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Related Categories: Gesso Paint | Stretcher Brace | Mottler | Extra Large Stretched Canvas | Gesso Primer | Jack Richeson Stretcher Bars | Gessoed Canvas | Oil Primer
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Fredrix Roll Canvas 520 Red Lion Polyflax® 55" x 6 YardsSave Up to28%Off listWhite 500 Washington Square - An economical lightweight blend between Polyflax® and Cotton with an even, smooth texture. 520 Red Lion Polyflax® - A synthetic fabric developed specifically as an artist canvas. Substantially greater strength in comparison to natural fibers. Even texture with perfect uniformity. Acrylic primed. 575 Scholastic - An acid free, light weight canvas, made with a blend of Polyflax® and cotton for an even texture. Universally primed to accept oil colors, acrylics, alkyd paints, etc. 901 Portrait Cotton - A medium weight blended Polyflax®/cotton duck with medium texture. Substantially stronger than 100% cotton of the same weight. Ultrasmooth - Superior pure cotton and Polyflax® blend portrait canvas of fine texture buffed to a very smooth finish. Acrylic primed. Mural Portrait - Medium weight Polyflax®/Cotton with an even texture. Ideal for portrait and digital mural reproductions. See More
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Claessens Linen #026 Unprimed Rough Texture Roll, 161.4" x 10.9 ydSave Up to66%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
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Holbein Acrylic Ink 6mm Refillable MarkerSave Up to21%Off list…* Replaement Nibs: Packs of 2, 3 and 5 * Four tip sizes - 6 mm, 15 mm, 30 mm, and 50 mm * Marked barrel lines for custom ink filling * Unlimited palette versatility with mixable ink * Use with Holbein Acrylic inks Perfect For: * Holbein Acrylic Inks * Fine or bold line detail * Wide applications *… Easy to use, refillable markers & nibs! Developed for use with Holbein Acrylic Inks, these refillable markers come in 4 different sizes! Easy to use, fill and refill, these refillable markers allow for fine detail to wide application. Components are marked clearly on the barrels and each tip offers exceptional durability and strength. Please note that Pearl White, Pearl Gold and Pearl Silver HAI will not flow through empty refillable markers because of the high mica content. Keep cap on tightly when not in use. Ideal for use with Holbein Acrylic Inks, they are available in four tip sizes — 6 mm, 15 mm, 30 mm, and 50 mm Key Features: * Easy to use, fill and refill * Available in 4 sizes: 6mm, 15mm, 30mm, 50mm * Replaement Nibs: Packs of 2, 3 and 5 * Four tip sizes - 6 mm, 15 mm, 30 mm, and 50 mm * Marked barrel lines for custom ink filling * Unlimited palette versatility with mixable ink * Use with Holbein Acrylic inks Perfect For: * Holbein Acrylic Inks * Fine or bold line detail * Wide applications * Mixed Media * Illustrators and graphic artists * Travel sketching * School or home use See More
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Montana ACRYLIC Marker Replacement Nibs 6 mm (Chisel) Pack of 5Save Up to24%Off list…* Non-toxic matte acrylic paint refills * Replacement nibs, empty markers * Vibrant, lightfast, pigmented colors * Refillable; replaceable tips Perfect For: * Both interior and exterior use * Graffiti, street, and urban art * Canvas, wood, metal, cement, and glass * Extra-fine and bold strokes… Create your own custom Montana graffiti marker! This complementary range of paint refills, replacement nibs, and empty markers make the Montana ACRYLIC line even more versatile and customizable! Now it's easy to mix custom paints, fill up a marker, choose the perfect nib, and get started. As with all Montana products, these refills and accessories are easy to use and of the highest quality for long-lasting performance. Make unique colors and tools for your art with Montanas ACRYLIC Marker Refills and Accessories! Key Features: * Non-toxic matte acrylic paint refills * Replacement nibs, empty markers * Vibrant, lightfast, pigmented colors * Refillable; replaceable tips Perfect For: * Both interior and exterior use * Graffiti, street, and urban art * Canvas, wood, metal, cement, and glass * Extra-fine and bold strokes Empty Markers – Available in 0.7mm Extra Fine, 2mm Fine, 15mm, 30mm & 50mm Broad. Translucent barrels make it easy to see the color and amount of paint within. Replacement Nibs – In an even wider size range than original markers, from 0.5mm to 50mm. Smaller size nibs fit Extra Fine and Fine Markers, larger nibs fit Broad markers. Empty Bottles – Translucent plastic bottles in 25ml or 180ml sizes for mixing and storing custom paint colors. ACRYLIC Refill Paint – All 24 Montana ACRYLIC water-based paint colors are available in either 25ml or 180ml bottles and are infinitely mixable to create unique color blends. See More
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