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Related Categories: Gesso Paint | Mottler | Extra Large Stretched Canvas | Stretcher Brace | Da Vinci Fit Synthetic | Jack Richeson Stretcher Bars | Primer | Natural Canvas
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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to32%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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The Edge All Media PRO Cotton Canvas, 40"x50" - 1-1/2" Deep (Box of 3)Save Up to92%Off listWhite Four Clean, Paintable Edges for Frameless Artwork Presentation! Superior Priming For The Best Overall Results! The greatest selection of sizes. Thus, giving the artist a reasonable cost solution for wherever their inspiration leads them. 78 sizes in al! Improving on one of the most beloved artist canvases isn’t easy, but Creative Mark has carefully developed a primer that actually maintains the richness and purity of paint colors for priming The Edge All Media Cotton Canvas! Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. The Edge is known for its’ tuck-n-roll style construction, providing clean edges for painting to display frameless. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Raw canvas is 8oz before priming. The Edge Canvases come pre-primed with a final primed weight of 14oz. Back spline stretched and stapled at each corner for durability. Look for The Edge All Media Cotton Canvases in even deeper depths for an even more striking presentation! Key Features:* Available in: Singles or Boxes of 3* Squares, Value Packs of 9* 14oz primed weight* 8oz. raw weight before priming* 100% cotton canvas* Triple acrylic primed* Medium texture canvas* Deluxe stretched canvas* Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materialsThe Edge All Media 1-1/2" Deep Cotton Stretched Canvas Perfect For:* Oils, Alkyds, Acrylics* Painted edge presentation* Mixed media works* Painters of all levels* Frameless artwork presentation* Excellent barrier protection between paint and canvas THE EDGE 1-1/2" DEEP French Landscape - After looking at stores in Paris, the main difference in sizing were sizes that were more gentile, than a 1 to 2 ratio. 10x15", 10x25", 12x18", 18x30", 20x20", 30x48" and 48x72" represent the ratios of 1 to 1-1/2 but also a few that were slightly wider. Seascapes, in these the slightly wider sizes. Squares/Diamond - Geometrically squares allow for various single and multiple canvas compositions. There are fifteen sizes ranging from 4x4" to 60x60". Squares used with extra-long canvases allow for many geometric multiple canvas compositions, as well. Rectangles/Portrait/Landscape - The most popular of shapes are rectangles. These work well with abstract expressionism, landscape and especially portrait or representative artwork. The Edge offers a huge array, providing the most possible alternatives for you. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! Singles up to size 24x36in. Boxes of 3 All Sizes Value Packs: Small Square Cotton Canvas 1-1/2" Gallery 9 Packs See More
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Paramount Pro Gallery Wrap, 40"x50" Stretched Canvas (Box of 3)Save Up to85%Off listWhite Simply The Best Professional Cotton Canvas On The Market! Our SUPER Heavyweight cotton canvases have a 100% guarantee. We guarantee the best quality canvas or your money back! Only the best heavyweight cotton canvas is stretched on Paramount gallery wrapped professional artist canvases. You can paint with confidence because we prime each Paramount canvas with a layer of sizing and three coats of acrylic gesso. It's the best commercial cotton canvas you can buy. Popular Paramount Professional Gallery Wrap Canvas has recently received an upgrade! Featuring the same medium-weave, triple-primed, acid-free, 100% cotton canvas as the original style, Paramount Professional canvas now boasts new 1-13/16" deep, solid pine stretcher bars with an innovative L-shaped design. The best for Gallery-ready paintings! SUPER Heavyweight 100% cotton canvases. triple-primed, acid-free. 1-13/16" deep, solid pine stretcher bars with an innovative L-shaped design. Key Features: * Unbleached 100% cotton canvas * Super Heavyweight cotton canvas * 11oz unprimed / 15oz Primed on heavyweight cotton * 1-13/16" deep solid pine, L-shaped stretchers * Triple-primed, acid-free * Medium-tooth surface * Back-stapled * Heavy-duty canvas and bracing system * Perfect For: * Paintings in acrylics, oils & alkyds * Techniques from glazing to impasto * Art that needs stable support * Gallery-ready paintings * Professional use These newly redesigned stretcher bars are a vast improvement on many other lines, as not only does the increased depth add to the strength of the stretcher frame, the 1-13/16" wide face with an offset lip provides greater support to the canvas itself. Paramount Professional Gallery Wrap Stretched Canvas was designed for artists who require a heavy-duty canvas and bracing system made to professional standards. Paramount Professional Canvas is designed to take both thick and thin paint layering in acrylics, oils, and alkyds. For artists looking for a sturdy, superior grade stretched canvas, the newly redesigned Paramount Professional Canvas is the way to go! See More
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The Edge All Media Pro Cotton Canvas 40"x50" - 2-1/2" Deep (Box of 3)Save Up to89%Off listWhite 2-1/2" Deep of Clean, Paintable Edges for a Gallery Style Presentation Superior Priming For The Best Overall Results! One of the most popular artist canvases, Creative Mark has carefully developed a primer that actually maintains the richness and purity of paint colors for priming The Edge All Media Cotton Canvas! Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Top selling most popular feature, The Edge is known for its’ tuck-n-roll style construction, providing clean edges for painting to display frameless. A sturdy surface for all painting styles, even mixed media, This 2-1/2" deep Edge Canvas features a beefy 14oz, triple primed medium texture. Finish painting with solid-colored cleanly painted sides, or wrap the painting around the sides for a distinctive, modern look. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Raw canvas is 8oz before priming. The Edge Canvases come pre-primed with a final primed weight of 14oz. Back spline stretched and stapled at each corner for durability. Key Features:* 14oz, triple primed* Raw canvas is 8oz before priming* 100% cotton canvas* 2-1/2 in. canvas depth* Individual or Boxes of 3* Beefy medium texture* Deluxe stretched canvas* Back spline stretched and stapled* Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials* Perfect For:* Oils, Water mixable oils, Alkyds, Acrylics* Painted edge presentation* Mixed media works* Painters of all levels* Frameless artwork presentation* Excellent barrier protection between paint and canvas* Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! See More
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Winsor & Newton Professional Canvas Gallery Deep (1.65") Stretched Canvas-40"x50" (Box of 3)Save Up to61%Off listWhite Create your next masterpiece with these with professionally prepped stretched cotton canvas! Born from a rich heritage of commitment to quality and innovation, Winsor & Newton Professional Canvas features cotton canvas primed with pigment rich Gesso and warp-resistant, kiln-dried, heavy duty solid pine stretcher bars. With its balanced absorbency and medium tooth, this acid-free, archival canvas is wonderfully responsive to every brushstroke, really allowed paint to adhere to the textured surface. Available in standard depth and gallery deep edge, each canvas has a little extra cloth with its tailored and uncut corners, and includes the new Winsor & Newton pro-stretcher. Each canvas includes the Pro-Stretcher, an innovative stretching device that's custom-made for Winsor & Newton. Strong and compact, it allows you to create an immaculate bespoke surface, stretched exactly as you want it. This exclusive stretcher is easy to use and delivers precision tension. Key Features: * Professional Cotton Canvas * Pre-primed, the cotton canvas weighs 10.6 oz. Primed weight is 16.9 oz. * Weight 480gsm, Surface Cotton, Wood Type Heavy Duty Solid Pine * Primed with pigment rich Gesso primer * Warp-resistant, heavy duty solid pine stretcher bars * Acid-free, archival canvas with a medium tooth * Includes the Winsor & Newton pro-stretcher * Choose a Traditional or Deep Edge profile * Balanced absorbency and tooth prevents shrinking * Back stapled with folded uncut corners Perfect For: * Traditional Canvas with medium texture, ideal for use with oil and acrylic paints * Deep Edged Traditional Canvas with medium texture, ideal for use with oil and acrylic paint * Professional painters * Oils & acrylics * Fine art students * Mixed media projects Pro-Stretcher * Precision tension that you can control * Professional look for back of canvas * Strong, will not release * Easy to use, no fuss * Small and compact * Patent-pending technology The professionally constructed frames are crafted from heavy-duty, kiln-dried solid pine stretcher bars and rigorously tested for warp-resistance. See More
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Schmincke Mussini Drying Accelerator 35 ml TubeSave Up to37%Off list…(Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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RAS Tempera Medium for Kids Gloss Varnish 64 oz. BottleSave Up to61%Off list…art. Display your children's paintings proudly with protective RAS Tempera Varnish! Attach the paint pump (sold separately) to the varnish bottle to easily dispense varnish to students. Key Features: * Non-toxic water-based varnish * Sealant for tempera paintings * Cleans up easily with soap and… Enhance & Protect Your Child's Artwork With These Non-Toxic Varnishes Tempera paint is the perfect medium for young artists, but it can be easily damaged once dry. Now you can protect precious tempera paintings with new Tempera Varnish from RAS! These non-toxic, water-soluble varnishes are easy to apply and easy to clean up with just soap and water and will prevent dirt, dust, moisture, or environmental pollutants from damaging the surface of your child's art. Display your children's paintings proudly with protective RAS Tempera Varnish! Attach the paint pump (sold separately) to the varnish bottle to easily dispense varnish to students. Key Features: * Non-toxic water-based varnish * Sealant for tempera paintings * Cleans up easily with soap and water * Available in Gloss, Satin, and Matte finishes * Sold in 16 oz. and 64 oz. bottles and Gallon jugs * Pump dispenser sold separately Perfect For: * Protecting your child's paintings from environmental damage! * Varnishing tempera paintings * Dispensing varnish with less mess * Students, teachers, and parents * Use in the classroom See More
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Chroma Acrylic Mural Paint - Fury, 64oz JarSave Up to45%Off listOrange Lightfast, durable acrylic paints for outdoor art and murals! Chroma Mural Paint is specifically designed for outdoor use and street art! Chroma Acrylic Mural Paint is a lightfast, water-resistant, durable acrylic formula that is water-mixable and permanent when dry. The paint is vibrantly pigmented for superior coverage and handling. Hard-wearing and water-resistant, these paints are perfect for use on virtually any surface, indoors or out, and are especially well-suited for mural and urban art. Available in 16oz., 64oz. and gallon jars. Chroma Mural Paints are non-toxic, water-resistant, and lightfast: perfect for bringing fine art to the streets! Chroma Mural Paint comes in 19 creamy colors and is available in 16 oz and 1/2 Gallon sizes. Polar White and Blacktop are available in Gallon bottles as well. Key Features:* Non-toxic, lightfast acrylics* Hard-wearing and water-resistant* Bright and mixable colors clean up easily* Durable, permanent when dry* Ready to use right from the jar* Superior coverage* Mural Paint Jars: 16oz, 64oz.(1/2 gallon) & Gallon jars* 16 oz & 64 oz Jar sets Perfect For:* Outdoor & urban art* Use on almost any surface * Large mural paintings* Superior coverage & handling * Outdoor, water-resistant paints* Paint that can be used straight from the bottle for interior and exterior murals* Outdoor street art, indoor murals With superior coverage, handling and pigment load, artists have a great paint that can be used straight from the bottle for interior and exterior murals. The bright and mixable colors are non-toxic and clean up easily. See More
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LUKAS Studio Oil Color - Titanium White, 2L BucketSave Up to69%Off listWhite High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More
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Liquitex Acrylic Fluid Mediums - Matte, 64ozSave Up to40%Off list…non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow *… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level, and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors so that they dry uniformly matte. Satin Medium: Mix into colors so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending, and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Holbein Artist Acrylic 2L White Gesso (LL) X-CoarseSave Up to51%Off listWhite Professional quality gesso at an affordable price With Holbein Acrylic Gesso, you can prime your canvas with a Black, Clear, or White gesso. If you prefer a colored ground, you can mix acrylic paint with the white or clear gesso to create a custom ground. Holbein Gesso has fool-proof sealing properties and provides the right amount of tooth for raw canvas. Their white gesso is available in smooth, medium, coarse, and extra coarse textures so you can further customize your surface. Holbein's space-saving poly bags are better for the environment because they use less plastic than standard rigid bottles and result in less post-consumer waste. It's easy to pour the acrylic gesso out of the spout, and the bags don't take up lots of space in the studio. Holbein gesso adheres well to most surfaces, including paper, cloth, canvas, wood, stone, and primed metal. Overpaint it with acrylics, oils, or pastels. Try Holbein's professional Gesso today! Key Features: * Acrylic gesso dries to an ultra-matte finish * Thick, creamy, smooth consistency * Preparatory ground for raw canvas * Excellent sealing properties * Smooth, medium, coarse, and extra coarse texture * Environmentally friendly space-saving poly bags * Easy to pour spout * Made in Japan Perfect For: * Ground for acrylics, oils, or pastels * Most surfaces * Paper, cloth, canvas, wood, stone, and primed metal * Use as a painting texture medium * Creating a solid matte background * Adding texture to a painting * Impasto techniques Holbein White Gesso is available in the following textures: * Smooth (S): Smooth texture that is almost like an eggshell. * Medium (M): A regular matte surface. * Coarse (L): Fine sand texture. * Extra Coarse (LL): Rough sand texture. See More
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Liquitex Acrylic Gesso Surface Prep White Gesso 1/2 gallonSave Up to39%Off listWhite Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry.  It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Weber Odorless Turpenoid 2 Liter, 67oz JugSave Up to43%Off list…making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Holbein Fluid Acrylic 35ml Set of 8 Assorted ColorsSave Up to35%Off listAssorted Colors A smooth, free-flowing acrylic perfect for pouring Holbein Fluid Acrylics are low viscosity artist-grade paints. All of Holbein's vibrant colors are lightfast and mix cleanly. Holbein doesn't use fillers or extenders, so the paint has outstanding tinting strength. You can pour, drip, or spray the fluid acrylic because it's formulated to resist crazing, wrinkling, and foaming. As the paint dries, it forms a flexible, durable film with good adhesion. If you want to create watercolor-like effects, you can thin Holbein Fluid Acrylic with medium and brush it on like watercolor. Holbein Artist Fluid Acrylics mix well with all acrylic mediums, including gels, pastes, and gesso. Key Features: * Low-viscosity artist acrylic * Smooth, free-flowing formula * Holbein's colors are intermixable across the ranges * Highly lightfast pigments * No fillers or extenders used * Outstanding tinting strength * Dries to a durable, flexible paint film * Formulated to resist crazing, wrinkling, and foaming Perfect For: * Pouring techniques * Drip or spray application * Fine brushwork * Mixing with gels, pastes, and gesso * Glazing and staining * Water media techniques * Dry brush application Fluid Acrylic Set of 8 - The set of 8 includes Quinacridone Magenta, Naphthol Red, Hansa Yellow, Phthalo Green, Phthalo Blue, Burnt Sienna, Lamp Black, and Titanium White. See More
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Norma Blue Water-Mixable Oil Color - Neutral Black, 35ml TubeSave Up to47%Off listBlack Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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DecoArt Acrylic Paint Pouring Medium, 64ozSave Up to42%Off list…improve paint flow, without decreasing adhesive properties, altering color, or slowing drying time. The waterbased flexible skin won't crack or yellow over time. Mix DecoArt Pouring Medium with acrylic paints to create stunning effects on wood or canvas panels. Ratios of medium to paint can be… Waterbased Pouring Medium and Top Coat! DecoArt Pouring Medium is a fluid additive uniquely formulated to improve paint flow, without decreasing adhesive properties, altering color, or slowing drying time. The waterbased flexible skin won't crack or yellow over time. Mix DecoArt Pouring Medium with acrylic paints to create stunning effects on wood or canvas panels. Ratios of medium to paint can be adjusted for a variety of effects. Use DecoArt Clear Pouring Topcoat to create a smooth, glossy finish for your poured acrylic paintings. DecoArt topcoat is a lacquer-like, crystal clear, high-gloss finish. This one-step formula eliminates the need to mix harsh chemicals and flows into a self-leveling, crystal clear coat that will not yellow, leaving your artwork with its original vibrancy! Key Features: * Waterbased, no unpleasant fumes * Non-yellowing * Will not alter color or slow drying time * Lacquer-like, crystal clear, high-gloss finish. * Create stunning effects. * One-step formula Perfect For: * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Preserving artworks original vibrancy * Professionals and students * Teachers See More
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Liquitex Acrylic Pouring Medium - Gloss, 64ozSave Up to56%Off list…wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex… Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features: * Gloss, iridescent, or matte * 8oz, 16oz, 32oz bottle, or gallon * Fluid texture and transparent opacity * Creates even “puddles” and flowing applications of color * Does not craze, crack, or hold bubbles once dry * Flexible, non-yellowing, and water-resistant when dry * Will not add transparency when mixed with color * Gloss and iridescent retains high gloss wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects Click Here for the Liquitex Pouring Medium Tips & Projects See More
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Liquitex Acrylic Gloss Varnish, 1/2 Gallon BucketSave Up to40%Off list…clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from dust and environmental pollution. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in… Liquitex offers a variety of varnishes that have been specifically designed to achieve optimal clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from dust and environmental pollution. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in several different sheens, which can all be intermixed for a customized sheen. Our varnishes are permanent and can be applied to both flexible and rigid supports. Gloss Varnish - This water-resistant varnish delivers permanent, highly durable protection that is flexible and no-yellowing when dry. A 100% acrylic polymer varnish that is water soluble and can be thinned. High Gloss Varnish - This permanent water-based varnish produces a high gloss finish that is clear, sandable, and non-tacky. It increases depth and color intensity; AP non-toxic. Matte Varnish - Enhances color while adding a non-glare, low-sheen finish. Satin Varnish - Apply over dry paint to protect the surface and add a satin finish. A non-yellowing varnish medium with excellent leveling properties. Translucent when wet, dries clear. Key Features: * Non-Yellowing* Water-based varnishes* Non-removable* Permanent and durable* Excellent leveling properties* Low odor Perfect For: * Interior and exterior use* Use with spray paint* Use with a heavy body and soft body paints* Multimedia use See More
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Krink Mini Sprayer 2L CapacitySave Up to25%Off list…white logo * Tanks come empty * Adjustable nozzle on 2L and 5L * Stainless steel wand on 5L * Assembly required Perfect For: * Murals, street art, and graffiti * Painting on a large scale * Custom ink * Canvas painting * Large backgrounds * Drawing unique marks on a large scale * Traveling artists Master your mural with 3 hand-powered tools! Krink sprayers help mural artists paint a wall or canvas without time-consuming brushwork or expensive airbrush equipment. The Compact Sprayer attaches to most 1-liter plastic bottles which are great containers for custom ink. The compact unit only measures 11.5" x 1.5" x 1.6" in, so you can fit it in your backpack and take it anywhere. Once you're done painting, just detach the unit and cap the soda bottle for storage. The Mini Sprayer has an empty 2L ink bottle and an adjustable nozzle perfect for smaller projects. Krink's big 5L spray system comes with a stainless steel wand and an adjustable brass nozzle that you can use for large-scale murals. Harnessing the power of a Krink sprayer takes some time, but once you understand the process, you will be able to create jaw-dropping marks on a large scale. Key Features: * Compact sprayer: 11.5" x 1.5" x 1.6" in * Bottle not included * Fit's to most 1-liter plastic bottles * Mini sprayer: 2L capacity, 10" x 5" x 14" in * Sprayer: 5L capacity, 7" x 7" x 22" in * Black plastic tank with white logo * Tanks come empty * Adjustable nozzle on 2L and 5L * Stainless steel wand on 5L * Assembly required Perfect For: * Murals, street art, and graffiti * Painting on a large scale * Custom ink * Canvas painting * Large backgrounds * Drawing unique marks on a large scale * Traveling artists See More
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Liquitex Acrylic Gel Medium - Matte, 1/2 gallonSave Up to40%Off list…paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint… Add texture, enhance color, increase transparency! Liquitex Acrylic Mediums are made from 100% acrylic polymer emulsion and produce strong films when dry. When added to acrylic paint, they modify the paint handling characteristics, appearance, or volume to produce an infinite variety of effects. Liquitex Gel Mediums can add texture, enhance color, and increase transparency within your work. Gels also add "open time" as they tend to dry slower than thinner paint films. These mediums also modify acrylic paints in a variety of ways and, since they contain acrylic resins, tend to improve adhesion and durability. Modeling Pastes are thick acrylic gel blended with marble dust for a strong durable, opaque texture. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects. * Adhesion and durability Flexible Modeling Paste - Matte, opaque preparation of marble dust and polymer emulsion. Use on a flexible surface for heavy textures and 3D forms. Gloss Gel - This heavy body gloss medium and extender makes acrylic colors more transparent. Heavy Gel(Gloss)- Gives acrylic colors a high degree of drag and density. Great for impasto techniques and glazes. Light Modeling Paste - Putty-like compound that can be shaped while wet or carved when dry. Will not crack or chip. Non-toxic. Matte Gel - Reduces gloss of acrylic colors. Also used as a matte collage adhesive. Super Heavy Gel (Gloss) - Add to acrylic colors to form a sculptural, high-peak consistency. Dries clear with very low shrinkage. Great for collage and mixed media. Super Heavy Gel (Matte)- A super thick gel that retains high peaks and crisp brush and knife strokes with little shrinkage. Modeling Paste - Putty-like compound that can be shaped while wet and carved when dry. Slow-Dri Blending Gel - This fluid medium will increase the open working time of your acrylics by up to 40%. Dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. Ultra Matte Gel - Use to extend paint up to double amounts without changing color. Dries to a matte finish while maintaining color opacity. AP non-toxic. Liquitex Satin Gel Medium- is made of a 100% acrylic polymer emulsion and creates a durable, flexible film resistant to abrasion once dry. When added to acrylic paint, the satin gel increases texture and extends volume with a satin finish. You can also use the gel medium as a strong adhesive. Silkscreen Medium- You can transform acrylic paint into slow-drying silkscreen ink with Liquitex Silkscreen Medium. The medium changes the thickness of water-based acrylic paints by increasing fluidity so you can use them for silkscreening and mono-printing. This acrylic medium increases paint volume and drying time but doesn't affect paint color or opacity. Extended drying time lets you position ink to create the exact printed fabric designs you want. See More
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Blockx Oil Color 35 ml Tube - Veronese GreenSave Up to65%Off listGreen Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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Schmincke Mussini Oil Color 35ml - Natural Burnt SiennaSave Up to49%Off listBrown Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More
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