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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Fredrix 70/580 Universal Primed Canvas Roll 53" x 6 YardsSave Up to22%Off listWhite Universal Primed for any media! Style 70/580 Cotton! This Fredrix Style 070/580 cotton duck canvas rolls are acrylic primed for all types of media especially acrylic paints, gouache or tempera. Fredrix Acrylic Primed Cotton Roll Canvas is made from selected cotton yarn and coated with acid-free acrylic titanium priming Key Features:* Fine quality* Universal cotton canvas rolls* 6.5oz / 220g raw, 10.5 oz / 339g primed.* Medium texture, good strength* Pure duck cotton* Medium weight cotton duck* Perfect For:* All media* Stretching your own canvas* Odd sized canvas needs* Universally primed to accept oil colors, acrylics, alkyd paints and more See More
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Incredible White Mask Kit No. 3 4.5 oz Jar with Incredible NibSave Up to33%Off list…color * Shows through dry paint * "Dipstick" or "Incredible Nib" applicator * Unique fiber tips stay firm when wet Perfect For: * Masking areas of a painting * Watercolor artists * Applying frisket masking fluid * Watercolor, acrylic, tempera, silk, and fabric paints * Students, teachers, and… High Quality Liquid Frisket Watercolor Medium Grafix Liquid Frisket is a high-quality liquid frisket perfect for watercolor masking. It dries to a neutral cream color that shows through dry paint. The "Dipstick" was the original applicator brush that Grafix developed to apply Liquid Frisket. The Grafix "Incredible Nib" is an improved version with unique fiber tips that stay firm when wet for greater precision and control. You can use the "Incredible Nib" to apply Liquid Frisket, as well as watercolor, acrylic, tempera, silk, and fabric paints. Nibs are easy to clean with soap and water. Key Features: * Liquid frisket watercolor medium * Water-based suspension of latex * Dries to a neutral cream color * Shows through dry paint * "Dipstick" or "Incredible Nib" applicator * Unique fiber tips stay firm when wet Perfect For: * Masking areas of a painting * Watercolor artists * Applying frisket masking fluid * Watercolor, acrylic, tempera, silk, and fabric paints * Students, teachers, and parents * Use in the classroom 8.5 oz Jar - Incredible White Mask is the highest quality latex liquid frisket mask you can buy. It has a tough film that is easily removed (we recommend using a rubber cement pick-up). The off-white color eliminates staining and is easy to see, unlike colorless products. Kit No. 1 - Contains an 8.5 oz jar of White Mask, an Incredible Nib, Liquid Frisket Removing tool, and a pamphlet. Kit No. 2 - with Dipstick - Contains a 2 oz jar of White Mask and a single-sided "Dipstick" applicator. Kit No. 3 - Contains a 4.5 oz jar of White Mask and the original incredible nib. Please note Liquid Frisket contains ammonia. See More
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Brush and Pencil Colored Pencil Titanium White 14 G Jar + SifterSave Up to10%Off listWhite Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More
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