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Related Categories: Gesso Paint | Stretcher Brace | Mottler | Extra Large Stretched Canvas | Da Vinci Fit Synthetic | Gessoed Canvas | Jack Richeson Stretcher Bars | Primer
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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The Edge All Media Pro Cotton Canvas 10"x60" - 1-1/2" Deep (Box of 3)Save Up to78%Off listWhite Ignite your composition with an inspiring substrate! Extra Long Sizes Are you bored of painting on the same standard canvas size? Ready to shake things up and supercharge your creativity? The new Edge All Media Cotton Canvases come in 21 extra long sizes like 10x40" and 12x72"! We've designed these new hypnotic sizes to help you hook your viewer's attention. Our goal, as always, is to emphasize your artwork. The extra-long rectangular shape naturally focuses attention, whether it's a triptych, a non-traditional portrait, or an abstract piece. Each canvas is coated in a ground-breaking primer that maintains the richness and purity of your paint colors. Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures superb barrier protection between paint and canvas, perfect for traditional and water-mixable oils. The Edge is known for its' tuck-n-roll style construction that keeps the back of the canvas neat and clean. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish your painting with solid-colored sides, or continue your design onto the sides for a distinctive modern look. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Key Features: * Extra Longs/Longs/Multiples (triptych) * Create unique multiple images that work together * Available in: Singles or Boxes of 3 * 1-1/2" Deep, Extra long sizes * 100% cotton canvas * 14oz primed weight * 8oz. raw weight before priming * Triple acrylic primed * Medium texture canvas * Deluxe stretched canvas * Professional tuck-n-roll style construction * Hand stretched by skilled artisans * Perfect For: * Oils, alkyds, and acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas * A non-traditional portrait * A landscape or an abstract piece * Painting a dazzling triptych See More
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Lefranc & Bourgeois Flashe Vinyl Paint - Black, 750 ml JarSave Up to30%Off listBlack Highly Pigmented Opaque Vinyl Paint On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
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Pebeo Gedeo Crystal Resin Kit, 750mlSave Up to27%Off listPerfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon… Perfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon colors, Vitrail, Ceramic, and Studio Acrylics colors and mediums to create a wide range of beautiful effects such as precious stones, marbling, and much more.Please note: Make sure to follow the manufacturer’s instructions. Use only the recommended amount. Do not mix all of the resin at once because the reaction will cause the product to overheat and yellow. It dries completely in approximately 24 hours, depending on the thickness of the application. It can also be used as a protective coating on most surfaces or poured over Fantasy, Vitrail, and Ceramic colors. Wait a minimum of 7 days before adding a coat of resin over completely dry colors to add depth and brilliance to your creations. You can tint the Crystal Resin with up to 10% Vitrail or Ceramic color.* Gedeo Crystal Resin -Low-odor crystal clear resin that you can mix together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects. Perfect for casting in silicone molds, stained glass effects, resin jewelry, layered art, and mixed media applications. It dries completely in 24 hours, depending on thickness of the application.* Gedeo Pearl Resin -Low-odor pearl resin that comes in three opaque, luminous colors: Pearl white, Gold, and Vermeil. Perfect for casting in silicone molds, making frames, layered art, and mixed media applications. For layered effects, apply a first thin layer ; allow to cure, and then pour a second layer. To add suspended objects, pour a thin layer of resin first, allow to cure, add objects, and pour a second layer to fix them in place. It dries completely in 24 hours, depending on thickness of the application. Key Features:* Low-odor, liquid consistency resin* Easy-to-use, two-component epoxy resin system (resin and hardener)* High-gloss finish with no shrinking when dry* Can be mixed together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects Perfect For:* Stained glass effects* Resin jewelry* Mixed media applications See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Daler-Rowney FW Acrylic Ink Pouring Medium, 750 mlSave Up to33%Off list…has excellent UV resistance, clarity, and transparency, making the FW epoxy system particularly suitable for the protection and decoration of paintings, artwork, sculptures, and many more. Key Features: * Pouring medium optimized for acrylic inks * Specially formulated for Daler Rowney Acrylic Inks… The first pouring medium optimized for inks! Daler Rowney FW Acrylic Ink Pouring Medium works well with Daler Rowney FW Acrylic Inks and Daler Rowney Aquafine Watercolour Inks. Mixing this medium with acrylic ink creates a pourable consistency and guarantees that the mixture will dry to a smooth, glossy finish without cracking. If you prefer the optically clear high gloss look of resin art, look no further. Daler-Rowney FW Epoxy Resin and Epoxy Hardener mix well with the heavy pigments found in FW inks to create bright and vibrant resin art. It has excellent UV resistance, clarity, and transparency, making the FW epoxy system particularly suitable for the protection and decoration of paintings, artwork, sculptures, and many more. Key Features: * Pouring medium optimized for acrylic inks * Specially formulated for Daler Rowney Acrylic Inks * Gives colors a smooth, pourable consistency * Dries to a smooth, even film * The poured mixture will not crack * Glossy uniform surface * Designed to be poured * Dries to a permanent hard surface * UV stabilized epoxy resin and hardener * Optimized to work with the pigments in FW inks Perfect For: * Acrylic and watercolor ink * Use on canvas, wood, and other primed surfaces * Dirty pour or flip-cup pour * Creating interesting pours * Optically clear, high gloss resin art * Resin coating canvas, wood, MDF, glass, perspex, concrete & metal * Laminating or casting load-bearing forms with resin * Pour or brush/roller application * Everyday studio use Directions for FW Pouring Medium: Mix one-part acrylic ink with one-to-three parts pouring medium (depending on the desired thickness). You can then pour the mixture over your chosen substrate. The Daler Rowney FW Acrylic Ink Pouring Medium has a gel-like consistency, and when you mix it with ink, you must mix it long enough to turn the gel ink mixture into a creamy, pourable liquid. The mixture's viscosity improves if it is left to stand for an hour before you pour it. Directions for FW Epoxy Resin and Hardener: Due to its flexibility and strength, FW Epoxy is perfect for creating resin art, laminating, or casting load-bearing forms, sculptures, and statues. Mix 1 part FW Epoxy Resin with 1 part FW Epoxy Hardener to finalize your 3D art. You can pour or brush it on the surface. The resin will self-level to form a perfectly flat gloss finish. It's important to cure the piece at ambient temperature. FW Epoxy is surface dry in 60 minutes, and the coating will be touch dry within 12-24 hours. Once cured, FW Epoxy Resin and Hardener won't shrink or distort over time. Equally suitable for indoor and outdoor use once dry. Please be advised although our resins are UV stabilized, this does not mean they are UV proof. Ultimately our FW clear epoxy resin will show signs of UV degradation over time. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Sennelier Abstract Acrylic Liner 27ml Cadmium Red Light HueSave Up to35%Off listRed Free Your Creative Spirit With Innovative Acrylic 3D Liners! Abstract acrylic artists from around the world helped to create Sennelier's line of heavy body Abstract Acrylic 3D Liners. The tapered tip of the liner is ideal for 3D relief, contour effects, and precise line work. The transparent tube packaging allows you to see the true color of your paint so there are no surprises once the paint is squeezed out! With a tube that can be completely emptied, Sennelier Abstract Acrylic Liner tubes allow you to apply paint directly onto your canvas with ease while also preventing paint waste. Once all of the paint is used up the 27ml liner tubes can be refilled with Sennelier Abstract Acrylic paints. Sennelier's stringent paint quality requirements demand high pigment concentration and creamy, heavy-body consistency with optimal covering power. Out of the twenty shades available in the Abstract Acrylic Liners line half of the colors are single pigment colors. Sennelier's traditional pigment history, combined with innovative packaging that promotes such easy application, is quickly grabbing the attention of professional acrylic painters, students, muralists, and street artists. Once they're empty, you can refill them with your favorite satin or mat Abstract colors, or mix your own! Key Features: * 20 Heavy-Bodied acrylic colors * High pigment concentration * 27ml liner bottles * Precision applicator tip and fits comfortably in your hand * Refillable liner tube * No paint waste * Tapered liner tip * Perfect For: * 3D relief and contour effects * Detailed 3-D work * Precise line work * Acrylic painters of all levels * Muralists, street artists, students * Selecting colors quickly * Artists and students on the go See More
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Lascaux Thick Bodied Artist Acrylics Cadmium Red Light 750 mlSave Up to38%Off listRed The richest acrylic paints in the world! All Lascaux Thick Bodied Artist Acrylic colors dry to a consistent satin finish. The richness of the pigment along with the uniform character of the paint film produces vivid compositions not capable with any other brand. Colors are intensely pigmented, extraordinarily lightfast, and completely resistant to aging. They layer well without shrinking and cover exceptionally. Colors do not oxidize, yellow or crack even in the thickest layers. Synthetic Iron Oxide colors are substituted for natural earth colors to produce a richness in hue not possible with natural pigments. The range includes both transparent and opaque colors. Key Features: * In Sizes: 45ml, 200ml, 750ml * Maximum pigmentation * Lightfast, age-resistant & non-yellowing * Water-resistant when dry * Very good film flexibility * Semi-matt finish * Smooth and thick consistency * Highly concentrated and economical Perfect For: * Precision application with brush or palette-knife * Impasto * Thick texture * Painting on practically any surface * Plein air painters * Quick and easy cleanup * Artists and teachers See More
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