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Paramount Pro Gallery Wrap, 20"x80" Stretched Canvas (Box of 3)Save Up to77%Off listWhite Simply The Best Professional Cotton Canvas On The Market! Our SUPER Heavyweight cotton canvases have a 100% guarantee. We guarantee the best quality canvas or your money back! Only the best heavyweight cotton canvas is stretched on Paramount gallery wrapped professional artist canvases. You can paint with confidence because we prime each Paramount canvas with a layer of sizing and three coats of acrylic gesso. It's the best commercial cotton canvas you can buy. Popular Paramount Professional Gallery Wrap Canvas has recently received an upgrade! Featuring the same medium-weave, triple-primed, acid-free, 100% cotton canvas as the original style, Paramount Professional canvas now boasts new 1-13/16" deep, solid pine stretcher bars with an innovative L-shaped design. The best for Gallery-ready paintings! SUPER Heavyweight 100% cotton canvases. triple-primed, acid-free. 1-13/16" deep, solid pine stretcher bars with an innovative L-shaped design. Key Features: * Unbleached 100% cotton canvas * Super Heavyweight cotton canvas * 11oz unprimed / 15oz Primed on heavyweight cotton * 1-13/16" deep solid pine, L-shaped stretchers * Triple-primed, acid-free * Medium-tooth surface * Back-stapled * Heavy-duty canvas and bracing system * Perfect For: * Paintings in acrylics, oils & alkyds * Techniques from glazing to impasto * Art that needs stable support * Gallery-ready paintings * Professional use These newly redesigned stretcher bars are a vast improvement on many other lines, as not only does the increased depth add to the strength of the stretcher frame, the 1-13/16" wide face with an offset lip provides greater support to the canvas itself. Paramount Professional Gallery Wrap Stretched Canvas was designed for artists who require a heavy-duty canvas and bracing system made to professional standards. Paramount Professional Canvas is designed to take both thick and thin paint layering in acrylics, oils, and alkyds. For artists looking for a sturdy, superior grade stretched canvas, the newly redesigned Paramount Professional Canvas is the way to go! See More
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Grumbacher Academy Oil Bonus Set, w/ Free WhiteSave Up to49%Off listAssorted Colors Grumbacher Academy® Oil Paints - Made in the USA Grumbacher® has continued to produce quality oil paint in the tradition of the old masters. Superior quality pigments are combined with highly refined oils in their perfected paint formulas. Grumbacher® is one of the only brands of oil paint to be produced within the United States. Their highly controlled facilities allow them to personally test paints for a plethora of attributes such as purity and brilliance. With a wide range of rich, vibrant colors, Grumbacher's® line of Academy® oil paints have been popular with artists generation after generation. This time tested brand of oil color allows painters to experiment with the comfort of knowing that their pieces will leave a legacy. Grumbacher Academy® oil colors offer a quality line of 47 colors at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. An improved line of 47 colors including metallic paints that are highly pigmented and have superior tinting strength at a single student price. All colors have an ASTM lightfast rating of 1-Excellent. The colors in the Academy® Oil student line correlate to the Pre-tested® professional line*, allowing students to graduate to a professional grade paint with ease. Made in the USA. Key Features:* 47 colors* Metallics* Highly pigmented* Rich, vibrant colors* Superior tinting strength* Highly refined oils* Made in the USA Perfect For:* Affordable Oil Paint* Colors that are lightfast* Students to professionals* Lightfast colors Academy Oil Bonus Set of 7: - Six 24ml tubes of oil colors, One 24ml tube of Titanium White & Mixing guide See More
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Grumbacher Pre-Tested Oil Paints, Set of 10Save Up to50%Off listAssorted Colors Good Color Variety That Glides Smoothly! America's favorite oil paints since 1905! Pre-Tested® is Grumbacher's flagship oil color for artists. Grumbacher's time-proven formulas are finely tuned through independent laboratory tests as well as hands-on trials by professional artists. Only the highest the best ingredients available, putting each color through a rigorous selection process. Grumbacher Pre-Tested Oil Paints provide high chroma, superior tinting strength, and excellent adhesion for the professional artist. Pre-Tested offers the finest pigments milled in select alkali-refined linseed oil. Key Features:* Optimal color development* Excellent lightfastness ratings * Reformulated cadmium for purer and stronger colors* Superior adhesion and outstanding tinting strength* Outstanding working properties* Milled in select alkali-refined linseed oil* Mainly single pigment colors* Made in the U.S.A. Perfect For:* Practicing your painting* Smooth application* Great color variety* A modern palette color palette * Archival permanence* Portraitists and landscape painters* Artists of all skill levels Titanium White (Original) - A permanent, heavy-bodied, versatile, opaque, pure white that is neutral in hue. Ideal for all applications where great opacity is required. This is the strongest tinting white. Titanium White (Soft) - This pigment is permanent, soft-bodied, opaque, non-yellowing and ground in poppy seed and sunflower oils. Also recommended for fluid wet-in-wet techniques. Zinc White - A permanent, heavy-bodied, semi-opaque, cool, crisp white. Designed especially for brilliant clear tints with all oil colors and excellent for glazing. Pre-Tested Oil Color Set of 10: This set contains ten 24ml tubes in the following colors: Cadmium Barium Red Light, Cadmium Barium Yellow Medium, Thalo Blue, Thalo Green (Blue Shade), Thio Violet, Burnt Sienna, Burnt Umber, Ivory Black, Titanium White, and Yellow Ochre. See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Matisse Structure Acrylic 4 Liter Jar - Mars BlackSave Up to50%Off listBlack A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Grumbacher Academy Acrylics Bonus Set of 7, 24ml TubesSave Up to60%Off listAssorted Colors Medium Bodied Highly Pigmented Acrylic Paint Made in the USA Creators of Art Materials Since 1905, Grumbacher Academy® Acrylics, a line of 48 brilliant process colors, sets, metallic and iridescent colors, as well as the most sought-after traditional colors comprise the improved line of Grumbacher Academy® acrylics. All colors have an ASTM lightfast rating of 1- Excellent. Academy Acrylics are a medium-bodied acrylic paint, highly pigmented, and have superior tinting strength, but at a single student price. Available in 90 ml metal tubes. Made in the USA. Academy acrylic colors provide the artist with a versatile option for painting and crafting. Thinned with water, the paint can be applied in delicate, translucent layers much like watercolor. Straight from the tube, or thickened with a medium, these colors can be applied to a canvas with the same techniques used for oil color. Academy acrylics can also be thinly applied to layers of paper for a decoupage effect. The possibilities are as limitless as the artist's imagination. Academy Acrylics create cleaner mixes and more accurate color matching without sacrificing tinting strength, opacity, or lightfastness Key Features: * 48 brilliant colors * Medium bodied * Great pigment load * Metallic and iridescent colors * Highly pigmented * Superior tinting strength * 90ml metal tubes * Strong adhesion * Made in the USA Perfect For: * Artist grade paint * Genuine and pure pigments * Pure cadmiums * Colors are lightfast * All colors have an ASTM lightfast rating of 1- Excellent and are labeled AP Acrylic paint is a relatively new medium in the pantheon of artistic media. Developed in the mid part of the 20th century as a house paint, acrylics were first used in the art realm by muralists. It covered large areas fairly quickly and had a much faster drying speed than oil based paints. Grumbacher® Academy® Acrylics follow that chain of artistic evolution See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Matisse Medium 11 Satin Varnish 4 LiterSave Up to50%Off listProtect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the… Protect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the protection they need, ensuring vibrancy of color and definition of detail for years to come! Satin Varnish - Polyurethane varnish for a satin finish on rigid surfaces. Poly-U-Gloss Varnish - Durable, quick-drying polyurethane varnish for rigid surfaces. * "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Matisse Medium 18 Pre-Antiquing Medium 4 Litre PailSave Up to50%Off list…mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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LUKAS Aquarell 1862 Watercolor - LUKAS Red, 24mlSave Up to65%Off listRed Vibrant, Bold Watercolors Unlike Any Other! LUKAS Aquarell 1862 Watercolors are premium paints steeped in tradition. The name 1862 is a nod to LUKAS founder Dr. Fr. Schoenfeld, who developed permanently moist watercolors in 1862. LUKAS combines the finest pigments with gum arabic, dextrins, and special glucose derivatives to create a range of vivid paints that dilute beautifully. Available in half pans and 24ml tubes, LUKAS Aquarell 1862 Watercolors are among the finest artist-grade paints offered today. With over 159 years of experience, LUKAS delivers a product that is luminous and professional. Now you can harness those same qualities in your watercolor paintings! Key Features: * Vivid 70 color range * 48 colors are one-pigment shades * Available in half pans and 24ml tubes * Finest pigments in the highest possible concentration * Exclusive blend of wetting agents * Improved color-lifting capabilities * Vibrant color intensity * Superior transparency * Over 159 years of experience and development Perfect For: * Professional watercolorists * Painting luminous watercolor washes * Gradient effects * Basic and advanced color mixing * Creating long-lasting radiant works of art * Artists seeking quality watercolors * Artists of all skill levels * LUKAS Aquarell 1862 Watercolors Leaflet and Color Chart > The finest classical and modern artists' pigments! Pronounced Color Intensity: Vibrant color and superior transparency set LUKAS Aquarell 1862 Watercolors above other paints. By using the finest pigments at the highest possible concentration, LUKAS creates watercolors with beautiful gradients. With LUKAS Aquarell 1862 Watercolors, you can paint the most delicate of washes. Extraordinary Brilliance: Even the most demanding artists are impressed by how LUKAS 1862 Aquarell Watercolors mix. Of the 70 colors available, a generous 48 are one-pigment shades. The vivid luminosity of each color lets you get clean, true-to-life color mixes. Highest Possible Lightfastness: All the pigments used in LUKAS 1862 Aquarell Watercolors conform to the highest possible lightfastness. None of the pigments fall below a six on the international, standardized 8-step blue wool scale. The lightfastness of each color ensures the long-lasting permanence of your art. Superior Color Lifting: The exclusive blend of wetting agents gives LUKAS Aquarell 1862 Watercolors a "permanently moist" consistency. This lends a regenerative quality to the paints, so you can re-wet dry color and pick up color with your wet brush. You can easily lift color without "scrubbing" your brushes into the pans, thereby extending the life of your brushes. Limitless Options: With a stunning 70-color spectrum available in half pans and 24ml tubes, you are sure to find the perfect watercolor paint. Bring the vivid brilliance of LUKAS Aquarell 1862 Watercolors to your paintings and watch your artwork come to life! See More
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