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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to32%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Sennelier Artist Dry Pigments Burnt Umber 140 gramsSave Up to37%Off listBrown An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Venetian Red 140gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Schmincke Mussini Drying Accelerator 35 ml TubeSave Up to37%Off list…(Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Pebeo Studio Green White Gesso (475ml)Save Up to25%Off listWhite Eco-Friendly Formula Generates 6 to 7 Times Less CO2 Pebeo makes its Studio Green Gessoes with an eco-friendly formula of recycled resins. As a result, they generate 6 to 7 times less CO2 than gesso made of petrochemical resins. The gessos are as strong, flexible, and durable as traditional acrylic grounds. You can use the Studio Green Gessoes on various surfaces, including canvas, wood, or paper. Key Features: * Quick-drying opaque gessos * Eco-friendly recycled resin formula * Provides a flexible, stable, matt surface * Generates 6 to 7 times less CO2 than traditional gesso * Jars made from recycled materials * Improves adhesion of acrylic and oil paints * Sand for a smooth surface Perfect For: * Acrylic and oil painters * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives Studio Green White Gesso is an opaque gesso with good covering power. Studio Green White Gesso One Coat is formulated with a high concentration of Titanium White pigment to be very opaque. Only one coat of the ground is needed because it has superior covering power. Studio Green Black Gesso is an opaque gesso with good covering power. See More
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Holbein Fluid Acrylic 35ml Set of 8 Assorted ColorsSave Up to35%Off listAssorted Colors A smooth, free-flowing acrylic perfect for pouring Holbein Fluid Acrylics are low viscosity artist-grade paints. All of Holbein's vibrant colors are lightfast and mix cleanly. Holbein doesn't use fillers or extenders, so the paint has outstanding tinting strength. You can pour, drip, or spray the fluid acrylic because it's formulated to resist crazing, wrinkling, and foaming. As the paint dries, it forms a flexible, durable film with good adhesion. If you want to create watercolor-like effects, you can thin Holbein Fluid Acrylic with medium and brush it on like watercolor. Holbein Artist Fluid Acrylics mix well with all acrylic mediums, including gels, pastes, and gesso. Key Features: * Low-viscosity artist acrylic * Smooth, free-flowing formula * Holbein's colors are intermixable across the ranges * Highly lightfast pigments * No fillers or extenders used * Outstanding tinting strength * Dries to a durable, flexible paint film * Formulated to resist crazing, wrinkling, and foaming Perfect For: * Pouring techniques * Drip or spray application * Fine brushwork * Mixing with gels, pastes, and gesso * Glazing and staining * Water media techniques * Dry brush application Fluid Acrylic Set of 8 - The set of 8 includes Quinacridone Magenta, Naphthol Red, Hansa Yellow, Phthalo Green, Phthalo Blue, Burnt Sienna, Lamp Black, and Titanium White. See More
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Norma Blue Water-Mixable Oil Color - Neutral Black, 35ml TubeSave Up to47%Off listBlack Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Caravaggio Canvas #511 / 11 oz. Fine Texture 83x190"
Starting At: 174.10
White Caravaggio linen, cotton and polyester fabrics have been milled in Verese Italy for over 30 years. Caravaggio canvas is made from the highest quality materials to ensure the painting put upon it is of the highest archival quality. Caravaggio canvas is available in a variety of dimensions, textures and qualities. Artists can select Caravaggio canvas for a specific effect desired in a given painting such as extra smooth surface for portraiture, a bold texture for impasto, or an abrasive toothy surface to enhance adhesion for collage. Available in a selection of weights, dimensions, qualities & textures. All canvas is double primed using a universal primer that is suitable for oils and acrylics, with the exception of #511F, and #514F which are single primed with a clear acrylic coat, and new Raw (unprimed) rolls of #'s 509, 510, 512, and 514. #501 Canvas - 75% Cotton / 25% Polyester. #502 Canvas - 100% Cotton. #503 Canvas - 100% Cotton. #504 Canvas - 100% Polyester. #507 Canvas - 33% Cotton / 67% Polyester. #508 Canvas - 100% Jute. #509 Canvas - 100% Linen. #510 Canvas - 100% Linen. #511F Canvas - 100% Linen. #511 Canvas - 100% Linen. #512 Canvas - 100% Linen. #514F Canvas - 100% Linen. #514 Canvas - 100% Linen. #515 Canvas - 100% Cotton. #516 Canvas - 40% Cotton / 60% Linen. #528 Canvas - 100% Cotton. Please allow ADDITIONAL DELIVERY TIME for these items. For further information, call our Order Dept (800-827-8478). See More -
Old Holland Oil Color - Yellow Ochre Light, 475ml CanSave Up to44%Off listYellow Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Pebeo Studio Green Transparent Fluid Medium (475ml)Save Up to25%Off list…Perfect For: * Extending and thinning acrylic paint * Creating a collage or inlay * Acrylic image transfers * Different acrylic techniques * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green eco-friendly acrylic mediums work like traditional mediums but contain recycled resins that generate 6 to 7 times less C02 than petrochemical resins. Bindex 3-in-1 Acrylic Binder allows you to thin and extend acrylics without compromising paint stability. Bindex can also be used to create collages or image transfers. Pebeo Studio Green Transparent Fluid Acrylic Medium increases the transparency and flow of acrylic colors. Use it as a pouring assistant or as a topcoat. Bindex 3-in-1 Acrylic Binder and Transparent Fluid Acrylic Medium are non-yellowing and dry to a satin finish. Key Features: * Dries quickly to a satin finish * Eco-friendly recycled resin formula * Flexible and stable acrylic medium * Use to extend acrylics * Generates less CO2 than traditional mediums * Jars made from recycled materials * Sand for a smooth surface Perfect For: * Extending and thinning acrylic paint * Creating a collage or inlay * Acrylic image transfers * Different acrylic techniques * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives See More
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Pebeo Studio Green Modeling Paste (475ml)Save Up to25%Off list…Pebeo Studio Green Modeling Paste is an eco-friendly painting alternative with excellent adhesion and flexibility. You can use the modeling paste as a ground or mix it with acrylic paint to create more volume. Apply globs of the paste with a palette knife or brush to build layers of texture. As the… Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green Modeling Paste is an eco-friendly painting alternative with excellent adhesion and flexibility. You can use the modeling paste as a ground or mix it with acrylic paint to create more volume. Apply globs of the paste with a palette knife or brush to build layers of texture. As the modeling paste dries, it keeps its volume, remains opaque, and does not crack. Pebeo makes the paste from recycled resins that emit 6 to 7 times less C02 than the petrochemical resins in traditional modeling paste. Key Features: * Flexible modeling paste * Does not crack when drying * Eco-friendly recycled resin formula * Generates less CO2 than traditional paste * Use alone or mix with acrylic color * Can be sanded and sculpted once dry * Jars made from recycled materials Perfect For: * Building a textured ground * Adding volume to acrylic paint * Canvas and wood panels * Thick impasto application * Use with a palette knife or brush * Artists seeking sustainable alternatives See More
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Blockx Oil Color 35 ml Tube - Veronese GreenSave Up to65%Off listGreen Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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Schmincke Mussini Oil Color 35ml - Natural Burnt SiennaSave Up to49%Off listBrown Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More
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