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Sennelier Artist Dry Pigments Phthalocyanine Blue 100 gramsSave Up to37%Off listBlue An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Gamblin Dry Pigment - Whiting Calcium Carbonate, 212 GramsSave Up to40%Off listWhite 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More
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Old Holland Raw Materials Balsam Resin 100gSave Up to40%Off list…Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Krystal Clear Acrylic Glazing 2mm 8-1/2"x11"Save Up to61%Off listClear Transparent 2mm thick, heavy duty, incredibly clear, optical-quality acrylic glazing With a protective, easy to peel film on both sides, Krystal Clear Glazing stays clean and scratch-free until the moment you are ready to frame or produce artwork. Unlike most styrene sheets, the beefy 2mm thickness remains stiff inside the frame, without the flexing experienced with thinner acrylic sheets. Perfect for protecting valuable artwork when shipping – change out the glass in the frame to Krystal Clear Glazing to prevent breaking and damage to work when in transit or unpacking. Besides framing, Krystal Clear Glazing is popular with artists as a modern painting surface. Glazing easily accepts acrylic paints and gouaches, acrylic and India inks, Alcohol Inks, spray paint, paint markers, and more! Layer Krystal Clear Glazing sheets with sections of an artwork on each to achieve a 3D effect. Key Features: * Rigid, 2mm thick optical-quality acrylic glazing * Protective, easy-to-peel film on both sides * Will not flex or bend in the frame * Can also be used as a modern painting surface Perfect For: * Framing artwork * Replacing glass when shipping framed work * Use as an alternative painting surface See More
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Yasutomo Usugami Paper - 8.5"x11", 14gsm (30 Sheets)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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Jacquard Cyanotype Sun Printing Fabric Pack of 30, 8.5x11inSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Diego All-Media Acrylic Gesso Primed Linen Roll 124" x 10.94 YdSave Up to70%Off listWhite Perfect for archival large scale murals Imported From Italy Diego Linen Universally Primed Professional Canvas Rolls, aptly named for the famed Mexican fresco muralist and large scale canvas painter Diego Rivera. Diego Linen is a robust medium textured linen, oversized 124" roll with a full 10.84 yards of painting surface. Perfect for archival large scale murals or any sized painting, Diego Linen is universally primed for use with acrylics, oils, alkyds, and more. Diego's strong, beefy, all-purpose medium texture is ideal for most painting styles with its heavy 14oz primed weight (9.8oz unprimed). Key Features: * Luxury Linens! Made in Italy, Imported From Italy * Robust medium textured linen * 124" long roll with a 10.84 yd width (10 meters) * Universally primed * 14oz primed weight, 9.8oz unprimed * All-purpose medium texture * Sample piece: 18X41" * Made in Italy Perfect For: * Large scale murals * Robust medium textured linen * Archival canvas paintings of any size * Use with acrylics, oils, alkyds, and more See More
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Pissarro Professional Oil Primed Linen Roll 124" x 10.92 YardsSave Up to74%Off listWhite Deluxe Oil Primed Linen rolls made in Italy for professional painters and muralists! Pissarro Extra-Large Professional Oil Primed Linen is a true indulgence for the oil painter! Made in Italy, these superior rolls of oil-primed linen are available in two widths, one of which is the largest oil-primed linen roll size on the market! At a generous 315cm (124") wide, the larger Pissarro canvas roll is perfect for use with even the most massive of murals, and the 208cm (82.5") roll is in itself ideal for large masterpieces. Pissarro linen is hand-picked flax yarn, meticulously woven into a beautifully uniform surface, with a sturdy medium weave and a hefty weight of 11.71 oz. (332g) raw and 17.92 oz. (508g) primed. The 192 thread per inch count makes for a lovely working surface with a medium texture excellent for gripping layers of paint and perfectly suited for various styles ranging from realism to impressionism, landscapes to abstracts. Pissarro linen has five stages of priming: two layers of glue sizing to isolate the canvas, two coats of acrylic priming to allow for tight stretching, and one coat of non-absorbent, luxurious warm-hued oil priming that enables oil colors to sit on the surface for a luminous effect. Create all your large oil paintings on the finest linen available: Pissarro Professional Oil Primed Linen Rolls! Available in 208cm x 5m (82.5" x 5.5 yards) and 315cm x 10m (124" x 10.92 yards) rolls. Key Features:* Made in Italy from hand-picked flax yarns* Tight, uniform, medium texture weave at 192 TPI* Five layers of priming * Superior quality designed for oils * Perfect For:* Mural and plein air painting* Any painting style* Any subject in oil paint* Extra-wide rolls ideal for oversized murals See More
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