neopaque colors may be painted, stenciled, screen printed, airbrushed (when diluted) and stamped. They may also be added to Jacquard Lumiere colors to produce an antique effect. Available in 2.25 oz and 8 oz bottles. See More
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Jacquard Permanent Textile Color 2.25 oz. Jar - GoldenrodSave Up to30%Off listYellow Fix Permanent Textile Colors with Dyeset Fixative or Steam! Jacquard Permanent Textile Colors are color rich, intense, and semi-opaque. They can be applied straight from the bottle with a brush, thinned for use with an airbrush, bottle, or used with stamping applications. When diluted with 25% water or Permanent Textile Colorless Extender, they produce beautiful transparent colors. Textile Colors can be intermixed for endless color creations. Unlike other textile paints, Jacquard Permanent Textile Colors leave your fabric as soft as possible. The Textile Colors can be set in several ways, either heat setting with an iron, or by using Jacquard Dyeset Fixative. Alternatively, Jacquard Airfix can be added to textile paint while working, to set it during the working process. Available for purchase in 2.25oz, 8oz, 32oz, and Gallon Jar sizes. Key Features:* Leaves fabric soft* Intense, semi-opaque colors* Dilute or use extender to 25%* Addition of Airfix sets colors Perfect For:* Art and craft applications* Fabric and Textile Artists* Unique Art Creations* Collage and Multimedia Works See More
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Holbein Watercolor Masking Fluid Jar, 55mlSave Up to10%Off listGrey Holbein Masking Fluids Ideal For Watercolor! Holbein Masking Fluid allows you to protect or highlight areas of your work when painting with watercolors. If you prefer your masking fluid thinner, you can thin it with plain or soapy water before applying it with a brush or dip pen. Wait for masking fluid to dry completely before painting around the dried fluid. You can use the Holbein Ballpoint Masking Pen to highlight areas, draw fine lines, or make detailed expressions. The pen masking fluid is an easy to see gray color when wet and turns black once dry. Shake the pen well before use and gently squeeze the barrel to release masking fluid as you draw. Allow your masking fluid lines to dry before applying watercolor paint. To remove dried masking fluid, use a soft eraser or a rubber pick-up. Masking Fluid Jar: * Thin fluid with plain or soapy water * Easy to see blue color when wet and dry * Apply with a brush or dip pen * Allow masking fluid to dry before painting * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 Perfect for : * Highlighting areas * Drawing fine lines or detailed expressions * Watercolor compositions * Hand-lettering * Line drawing on watercolor paper * Masking areas that you want to preserve * Using with Holbein watercolors Masking Fluid Ballpoint Pen: * Easy to see gray color when wet- turns black once dry * Shake the pen well before use * Gently squeeze the barrel to release fluid as you draw * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 See More
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Duo Aqua Oil Stand Linseed Oil 55 ml BottleSave Up to35%Off list…in top shape by adding extra protection to the bristles. DUO Aqua Brush Cleaner works well with acrylic paints and can even be used with traditional oils, though the brushes should be allowed to dry completely before the next painting session. Available in a 200ml bottle and a 500ml jug. Special blend of mediums to enhance transparency and aid flow! Holbein DUO offers a whole line of mediums to enhance the Duo Aqua line of water-soluble oil paints. Duo Aqua Oil Color is an artist-grade water-soluble oil color that offers the same lightfast and archival pigments found in traditional oil paints. The Holbein laboratory adds a surfactant that coats the molecule of the DUO linseed oil, which permits water thinning and soap & water clean-up. DUO Aqua is compatible with all media such as traditional oil color and mediums, watercolor, gouache, acrylic gouache, and traditional acrylic paints. Key Features:* Thin with water* Milky appearance dries clear* Cleans up with soap and water Perfect For:* Professional artists and Teachers* Compatible with all media* Exceptional teaching materials Holbein DUO Aqua Linseed Oil increases the transparency and glossy finish while slowing the drying time of DUO Aqua Oil Paint. As with Holbein DUO Aqua Oil Colors, add water to thin DUO Linseed Oil. Adding water may cause the oil to become cloudy but will dry clear. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml and 200ml bottles. Holbein DUO Aqua Oil Stand Linseed Oil is a highly polymerized, viscous medium that increases the transparency of the water-soluble oil paint and produces a leveled gloss effect with an elastic, durable film. Like all DUO Aqua Mediums, thin with water. The solution may become milky but will clear when dry. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml bottles. Holbein DUO Aqua Oil Quick Drying Medium - Pastes and Liquids - will enhance transparency, accelerate drying time, and create a final surface finish. Mixing with DUO Aqua Oil Colors in equal parts, the substrate surface becomes tacky in approximately 30 minutes. When thinned with water, the resulting milky appearance becomes clear when dry. Thick layers may cause wrinkling. Available in Gloss finish and Matte finish. Pastes are available in 50ml and 110ml tubes and Liquids are available in 55ml and 200ml bottles Holbein DUO Aqua Brush Cleaner is an odorless, non-flammable cleaning solution formulated for Holbein DUO Aqua Water-Soluble Oils. It is also perfect for use with other water-soluble oil colors. This mild cleaner helps brushes stay in top shape by adding extra protection to the bristles. DUO Aqua Brush Cleaner works well with acrylic paints and can even be used with traditional oils, though the brushes should be allowed to dry completely before the next painting session. Available in a 200ml bottle and a 500ml jug. See More
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