Your Cart
SLI Search Template
Related Categories: Super Black | 14x18 | 20x24 Glass | 48x48 Stretched Canvas | Stretched Canvas 40x60" | Supply Box | Acrylic Box Frame 16x20" | Mars Violet
There were no results that contained all of the words in your query. These results contain some of the words.
-
Winsor & Newton Cotman Watercolor Plus Set of 12, 8ml TubesSave Up to49%Off listAssorted Colors Quality watercolors at affordable prices! Winsor & Newton produce their Cotman Watercolors at a reduced cost for students and beginners while meeting quality standards. They use modern organic pigments instead of costly metallics to make their quality colors affordable. Some of the rare pigments used in Artists' Watercolors are replaced with less expensive alternatives in the Cotman line. The range of 40 colors offers excellent lightfastness and tinting strength. All the colors mix cleanly and are easy to manipulate with a brush or sponge. Key Features: * Available in: 8ml and 21ml tubes * 40 beautiful tones * Excellent tinting strength * Affordable but uncompromising in quality * Easy to work with * Good transparency * Imported from England Perfect For: * Students and beginners * Painting watercolor washes * Gradient effects * Basic and advanced color mixing * Creating long-lasting works of art * Artists of all skill levels See More
-
Yasutomo Kozo Art Paper 58 gsm 13-3/4" x 10-1/2" Sheet (Pack of 10)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
-
Diego All-Media Acrylic Gesso Primed Linen Roll 124" x 10.94 YdSave Up to70%Off listWhite Perfect for archival large scale murals Imported From Italy Diego Linen Universally Primed Professional Canvas Rolls, aptly named for the famed Mexican fresco muralist and large scale canvas painter Diego Rivera. Diego Linen is a robust medium textured linen, oversized 124" roll with a full 10.84 yards of painting surface. Perfect for archival large scale murals or any sized painting, Diego Linen is universally primed for use with acrylics, oils, alkyds, and more. Diego's strong, beefy, all-purpose medium texture is ideal for most painting styles with its heavy 14oz primed weight (9.8oz unprimed). Key Features: * Luxury Linens! Made in Italy, Imported From Italy * Robust medium textured linen * 124" long roll with a 10.84 yd width (10 meters) * Universally primed * 14oz primed weight, 9.8oz unprimed * All-purpose medium texture * Sample piece: 18X41" * Made in Italy Perfect For: * Large scale murals * Robust medium textured linen * Archival canvas paintings of any size * Use with acrylics, oils, alkyds, and more See More
-
Pissarro Professional Oil Primed Linen Roll 124" x 10.92 YardsSave Up to74%Off listWhite Deluxe Oil Primed Linen rolls made in Italy for professional painters and muralists! Pissarro Extra-Large Professional Oil Primed Linen is a true indulgence for the oil painter! Made in Italy, these superior rolls of oil-primed linen are available in two widths, one of which is the largest oil-primed linen roll size on the market! At a generous 315cm (124") wide, the larger Pissarro canvas roll is perfect for use with even the most massive of murals, and the 208cm (82.5") roll is in itself ideal for large masterpieces. Pissarro linen is hand-picked flax yarn, meticulously woven into a beautifully uniform surface, with a sturdy medium weave and a hefty weight of 11.71 oz. (332g) raw and 17.92 oz. (508g) primed. The 192 thread per inch count makes for a lovely working surface with a medium texture excellent for gripping layers of paint and perfectly suited for various styles ranging from realism to impressionism, landscapes to abstracts. Pissarro linen has five stages of priming: two layers of glue sizing to isolate the canvas, two coats of acrylic priming to allow for tight stretching, and one coat of non-absorbent, luxurious warm-hued oil priming that enables oil colors to sit on the surface for a luminous effect. Create all your large oil paintings on the finest linen available: Pissarro Professional Oil Primed Linen Rolls! Available in 208cm x 5m (82.5" x 5.5 yards) and 315cm x 10m (124" x 10.92 yards) rolls. Key Features:* Made in Italy from hand-picked flax yarns* Tight, uniform, medium texture weave at 192 TPI* Five layers of priming * Superior quality designed for oils * Perfect For:* Mural and plein air painting* Any painting style* Any subject in oil paint* Extra-wide rolls ideal for oversized murals See More
-
R&F Pigment Sticks Translucent Color Set of 6 (38ml) + Gessobord PanelSave Up to28%Off listAssorted Colors Professional quality oil paints in stick form R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes, or solvents. Blending only finely milled pigments, natural wax (beeswax & plant wax), and alkali refined linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently, the formulas are complex, and manufacturing is labor intensive and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types and are colorless sticks that can be worked into a Pigment Stick color to increase transparency or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Works on any surface primed for traditional oils * Perfect For: * Use with traditional oils and encaustic paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Thinning with solvents and oil mediums See More
-
Sennelier Extra Fine Oil Stick Set of 6 Fluorescents & MetallicsSave Up to60%Off listFluorescent Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
-
R&F Pigment Stick 38ml - Blending Stick plus DrierSave Up to20%Off listClear Transparent Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
-
Holbein Watercolor Masking Fluid Ballpoint Pen, 8mlSave Up to10%Off listGrey Holbein Masking Fluids Ideal For Watercolor! Holbein Masking Fluid allows you to protect or highlight areas of your work when painting with watercolors. If you prefer your masking fluid thinner, you can thin it with plain or soapy water before applying it with a brush or dip pen. Wait for masking fluid to dry completely before painting around the dried fluid. You can use the Holbein Ballpoint Masking Pen to highlight areas, draw fine lines, or make detailed expressions. The pen masking fluid is an easy to see gray color when wet and turns black once dry. Shake the pen well before use and gently squeeze the barrel to release masking fluid as you draw. Allow your masking fluid lines to dry before applying watercolor paint. To remove dried masking fluid, use a soft eraser or a rubber pick-up. Masking Fluid Jar: * Thin fluid with plain or soapy water * Easy to see blue color when wet and dry * Apply with a brush or dip pen * Allow masking fluid to dry before painting * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 Perfect for : * Highlighting areas * Drawing fine lines or detailed expressions * Watercolor compositions * Hand-lettering * Line drawing on watercolor paper * Masking areas that you want to preserve * Using with Holbein watercolors Masking Fluid Ballpoint Pen: * Easy to see gray color when wet- turns black once dry * Shake the pen well before use * Gently squeeze the barrel to release fluid as you draw * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 See More
-
R&F Pigment Stick 38ml - Provence BlueSave Up to20%Off listBlue Handmade Oil Paint in Stick Form! R&F Pigment Sticks are oil paints manufactured with enough wax to mold the paint into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes, or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While using these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently, the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types and are colorless sticks that can be worked into a Pigment Stick color to increase transparency or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
-
Daler-Rowney Georgian Oil Color 38ml Tube - French Ultramarine BlueSave Up to46%Off listBlue Artist quality oil colors at a much better value! "Buttery and vivid... These paints come alive!"-Thumper, Artist & Customer (Auburn, WA) Daler-Rowney’s Georgian Oil Colors are the product of over 200 years of fine craftsmanship from the company’s color factory in Bracknell, England. Named for the company’s founder, George Rowney, his passion for traditional milling techniques in the pursuit of classical and modern colors has translated into the satisfying experience for both brush and palette knife painting today. Georgian Oil Colors provide a high quality oil color at a uniform and economical price. They use lightfast and permanent pigments that are triple-milled for easy mixing and consistent brilliance across all colors. The precise measurements used for individual colors requires the perfect balance of oil content and high quality pigment, finely ground to release the full intensity of the color and to ensure complete dispersion. Their new and improved formula provides enhanced single pigment color brightness, which remain consistent from first application to final finish. The Georgian Oil Colors generally require very limited quantities of added mediums, which is perfect for using freely straight from the tubes. Students and professional artists alike will feel they have found a workhorse, both for their studios and for plein air painting. Key Features:* 54 brilliant colors available* High lightfast ratings and highly permanent* 24 single pigments, 31 opaque or semi-opaque colors* Improved color strength (color reduction 5:1; mix of 5 part of white and 1 part of the color to show the effect/ result)* Improved consistency of drying from 4-5 days to 2-5 days* All colors are rated as Permanent**** or Normally Permanent*** Perfect For:* Student to professional works * Classrooms and workshops * Large scale projects * Artists in search of an unbeatable value * Daler-Rowney Georgian Oil Color Selection Set of 10 - The Perfect Set For The New Oil Artist! This set includes ten popular colors in generous 38ml tubes Ten 38ml Colors include: Titanium White, Lemon Yellow, Cadmium Red Hue, Alizarin Crismon, French Ultramarine, Viridian Hue, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field