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Related Categories: Gesso Paint | Stretcher Brace | Mottler | Extra Large Stretched Canvas | Da Vinci Fit Synthetic | Gessoed Canvas | Jack Richeson Stretcher Bars | Primer
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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R&F Encaustic Handmade Paint 333 ml Block - Ivory BlackSave Up to20%Off listBlack Encaustic- perhaps the most beautiful and versatile of all paints! R&F Encaustics are handmade wax-based paints that have unique properties you won't find anywhere else! In the simplest of terms, encaustics are a type of wax-based paint. If you've never tried this fascinating media, let us tempt you with a vast array of powerful colors and unique properties to extend your talents! R&F Encaustics are made here in the USA with traditional milling machines, a very controlled and slow process. There are no additives or dryers in these paints, so the color is intense and brilliant, allowing each pigment's characteristics to shine. Only the best pigments and materials go into R&F products, making these encaustics the very best you can get! Key Features: * Intense and brilliant colors * Composed of beeswax, resin, and pigment * Encaustic paint will not yellow or darken * Encaustic paintings do not have to be varnished * Wax can always be reworked * Best pigments and materials * 104 ml Blocks measure 3-3/8" × 1-1/2" × 1-1/4" * Made in the USA Perfect For: * Use with heated tools or palette * Encaustic painting * Mixed media techniques * Experimenting with custom paint mixes * Artists of all skill levels * Classrooms and workshops * Creating layered collage Unique Colors 2023 Holiday Limited Edition Set of 6: contains Warm Pink, Nickel Yellow, Ancient Gold, Phthalo Green Pale, Turkey Umber Pale, and Provence Red. Opaque Colors Set of 6: contains Cadmium Yellow Medium, Cadmium Red Medium, Chromium Oxide Green, Cobalt Blue, Titanium White, and Ivory Black. The paints are packed in a 6x6" cradled Encausticbord. Translucent Colors Set of 6: This set includes six 40ml blocks of the translucent colors Alizarin Orange, Alizarin Crimson, Egyptian Violet, Indian Yellow, Ultramarine Blue, and Viridian. The paints are packed in a 6x6" cradled Encausticbord. Introductory Colors Set of 6: Get started with this set of 40 ml cakes in classic colors. It includes Cadmium Green Pale, King's Blue, Naples Yellow, Neutral White, Turkey Red, and Turkey Umber Greenish. Painter's Dozen Set of 12: The set of 12 includes Titanium White, Burnt Sienna, Unbleached Titanium, Chrome Oxide Green, Indigo, Ultramarine Blue Pale, Turkey Umber Pale, Manganese Violet, Alizarin Orange, Olive Yellow, Cobalt Blue, and Ancient Gold. See More
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Stonehenge Artist Oil Roll 51"x10ydSave Up to30%Off listWhite Introducing the new gold standard in oil paper: Stonehenge Oil With Stonehenge Oil Paper, you can paint anywhere in the world, and you don't have to prep the paper. That's right, Stonehenge Oil Paper is ready to use straight out of the pack! Stonehenge excels where other oil papers fall short. You can achieve smooth color gradations and build layers of texture without the threat of ghosting or bleed-through. The durable 100% cotton paper welcomes layers and layers of brushwork and retains every detail. Once the painting is complete, you can mount the paper under glass or on a wooden panel. Key Features: * 100% Cotton oil paper * Acid-free and pH neutral * 140lb (320gsm) weight * No deckled edges * Available in sheet packs, pads, or a roll * No gesso prep required * Mount under glass or without Perfect For: * Oil paint, oil pastel, and acrylic * Oil paint sticks * Colored pencil and graphite * Plein air painting * Layers and layers of brushwork * Smooth color gradations and transitions * Building layers of texture See More
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Arches Oil Paper Roll, 51" x 10 Yards, 140lbSave Up to40%Off list…professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The… Unique, archival paper for all oil painting and multimedia techniques! Arches Oil Paper, Cold pressed 140lb is acid-free and contains no optical brighteners, which means your artwork will stand the test of time. This revolutionary new paper is sure to inspire oil painters the world over! Arches of France have been creating fine artists' papers since 1492, and new Arches Oil Paper is no exception. This innovative surface is designed specifically for use with oil paints, yet retains the look and feel of traditional Arches paper that artists have come to know and love. Archival and made from 100% cotton, Arches Oil Paper features a powerful oil barrier that absorbs water, solvents and binder but allows paints and pigments to sit up on the surface for a vibrant effect. Thanks to its semi-absorbent surface, the paint stays on the surface for an excellent rendering of the colours and faster drying times. Requires no prior preparation is, "ready to use" Key Features:* 100% cotton Heavyweight 140 lb. (300 gsm.) Cold pressed paper * Texture: fine grain / Colour: white* Edges (sheet): 4 deckle edges plus watermark* Powerful oil barrier absorbs water, solvents and binder* Paint and pigment remain on the surface* Strong, toothy surface withstands vigorous techniques* Ready to use - no preparation required!* Easy to frame, store & transport* Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) Perfect For:* Students, professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The even-toothed texture of Arches Oil Paper is classic and familiar, and is also perfect for working over oil washes with pastels, pencils, and other dry media for exciting multimedia techniques. With its strong, tough composition, Arches Oil can withstand vigorous painting techniques, rubbing and scraping, and is heavy enough to support impasto layers. Perhaps best of all is its convenience: there's no preparation necessary, no need to size, gesso or prime - Arches Oil Paper is ready to use right out of the package! Simply pull out a sheet and paint - than when finished, it's simple to store, transport, or frame completed paintings. Perfect for bringing on Plein air painting trips, for creating quick sketches or finished works in oils, for multimedia art and more, Arches Oil Paper is an essential addition to any oil painter's repertoire! See More
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Pastelmat Pad Palette No. 6 - Charcoal Grey, 24x30cm (12-Sheets)Save Up to20%Off listGrey A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More
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Arches Natural White Watercolor Roll, 156lb Rough, 51" x 10ydSave Up to40%Off list…The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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R&F Handmade Paints - Encaustic Medium, 333ml BlockSave Up to20%Off list…encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium, 333ml BlockSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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The Masters Brush Cleaner and Preserver Soap, 24oz TubSave Up to22%Off list…stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It… Clean, Preserve and Keep Brushes Like New! The Masters® Brush Cleaner & Preserver - trusted by artists since 1979. Made with the B&J Original Formula, it Cleans, Conditions, and Restores Paint Brushes in one step. Use with Wet or Dry Oil Paint, Wet Acrylic Pains, Watercolor Paint and Stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before—even the finest sable brushes! This unique product works on oils, acrylics, watercolor, varnishes, stains, shellac and most synthetic finishes. It will also restore most hardened brushes to like-new condition. Key Features:* The Best Cleaner - "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints* The Best Preserver - "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair* The Best Restorer - Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition The Best Cleaner "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It conditions the brush to hold more color and helps lay down a smoother more even flow. Use "The Masters"® after every session to keep your brushes like new. The Best Preserver "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair. It keeps your brushes like new so they'll retain the same natural snap and luster - for consistent performance - as the day you bought them. The Best Restorer Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition. Simply wet with water, swirl, lather and let brush sit a while before rinsing. Repeat process until all the paint is removed. Your brushes will be reconditioned and you will have a new old brush.How To Use "The Masters"® Brush Cleaner For Cleaning * 1. Wipe brush to remove excess paint* 2. Wet brush and/or "The Masters"® with water* 3. Swirl brush in "The Masters"® and work into a lather* 4. Rinse with clean water* 5. Repeat if necessary until brush is clean (lather will be white). You can clean one color after another without removing the previous colors from "The Masters"® first. For Preserving * 1. Clean brushes as above* 2. Leave clear lather on bristles, shape and allow to dry* 3. Shake powder off bristles when ready to use again. For Restoring * 1. Clean brush as above, but use hot water* 2. Allow lather to remain on bristles for a few minutes* 3. If necessary, tap bristles on hard surface to work paint out* 4. To clean paint from ferrule, allow lather to remain on the bristles for several hours, and repeat cleaning process* 5. Leave clear lather on bristles, shape, and allow to dry. See More
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