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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to40%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Artfinity Synthesis Multimedia Watercolor Paper Pad, 20"x26", 10 SheetsSave Up to53%Off listWhite This mind-blowing surface improves vibrancy and provides warp-resistant strength! Artfinity® Synthesis is a smooth, non-porous, 74 lb. synthetic paper that is exceptionally strong and warp-resistant. Traditional watercolor paper absorbs paint like a sponge, making your watercolors look muted on the surface compared to your palette. With Synthesis multi-media paper, your juicy paint colors sit on top of the surface. Colors are not absorbed or dulled. Every speck of paint that you add to Synthesis paper dries vibrantly on the surface. Best of all, you save money by wasting less paint! The ultra-smooth surface allows you to build layer upon layer, which is impossible with regular watercolor paper. Traditional watercolor paper is unforgiving if you make a mistake, but if you make a mistake on Synthesis paper, you can wipe it off and re-work the area. Synthesis paper can even be rinsed under tap water to start all over! So no paper is wasted. Tree-free Synthesis paper is perfect for watercolors, alcohol ink, acrylic paint, oil pastel, graphite, charcoal, and silkscreen. Key Features: * White 74 lb., 200gsm synthetic paper * 90% Polypropylene/ 5% Polyethylene/ 5% Polystyrene * The strong multi-media surface resists tearing and buckling * You can recycle the paper into plastic particles * Colors look more vibrant on "Synthesis" compared to standard papers * Acid-free, waterproof, and stain-resistant paper * Remove any mistakes with an eraser or wet sponge * Durable, non-tearing construction * No more wasted paint – the paper is nonabsorbent * Flawlessly smooth, pH-neutral * Pads are tape bound on the short side * Sheets remain perfectly flat while you paint Perfect For: * Creating vibrant art and wasting less paint! * Building paint layers * Acrylics, alcohol inks, and watercolor * Debossing, monotype, and oil pastel * Graphite pencil * Silkscreen and Sumi-e ink * Watercolors and acrylics * Eliminating the need for soaking, stretching, or taping Advantages of Artfinity® "Synthesis" Paper Colors look more vibrant on "Synthesis" compared to standard papers. Synthetic paper that is exceptionally strong and warp-resistant, your juicy paint colors sit on top of the surface and colors are not absorbed or dulled. Every speck of paint that you add to Synthesis paper dries vibrantly on the surface. If you make a mistake on Synthesis paper, you can wipe it off and re-work the area. Synthesis paper can even be rinsed under tap water to start all over! So no paper is wasted! **Please note: the rinse technique works best on wet watercolor and wet acrylic paints. You can use a damp sponge to remove dried sections of water-based media. Once you have completed a piece, it is important to use a finishing spray to stabilize the work. We recommend that you use several light coats of a non-yellowing acrylic fixative rather than one heavy coat, which could pool or drip. See More
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Yasutomo Kozo Art Paper 58 gsm 13-3/4" x 10-1/2" Sheet (Pack of 10)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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Yupo Multimedia Watercolor Paper Heavy 144lb 20" x 26" (10 Sheets)Save Up to45%Off list…changes the way you paint. Available in medium and heavy weight white varieties and now new translucent YUPO! Explore the versatility of synthetic paper with Yupo, the world's first erasable watercolor paper! You Can use YUPO Watercolor Paper For:Acrylic Painting, Alcohol Inks, Debossing,… A slick, smooth, non-absorbent substrate that dramatically changes the way you paint, print or draw Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. It's a synthetic paper, machine-made in the USA of 100% polypropylene. What is YUPO Watercolor Paper? It is waterproof, stain resistant, extremely strong and durable non-absorbent substrate that dramatically changes the way you paint. Available in medium and heavy weight white varieties and now new translucent YUPO! Explore the versatility of synthetic paper with Yupo, the world's first erasable watercolor paper! You Can use YUPO Watercolor Paper For:Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight Key Features:* Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers YUPO Medium Paper: 200 gsm / 74lb - Acid Free, Neutral pH, Smooth Surface- A true innovation in fine art substrates. This synthetic, tree-free paper is everlasting and non-absorbent. It resists buckling with wet media and can be wiped clean. Pigments will retain true clarity and brightness. A new way for techniques to flourish. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil, Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Heavy Paper: 390 gsm / 144lb - Acid Free, Neutral pH, Smooth Surface- A radically novel breed of paper. Tree-free, bright white and stainproof, it allows artists to create shapes, patterns and nuances that are impossible to achieve on conventional papers. Non-absorbent and slick, a revelation for artisans. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Translucent Paper: 153 gsm / 104lb - Acid Free, Neutral pH, Smooth Surface- With a translucent finish, these slick sheets are an excellent beginning point for a variety of mediums. Remaining true to all YUPO® revolutionary qualities, this substrate allows artists to rethink coloring from a fresh perspective. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor * Yupo 10-Packs - Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight. Sold in packs of 10 sheets.* Yupo Assorted Pack - Includes five 20 x 26" sheets of 74lb medium weight and five 20 x 26" sheets of 144lb heavy weight white Yupo brand paper.* Yupo Pads - Available in 2 sizes with white or translucent paper. 10 sheets per pad.* Yupo Rolls - A 60" x 10 yard roll & 30" x 10 yard roll of Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces! See More
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