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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to32%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Ampersand Claybord Flat 1/8" Art Tile - 2.5"x3.5" (Pack of 5)Save Up to39%Off listWhite The Biggest Movement In Art Is Very Small! Ampersand Claybord Art Tiles are perfect for all your creative projects! These phenomenal art tiles have a smooth, highly absorbent Kaolin clay surface and strong Hardbord™ backing perfect for collage, smear-free rubber stamping, miniature paintings, mixed media, magnets, jewelry, embellishments, and for mounting paper, or fabrics. Thin applications of paint or ink can be removed, reapplied, or scratched through to add contrast, texture, and exquisite details. Key Features: * Kaolin clay surface accepts a variety of media * Ultra-smooth and highly absorbent ground * 1/8" thick flat panels * Available in 5 mini sizes * "Mini" is on-trend * Artist Trading Card size available * Made in the USA Perfect For: * Inks, oils, acrylics, acrylic gouache, and mixed media * Mid-level to professional artists * Collage work and miniature paintings * Mounting paper or fabrics * Inks and as a scratchboard surface * Image transfers and as a printing surface * Additive and subtractive processes * Designing pendants or brooches See More
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Grumbacher Pre-Tested Picture Varnish, 2.5 oz BottleSave Up to42%Off list…arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Ampersand Encausticbord Artist Trading Card - 2-1/2"x3-1/2" (Pack of 5)Save Up to50%Off list…An archival panel designed from a collaboration between Ampersand and R&F Handmade Paints, only Encausticbord has a ready to use surface formulated for the unique demands of encaustic painting and mixed media. This combination of Ampersand’s archival panel coating technology… The innovative Encausticbord surface is ready to use and requires no preparation An archival panel designed from a collaboration between Ampersand and R&F Handmade Paints, only Encausticbord has a ready to use surface formulated for the unique demands of encaustic painting and mixed media. This combination of Ampersand’s archival panel coating technology and R&F’s expertise in encaustics led to Encausticbord™, a unique wood panel that has the tooth to hold encaustic and mixed media unlike any other surface. Key Features:* Revolutionary encaustic ground is heat resistant* Designed to bond strongly with encaustic wax and collage* Archival, eco-friendly, and formaldehyde-free * Manufactured from sustainable forest products Perfect For:* Encaustic and Multi-Media Artists* Encaustic Paints* Oil Paints and Oil Sticks* Collage, Image Transfer, and Incising The Encausticbord™ ground has been specially formulated to provide superb adhesion between the encaustic paint and the surface. The ground is formulated with a very high solids to acrylic binder ratio which results in a very porous and absorbent surface. In addition, mineral aggregates are carefully selected in size and shape and added to the ground to yield a surface with a higher degree of surface roughness than typical acrylic gesso, which allows for better adhesion of encaustic wax. The ground is not only heat resistant and highly absorbent, but also holds tight to layers of wax and collage without the fear of cracking or separation. The innovative Encausticbord surface is ready to use and requires no preparation. The bright and velvety ground is perfect not only for encaustics, but for mixed media applications including oil paints and sticks, collage, image transfer, incising and more, and the durable bond offered by the ground means that fantastic textures and thick layers can be built up on its outstandingly receptive surface. Encausticbord is available in various depths for multiple display options: 1/8" and 1/4" flat panels, 7/8" and 1 1/2" cradled panels, and 2 1/8" DEEP gallery cradled panels for maximum support. Deeper cradled panels give artists the benefit of a gallery-style, frameless presentation. See More
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The Masters Brush Cleaner and Preserver Soap, 2.5oz JarSave Up to22%Off list…stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It… Clean, Preserve and Keep Brushes Like New! The Masters® Brush Cleaner & Preserver - trusted by artists since 1979. Made with the B&J Original Formula, it Cleans, Conditions, and Restores Paint Brushes in one step. Use with Wet or Dry Oil Paint, Wet Acrylic Pains, Watercolor Paint and Stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before—even the finest sable brushes! This unique product works on oils, acrylics, watercolor, varnishes, stains, shellac and most synthetic finishes. It will also restore most hardened brushes to like-new condition. Key Features:* The Best Cleaner - "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints* The Best Preserver - "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair* The Best Restorer - Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition The Best Cleaner "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It conditions the brush to hold more color and helps lay down a smoother more even flow. Use "The Masters"® after every session to keep your brushes like new. The Best Preserver "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair. It keeps your brushes like new so they'll retain the same natural snap and luster - for consistent performance - as the day you bought them. The Best Restorer Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition. Simply wet with water, swirl, lather and let brush sit a while before rinsing. Repeat process until all the paint is removed. Your brushes will be reconditioned and you will have a new old brush.How To Use "The Masters"® Brush Cleaner For Cleaning * 1. Wipe brush to remove excess paint* 2. Wet brush and/or "The Masters"® with water* 3. Swirl brush in "The Masters"® and work into a lather* 4. Rinse with clean water* 5. Repeat if necessary until brush is clean (lather will be white). You can clean one color after another without removing the previous colors from "The Masters"® first. For Preserving * 1. Clean brushes as above* 2. Leave clear lather on bristles, shape and allow to dry* 3. Shake powder off bristles when ready to use again. For Restoring * 1. Clean brush as above, but use hot water* 2. Allow lather to remain on bristles for a few minutes* 3. If necessary, tap bristles on hard surface to work paint out* 4. To clean paint from ferrule, allow lather to remain on the bristles for several hours, and repeat cleaning process* 5. Leave clear lather on bristles, shape, and allow to dry. See More
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Grumbacher MAX Linseed Oil Medium, 2.5 oz BottleSave Up to45%Off list…techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil,… Mediums with Maximum Performance with Water! Grumbacher MAX Oil Mediums aid in producing brilliant, lustrous transparent colors and glazes. Improves flow and water-mixability of oils. Holds precise lines and strokes during wet-in-wet techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely water-miscible. No solvents needed may be thinned with water. Clean up is as easy as washing brushes and tools with soap and water. Made in the USA. * QuickDry and Linseed Oil Mediums* Improves flow and water-mixability of oils* No solvents needed may be thinned with water* Non-yellowing* Made in the USA. See More
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ArtResinâ„¢ Epoxy Resin 2 Gallon Kit (1 Gallon Resin + 1 Gallon Hardener)
Starting At: 15.00
…Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that has completely dried* Spraypaint, encaustic, ink* Oil pastel, sculpture, silicone molds,* Other found objects. … Unparalleled non-yellowing protection! ArtResin™ is a self-leveling crystal clear epoxy resin that forms a beautiful, durable finish for any artwork. Formulated with unparalleled non-yellowing protection, ArtResin™ has a HALS (hindered amine light stabilizer) added for extremely efficient long term yellowing protection. Designed specifically for creative projects, this crystal clear resin is easy to use. ArtResin™'s 1:1 mixing ratio is user-friendly with easy to understand directions. Simply combine equal parts Resin and Hardener, stir, then pour or spread over your project. The topcoat is self-leveling and fully cures in 72 hours. ArtResin™ has been designated by the American Society for Testing and Materials as non-toxic when used as directed. It is formulated using the highest quality materials and therefore produces no VOCs or fumes. It is a clean system, meaning there are no solvents or non-reactive diluents—everything in it reacts so nothing is free to become airborne and cause health issues. It is also non-flammable. For all these reasons, it is therefore classified as a non-hazardous material and is shippable by air. Furthermore, many curatives have a powerful odor, however ArtResin has only a low odor and is applicator friendly. Key Features:* ArtResin™ Mini KIt, Starter kit, Studio Kit & Accessory Kit* Fully cures in 72 hours* No VOCs or fumes (conforms to ASTM D4236)* Non-toxic (when used as directed)* Long term yellowing protection* Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that has completely dried* Spraypaint, encaustic, ink* Oil pastel, sculpture, silicone molds,* Other found objects. ArtResin™ is considered non-toxic when used as directed, however, there are some common sense safety precautions that every user should follow: Wear gloves. Epoxy resin is very sticky in its liquid form, so gloves will protect the user from a mess, as well as skin irritation. Clean skin promptly with soap and water if it does come in contact with the product. If the product somehow comes in contact with your eyes, flush with water repeatedly and do not rub. Promptly seek medical attention. Work in a well-ventilated area. Wear a respirator if ventilation is poor. For detailed health information, please see the ArtResin SDS.ArtResin™ Epoxy Kits ArtResin™ Starter Kit - Enough epoxy resin for a few projects, the Starter Kit includes 16 oz bottles of Resin and Hardener and covers approximately 8 square feet. ArtResin™ Studio Kit - For artists working on larger or multiple works. This kit includes half-gallon jugs of Resin and Hardener and covers approximately 32 square feet. ArtResin™ Mini Kit - Give ArtResin™ a try with the Mini Kit. It includes 4 oz bottles of Resin and Hardener and covers approximately 2 square feet. Epoxy Resin Accessory Kit - This pack of epoxy resin accessories includes five pairs of nitrile gloves, one reusable stir stick, and five reusable spreaders. The jagged-edge spreaders help disperse resin evenly. Wipe them clean with paper towel and they're ready for next time. ResinTint Color Mixing Guide See More
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