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Jack Richeson Grey Matters Series 9815 Sz 0 Synthetic Signing BrushSave Up to28%Off list…or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked long-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features: * Non-reflective / anti-glare * Create a neutral grey value space between your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Colineo Series 1621 Synthetic Kolinsky Long Handle Brush - Size 0, RoundSave Up to30%Off list…have a lot of spring * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Short handle: watercolor and gouache * Long handle: oil paint * Area work or fine details * Students, teachers, professionals * Watercolorists and artists of all skill levels * Finessing delicate glazes with… Synthetic brushes made to mimic Kolinsky Sable Can you spot the difference between Colineo and real sable? For many years, brush makers have worked to find a synthetic that could imitate Kolinsky Red Sable hair. This research has been going on for years because of the intricate nature of sable, which is now very rare and expensive. da Vinci has finally cracked the code with its Colineo Brushes. Each brush is made with a balanced blend of different lengths of straight and wavy synthetic fibers. These fibers have extra fine tips that taper to a point and mimic natural sable. At the same time, the Colineo brushes have a lot of spring and are highly absorbent. All these features help Colineo give a convincing imitation of Red Sable hair. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. They produce well-made, elegant, and durable brushes utilizing the latest innovations. Key Features: * Synthetics made to mimic Kolinsky Sable * Extra fine tips taper to a point * The fibers have a lot of spring * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Short handle: watercolor and gouache * Long handle: oil paint * Area work or fine details * Students, teachers, professionals * Watercolorists and artists of all skill levels * Finessing delicate glazes with ease Why choose da Vinci Colineo Synthetic Kolinsky Red Sable for Watercolor: * A new crimped fiber, multi-diameter synthetic to mimic Kolinsky * This new synthetic fiber is unique to da Vinci, developed over the last 5 years * Composition of straight and wavy synthetic fibers in different lengths with extra fine tips, precise point, high elasticity and color absorption * Ideal for watercolor, gouache, oil and ink work * Beautiful hand-milled handles from sustainable European forests * Made in Germany, da Vinci is family owned and committed to artists since 1890 See More
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Berlin Synthetic Long-Handle Acrylic Brush, Script Liner Size #0Save Up to81%Off listStiffness Watercolors Acrylics Oils The Finest Brushes for Painting with Acrylic Colors in the World Or Your Money Back! Today there are hosts of synthetic brushes available, but there has never been an acrylic brush able to outperform natural hair, that is until now. The motivation for creating the… Stiffness Watercolors Acrylics Oils The Finest Brushes for Painting with Acrylic Colors in the World Or Your Money Back! Today there are hosts of synthetic brushes available, but there has never been an acrylic brush able to outperform natural hair, that is until now. The motivation for creating the Berlin Synthetic Long Handle Brush series were artists just like you! We set out to eliminate all of the drawbacks associated with synthetic acrylic brushes. Specifically: synthetic hair that did not hold color or perform with the control and precision of natural hair. With the help of our German brush manufacturer and customer input, we created the Berlin series. As a result of our research, all Berlin brushes are interlocked using a special heat treatment process that creates a bounce-back memory effect and produces a brush with great shape and resistance. Berlin brushes use a blend of four different filament diameter sizes between .1mm to .28mm. The mix of filament hair is dependent on the size and shape of the brush. The synthetic filament hair is also treated and shaped so that each brush closely parallels natural hair in texture and tapers to create a very robust brush body with a soft feel at the tip. Each Berlin brush features a nickel-plated silver ferrule and a long Blue Turquoise handle made of wood from sustainable forests. The handles are dipped in a high-grade varnish four times, which helps to keep them in good condition if properly cleaned. Simply put, these brushes are a modern marvel that will allow you to translate your ideas through your hand and onto the canvas with unparalleled ease. There has never been an acrylic brush able to outperform natural hair, that is until now. Berlin brushes use a blend of four different filament diameter sizes between .1mm to .28mm. Ultimate precision and outperforms natural hair! Synthetic hair that will hold color and perform with the control and precision of natural hair. Simply put, these brushes are a modern marvel! Key Features: * Handmade in Germany * Mottlers, Flats, Brights, Filberts, Rounds & Sets * Interlocked bristles * Bounce back memory effect with great shape and resistance * A blend of four different filament diameters * Synthetic filament hair * Holds color & performs with the control & precision of natural hair * Closely parallels real hair in texture & shape * Long handles * Nickel-plated silver ferrules * Wood from sustainable forestry used * Handle dipped in a high-grade varnish four times * Acrylic Brush Set of 6 w/ Brush Easel Case * Acrylic Brush Set of 12 w/ Brush Easel Case Perfect For: * Acrylics, oils, or alkyds * Easel painting * Fine details * Precise lay down of color * Professionals and art enthusiasts * Students and teachers * Professional acrylic painters * Artists wanting the best experience Berlin Synthetic Long Handle Acrylic Brush Sets Berlin Long Handle Acrylic Brush Set of 6 With Brush Easel Case: Set includes: Size #2 Flat, #12 Flat, #2 Bright, #6 Bright, #24 Filbert, #2 Round, and Creative Mark Folding Long Handle Brush Easel Berlin Long Handle Acrylic Brush Set of 12 With Brush Easel Case: Set includes: Long Handle Size #2 Flat, #12 Flat, #2 Bright, #6 Bright, #12 Bright, #24 Bright, #2 Filbert, #6 Filbert, #16 Filbert, #24 Filbert, #2 Round, #12 Round and Creative Mark Folding Long Handle Brush Easel Berlin Acrylic Brush Script Liner Set of 3 Long Handle Series 9980: Set includes size #0, #2, and #6 Script Liner. Berlin Acrylic Brush Long Handle Script Liner Set of 3 (Box of 12): Set includes size #0 , #2 , and #6 Script Liner times twelve. Berlin Series 1018M General Mottler Set: Set contains 1-inch Mottler, 1.5-inch Mottler, and 2-inch Mottler. Berlin Series 1018M Large Painting Mottler Set: Set contains 1-inch Mottler, 1.5-inch Mottler, 2-inch Mottler, 3-inch Mottler, and 4-inch Mottler. Berlin Series 1018M The Works Mural Mottler Set: Set contains the 1-inch, 1.5-inch, 2-inch, 3-inch, 4-inch, 5-inch, and 6-inch Mottler. See More
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New York Central Steinberg Superior Kolinsky Brush, Round Size #0Save Up to63%Off listBlack Stiffness Watercolors Acrylics Oils Best of the best Kolinsky (only the strongest and largest male winter tails) Handmade in Germany, the New York Central® Steinberg Superior Kolinsky Watercolor Brushes have a reliable split-proof point. Only the strongest and largest male Kolinsky winter tails are used. Brush makers specially coat the 24kt gold plated seamless brass ferrules to be tarnish-resistant, which helps your brush maintain its esthetic beauty. Made exclusively by the best master brush makers, each brush is handmade and tested to be a master tool. With a Steinberg brush, you can count on a resilient split-proof point, large color holding capacity, and flow control. An absolutely stunning brush! Made exclusively by the very best master brush makers in Germany. Only the strongest Kolinsky hair is used! Key Features:* Handmade in Germany* Hair quality: Best of the best Kolinsky (only the strongest and largest tails) - dental brush quality* Made of the strongest male winter tail and resilient kolinsky pure red sable* Hair: Split proof point with large belly to hold lots of color for long strokes* Ferrule: 24kt gold plated with special coating making them resistant to staining* Handle: Special medium long wave handle design for supreme balance while painting* Handle: Medium long wave line handles in black shiny color (4 coatings) Perfect For:* Professional Watercolorists* Watercolor and Gouache painting* Holding large color loads in full bellies* Even, consistent control* See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Colour Shaper Painting Tool Soft #0, Set of 5Save Up to40%Off list…are made of an advanced rubber composite. Apply oil or acrylic paint straight from the tube with a Colour Shaper, and then use it to carve back into the paint for a variety of texture and surface effects. The tool easily lifts paint from the surface or draws lines, contours, and edges on the color.… The revolutionary silicone tool for creating a wide variety of effects! Colour Shapers are a unique tool made from silicone. The tip will not absorb any material, and so is great for applying, removing, scraping and moving color. Used alone or together with your existing tools, Colour Shapers will give you the opportunity to develop new and exciting effects. Made by Royal Sovereign in England. The durable tips of the Colour Shapers are made of an advanced rubber composite. Apply oil or acrylic paint straight from the tube with a Colour Shaper, and then use it to carve back into the paint for a variety of texture and surface effects. The tool easily lifts paint from the surface or draws lines, contours, and edges on the color. With seamless nickel ferrules and lacquered hardwood handles, they offer the quality needed by dedicated artists. Colour Shapers Sets of 5 - Create effects that aren’t possible with brushes alone! Use with watercolors (apply masking fluid) acrylics, oils and pastels. Then simply wipe the tip clean—no need for solvents! Each set of 5 includes one of each style tip: angle chisel, cup chisel, flat chisel, taper point and cup round. Colour Shapers Pro Sets of 15 - Pro Sets include complete sets for Size 0, 2 and 6—that’s 15 total Colour Shapers in all! See More
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Grumbacher Final Fixative Matte, 11.75oz Spray
Starting At: 15.09
…and surface preparation for use on paper, acetate, foil, and glass that allows non-porous surfaces to accept water-based media without beading up. It dries to a non-glossy finish. Allow fixative to dry completely before painting, drawing, or touching the work. Do not over apply as it will cause… Fix And Protect Dry Media From Smudging! Grumbacher Final Fixatives are used to fix and protect dry media such as pastels, charcoal, pastel pencils, and graphite from smudging or rubbing off and come in glossy and matte finishes. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and is appropriate for use on paper, photographs, printed materials, and ceramics. Grumbacher Workable Fixative is a matte spray used to fix traditional dry media or dried designers gouache for additional layers of media. To prevent your paint from beading up on a non-porous surface like acetate, you can prepare the surface with workable fixative. Workable Fixative was initially developed for gouache paint users. The matte fixing spray allowed artists to fix dried gouache and paint over it without reawakening the original layer of paint. Now working fixative is primarily used with dry media. Grumbacher Final Fixative Matte Spray & Gloss Spray 11.75oz Can: Final Fixative is a workable fixative for charcoal, pastels, and pencil work, appropriate for use on paper, photographs, printed materials, and ceramics. Colorless, flexible, and non-yellowing, Final Fixative is fast-drying and can be reworked when dry. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Grumbacher Workable Fixative Matte Spray 11.75oz Can: Workable fixative and surface preparation for use on paper, acetate, foil, and glass that allows non-porous surfaces to accept water-based media without beading up. It dries to a non-glossy finish. Allow fixative to dry completely before painting, drawing, or touching the work. Do not over apply as it will cause a more dramatic color shift or even cause pastels to dissolve in the fixative. Key Features: * 11.75oz Can, glossy or matte finish * Colorless, flexible, and non-yellowing * Fast-drying and can be reworked when dry * Protect dry media from smudging * Fix dry media * Workable Fixative allows non-porous surfaces to accept water-based media without beading up * Do not over apply Perfect For: * Protecting dry media * Adding lost tooth back to a drawing * Pastels, charcoal, pastel pencils, and graphite * Traditional designers gouache * Use on a wide range of artist papers * Professionals, teachers, students * Surface preparation for paper, acetate, foil, and glass * Paper, photographs, printed materials, and ceramics * Non-porous surface preparation for water-based media See More -
Krylon Easy Tackâ„¢ Adhesive Spray, 10.25oz CanSave Up to55%Off list…Superior, permanent bond; High contact strength; Bonds heavy-duty materials like wood, metal, plastic, glass, laminate, and more. Kamar® Varnish - Keep your oil, acrylic, or watercolor paintings looking like a masterpiece! This varnish is free from impurities and protects against yellowing while… Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear - This sturdy, clear finish does not yellow with age. Dries in minutes enhances and protects color with a moisture-resistant finish. Easy-Tack™ - Easy-Tack creates a smooth, flexible, temporary hold. Rearrange work until the perfect design is achieved. Easy-Tack never becomes permanent, yet will not lose its gentle grip! This acid-free spray is safe for photos, scrapbooks, and more! Excellent for stenciling or temporary placement since it leaves no residue. Gesso Spray - Spend more time artistically and less time preparing your surface! Easy, the one-step application requires no mixing—shake, point, and spray. Will not yellow, resists chipping, dries to the touch within 15 minutes, ready to work in 30 minutes. High Strength Spray Adhesive - This fast-acting adhesive has a variable volume controlled web spray pattern that offers high contact strength. Superior, permanent bond; High contact strength; Bonds heavy-duty materials like wood, metal, plastic, glass, laminate, and more. Kamar® Varnish - Keep your oil, acrylic, or watercolor paintings looking like a masterpiece! This varnish is free from impurities and protects against yellowing while allowing for easy reworking. Kamar Varnish dries to a high gloss finish. Low Odor Clear Sprays This permanent, latex enamel spray is excellent for preservation, can be used indoors and cleans up easily with soap and water! Preserve It! - Protection is easy with Preserve It!® Digital photos, greeting cards, address labels, scrapbook materials, and more last twice as long once you add this layer of protection. Without it, moisture, fading, early aging, ink runs, and damage from smudges can ruin your most precious valuables. Satin Finish Spray - Clear, protective spray finish for all kinds of arts, crafts, and home décor projects. Permanent, protective gloss finish, non-yellowing, moisture-resistant. Spray Adhesive - This high-performance spray exhibits an extended open-tack time so projects can be easily adjusted before drying completely. This acid-free formula is safe for photos, scrapbook pages, and other lightweight memorabilia. Provides an even spray pattern, is non-wrinkling with no bleed through. Super Quick Grip Spray Adhesive - Adheres lightweight surfaces in seconds and dries secure and permanent. The adhesive creates a smooth, flexible, non-wrinkling bond. Fast tack, dries quickly; strong, permanent bond in seconds; smooth, non-wrinkling adhesion; acid-free. Triple-Thick Crystal Clear Glaze - This bright, clear acrylic coating gives a glass-like illusion of depth. Its glaze equals three coats of other clear aerosols — superior high-gloss coating with a shiny, durable finish. UV-Resistant Clear Coatings - This tough finish does not yellow with age and protects arts, crafts, and valuables from harmful light rays. Moisture- and chip-resistant, smudge-proof, and dries in minutes. Available in gloss or matte. Workable Fixatif - This re-workable spray eliminates smudging and wrinkling while protecting pencil, charcoals, pastels, chalk, tempera, Conte, crayon, watercolor, India ink, and more! Easy to erase, Acid-free, and archival safe. See More
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Enkaustikos Hot Tools Pen Point Attachment C0
Starting At: 16.99
…your Enkaustiko's Pen or Brush Attachment is easy; simply dip the attachment into hot liquid encaustic wax before painting. The electric Woodburner allows you to draw with liquid wax paint at your leisure without rushing to apply color before the wax cools. The Hot Wax Pen tips and brush attachments… Skillfully Handmade brass encaustic tools add precision to every stroke! Enkaustiko's has developed a series of Hot Wax Tools that enable encaustic artist's to create special effects while still maintaining the molten state of colored wax. The Hot Wax PenPoint and Brush Attachments can be used to create an array of line widths, from fine lines to broad transparent strokes of color. The Enkaustikos C-Series Pen Points and Brush Attachments are handcrafted from solid brass. These heated tools provide encaustic painters with the option to work on fine details or fast and spontaneous shapes of color without the worry of wax cooling on the pen tip. Loading your Enkaustiko's Pen or Brush Attachment is easy; simply dip the attachment into hot liquid encaustic wax before painting. The electric Woodburner allows you to draw with liquid wax paint at your leisure without rushing to apply color before the wax cools. The Hot Wax Pen tips and brush attachments can be used to create an array of line widths, from fine lines to broad transparent strokes of wax. Solid brass is used to handcraft the Enkaustikos C-Series Pen Points and Brush Attachments. The heated Enkaustikos Wax tools maintain the molten state of wax until it is applied to the painting surface. This innovation allows the encaustic painter the option to work on fine details or fast and spontaneous shapes of color. Key Features: * Handmade quality * Brass construction * Seamless ferrules Perfect For: * Encaustic painters * Artists of all levels See More
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