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Related Categories: Gesso Paint | Mottler | Extra Large Stretched Canvas | Stretcher Brace | Primer | Da Vinci Fit Synthetic | Jack Richeson Stretcher Bars | 72" Stretcher Bars
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to32%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Jacquard Lumiere Fabric Color - Metallic Russet, 2.25oz JarSave Up to37%Off listMetallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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Blank Silk Scarf Habotai 35?35"Save Up to49%Off list…cut. Dry cleaning is the recommended method of care for crepe de chine. Key Features: * 100% China Silk Scarves * 8 mm Thickness * Rolled Hemmed edges * lightweight fabric * Made in China * Lustrous glossy sheen * Ready for dye or silk paint Perfect For: * Silk painting * Tie-Dye * Fashion garments 100% China Silk These hand rolled 100% China Silk Scarves with finished edges are perfect for many decorative applications! Fabric selection includes traditional smooth Habotai fabric or classic shimmering Crepe De Chine. Both styles of these luxurious silk scarves have a thickness of 8 mm. Habotai, also known as "china silk" is one of the most basic weaves of silk fabric. The fabric is a lightweight, shimmering material once used mainly for making silk kimonos. This silk fabric has a soft and supple hand and a lustrous sheen. Perfect for silk painting as it has a smooth surface that lends itself to all painting techniques. Silk crepe de chine, from the French “crepe of China”, is lightweight and has a glossy luster and a subtle texture with excellent drape. Crepe de chine is the most durable of cultivated silks – those woven of single reeled strands – and is found to be remarkably uniform in texture. Silk crepe de chine is a popular fabric for clothing. The silk is also especially forgivable when it comes to sewing, as it takes thread well and will typically not fray when cut. Dry cleaning is the recommended method of care for crepe de chine. Key Features: * 100% China Silk Scarves * 8 mm Thickness * Rolled Hemmed edges * lightweight fabric * Made in China * Lustrous glossy sheen * Ready for dye or silk paint Perfect For: * Silk painting * Tie-Dye * Fashion garments See More
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Jacquard Pearl Ex Pigment Mediums - Pearl Ex Varnish, 2 1/4ozSave Up to29%Off list…you can create custom watercolor paints. Gum Arabic is a binder medium that produces a glossy, easy-to-brush color when mixed with dry pigments and water. You can use the water-based Pearl Ex PX Varnish as a medium, or use is as a protective topcoat over your painting. This varnish enables Pearl Ex… Create custom watercolor paints with Gum Arabic! Pearl Ex Powdered Pigments can be mixed into any media and applied to any surface! The variety of finishes Pearl Ex Powdered Pigments can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. If you mix Pearl Ex pigments with Jacquard's Pearl Ex Gum Arabic, you can create custom watercolor paints. Gum Arabic is a binder medium that produces a glossy, easy-to-brush color when mixed with dry pigments and water. You can use the water-based Pearl Ex PX Varnish as a medium, or use is as a protective topcoat over your painting. This varnish enables Pearl Ex users to show off the lustrous metallic finish of mixed Pearl Ex paints. The durable varnish also protects artwork on a variety of surfaces. Works great on paper, clay, metal, wood, or plastic and cleans up easily with water. Key Features: * Gum arabic binder * Binder produces a glossy easy-to-brush color * Water-based varnish * Use varnish as a medium or topcoat * Cleans up easily with water Perfect For: * Washes, glazes, and stamping * Metallic watercolor * Pearl Ex Powdered Pigments * Wider variety of watercolor effects * Protective topcoat over your painting See More
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Magnani 1404 Portofino Watercolor Block 140lb Hot Press - 14" x 20" (20 Sheets)Save Up to40%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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Jacquard Water Based Resist - Clear, 2.25ozSave Up to30%Off listClear Transparent Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Fabriano Artistico Watercolor Block - 14"x20" Vegan Extra White, 140lb Hot Press (15 Sheets)Save Up to50%Off listWhite Master Quality Watercolor Papers That Will Stand The Test Of Time Fabriano Artistico Enhanced Watercolor Blocks now feature improved color lifting capabilities, increased surface resistance, and a vegan-friendly sizing! The paper is mold made of 100% cotton that is chlorine and acid-free, guaranteeing long conservation and stability over time. The paper is sized both internally and externally, making it ideally absorbent. Available in cold or hot press surfaces, the brilliant extra white paper is not bleached and is watermarked “FABRIANO+ARTISTICO” on the short side. Fabriano Artistico Enhanced Watercolor blocks are glued on all four sides and are high-quality watercolor papers to satisfy the demanding requirements of all professional artists. Made In Italy. The paper is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. Key Features:* Extra White or Traditional White Paper Blocks* 100% cotton* 140lb / (300 gsm)* Chlorine-free, Acid-free* No bleach or optical brighteners* Mold-made in Italy* Watermarked* External and internal sizing* No animal by-products used in sizing* Guaranteeing long conservation and inalterability over time* Glued on all four sides* Perfect For:* Artists that want the best* Professional watercolorists* Watercolor, tempera, gouache* Acrylic, ink, charcoal, graphite, and drawing * Suitable for printmaking* All water media!* An endless array of techniques Fabriano Artistico uses cotton balls instead of stretched and beaten cotton fibers, as in other brands, for consistent and even water absorption across the surface. This construction also provides a more robust and durable surface that can take a lot of punishment, whether it be scrubbing, erasing, or any other standard watercolor technique. No animal by-products are used in the sizing. The internal and external sizing produces a more consistent, non-yellowing, non-smelling, more resilient non-scuffing surface with no blotchy spots. The paper also has an overall superior color-lifting response due to the sizing used. See More
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Claessens Linen #15 Single Oil Primed Medium Texture Cut Piece, 18" x 41"Save Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #29 Single Oil Primed Rough Texture Cut Piece, 18" x 41"Save Up to66%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
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Ampersand Claybord Flat 1/8" Art Tile - 3.5"x3.5" (Pack of 4)Save Up to39%Off listWhite The Biggest Movement In Art Is Very Small! Ampersand Claybord Art Tiles are perfect for all your creative projects! These phenomenal art tiles have a smooth, highly absorbent Kaolin clay surface and strong Hardbord™ backing perfect for collage, smear-free rubber stamping, miniature paintings, mixed media, magnets, jewelry, embellishments, and for mounting paper, or fabrics. Thin applications of paint or ink can be removed, reapplied, or scratched through to add contrast, texture, and exquisite details. Key Features: * Kaolin clay surface accepts a variety of media * Ultra-smooth and highly absorbent ground * 1/8" thick flat panels * Available in 5 mini sizes * "Mini" is on-trend * Artist Trading Card size available * Made in the USA Perfect For: * Inks, oils, acrylics, acrylic gouache, and mixed media * Mid-level to professional artists * Collage work and miniature paintings * Mounting paper or fabrics * Inks and as a scratchboard surface * Image transfers and as a printing surface * Additive and subtractive processes * Designing pendants or brooches See More
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Claessens Linen #12 Single Oil Primed Moderately Fine Texture Cut Piece, 18" x 41"Save Up to66%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
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Claessens Linen #166 Double Universal Primed Medium Texture Cut Piece, 41" x 18" ydSave Up to69%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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Claessens Linen #09 Unprimed Fine Texture Cut Piece 18" x 41"Save Up to66%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
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Jacquard Neopaque Fabric Color - Turquoise, 2.25oz JarSave Up to37%Off listBlue Dazzling opaque colors for fabric, paper, leather, wood and more! These gorgeous, brilliant opaque paints spread smoothly and stay flexible. They are a perfect choice for fabric and leather, but are also stunning on surfaces like paper, photos, wood, shrink plastic and even styrofoam! Neopaque paints are designed to cover dark backgrounds with light application. On light backgrounds they produce a subtle "designer palette" alternative to a more intense color scheme. Neopaque colors may be painted, stenciled, screen printed, airbrushed (when diluted) and stamped. They may also be added to Jacquard Lumiere colors to produce an antique effect. Available in 2.25 oz and 8 oz bottles. See More
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Jacquard Permanent Textile Color 2.25 oz. Jar - GoldenrodSave Up to31%Off listYellow Fix Permanent Textile Colors with Dyeset Fixative or Steam! Jacquard Permanent Textile Colors are color rich, intense, and semi-opaque. They can be applied straight from the bottle with a brush, thinned for use with an airbrush, bottle, or used with stamping applications. When diluted with 25% water or Permanent Textile Colorless Extender, they produce beautiful transparent colors. Textile Colors can be intermixed for endless color creations. Unlike other textile paints, Jacquard Permanent Textile Colors leave your fabric as soft as possible. The Textile Colors can be set in several ways, either heat setting with an iron, or by using Jacquard Dyeset Fixative. Alternatively, Jacquard Airfix can be added to textile paint while working, to set it during the working process. Available for purchase in 2.25oz, 8oz, 32oz, and Gallon Jar sizes. Key Features:* Leaves fabric soft* Intense, semi-opaque colors* Dilute or use extender to 25%* Addition of Airfix sets colors Perfect For:* Art and craft applications* Fabric and Textile Artists* Unique Art Creations* Collage and Multimedia Works See More
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