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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Sargent Art Poster Paint 3/4 oz Set of 12 Premium ColorsSave Up to14%Off listAssorted Colors Non-toxic paint for kids of all ages! The Sargent Art® Washable hybrid paint has a thick and rich consistency that is more transparent than Tempera paint. The paint color washes from most fabrics and skin with soap and water. Sargent Art Poster Paints and Liquid Metal Tempera Paints are opaque, water-soluble, and excellent for painting posters and other projects in the classroom. When empty, the palette jars can be washed and refilled. All Sargent jar paints are certified AP non-toxic and made in the USA. Key Features: * The jars contain 3/4 oz./22.2 mL of paint * Washable, poster paint, or liquid metal * Thick and rich consistency * Opaque and transparent color * Water-soluble, easy cleanup * Traditional, Fluorescent, and Metallic colors * Washable paints wash out of most fabrics with soap and water * Non-toxic and AP Certified * Click on the yellow tech note icon for set information Perfect For: * Kids of all ages! * Classrooms and teachers * Social art parties * Poster painting * Beautifully clean color mixing * Classroom use * Free-flowing, vivid painting Primary Colors Washable Paint Jar Set of 6 Colors include: Blue, Green, Yellow, Red, Black, and White. Glitter Colors Washable Paint Jar Set of 6 Colors include: Magenta, Yellow, Red, Blue, Violet, and Green. Flourescent Colors Washable Paint Jar Set of 6 Colors include: Fluorescent Red, Fluorescent Pink, Fluorescent Yellow-Orange, Fluorescent Green, Chartreuse, and Fluorescent Blue. Primary Colors Poster Paint Jar Set of 6 Colors include: Blue, Green, Yellow, Red, Black, and White. Premium Colors Poster Paint Jar Set of 12 Colors include: Blue, Green, Yellow, Red, Black, White, Violet, Orange, Turquoise, Brown, Silver, and Gold. Liquid Metals Paint Jar Set of 6 Colors include: Blue, Green, Yellow, Red, Black, and White. See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Sargent Herringbone Weave Linen Canvas Unprimed (480 gsm) 83" x 6 Yard RollSave Up to79%Off listNatural A highly coveted, master-crafted canvas - Perfect for even the most detailed paintings! John Singer Sargent was one of the greatest portrait artists of all time, and part of his success was dependent on the canvas he used. New J.S. Sargent Herringbone Weave Linen Canvas from Creative Mark is a unique addition to their canvas line, with innovative qualities unavailable anywhere else. This canvas is made from only the finest linen flax, meticulously hand-processed and woven into a twill herringbone pattern that provides uniformity, elegance, and strength. The unique weave makes for a smooth surface with superior resilience that can withstand stretching in any direction and the most rigorous of painting techniques. Available in unprimed, oil primed, and glue-sized surfaces, there is the perfect option for any painter. Great care is taken in producing each oil-prepared canvas. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. We have not used white lead for many years, per Belgian and European legislation. The coating itself consists of linseed oil as a binder, chalk, and titanium white oil paint as the pigment ground. Gesso the unprimed version for acrylic painting, mount the glue-sized onto board for egg tempera, or stretch the oil-primed canvas onto gallery bars and paint a masterpiece worthy of Sargent himself! Key Features: * Highly coveted, master-crafted canvas rolls * Strong herringbone twill weave * Incredibly fine surface * Oil Primed features 2 coats of professional quality primer * Sold in 83" x 6 yard rolls or sample sheets * 3 surfaces: unprimed, glue-sized, and oil primed Perfect For: * Professional realist artists * Highly detailed oil paintings * Priming and painting in any medium * Portrait artists and detail painters * A superior, resilient and durable substrate * Archival art that will last for lifetimes! See More
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Jacquard Pearl Ex Powdered Pigment - Sunset Gold .75ozSave Up to41%Off listMetallic Use with oils, acrylics, watercolors, fabric paint and more! Pearl-Ex pigment colors can be mixed into any media and applied to any surface! And the variety of finishes Pearl Ex can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. Pearl Ex creates a metallic look without being a metal. The particles are flat platelets with two surfaces, therefore it lays down beautifully like a thin coating of metal. The different particle sizes produce different looks from a fine, smooth, pearly luster to a highly metallic sheen. It is a safe, non-toxic, inert powdered pigment with a neutral pH. It is extremely color fast and stable. These colors will not tarnish or fade and is therefore ideal for archival applications. Add Pearl-Ex pigments to any viscous medium such as acrylic, gouache, oils, varnish, wax, paper pulp and clay. Great for faux finishing, mixed media art and more. Pearl Ex powdered pigment colors can be mixed into any media and applied to any surface Key Features:* Can be mixed into any media* Applied to any surface* Creates a metallic look without being a metal* Lays down beautifully like a thin coating of metal* Produce different looks from a fine, smooth, pearly luster to a highly metallic sheen* Safe, non-toxic, inert powdered pigment with a neutral pH* Extremely color fast and stable* Archival, colors will not tarnish or fade* Available in: .75oz/22ml jars 32 Color set - 32, 0.1 oz (3 g) bottles - 3 gram jars of each color of Pearl Ex Pigments Series 1 Set of 12 - Micro Pearl, Macro Pearl, Super Russet, Super Copper, Brilliant Gold, Sparkle Gold, Silver, Super Bronze, Sunset Gold, Interference Violet, Interference Gold, and Duo Red-Blue. Series 2 Set of 12 - Includes: Aztec Gold Antique Copper Antique Silver Duo Green-Yellow, Bright Yellow, Flamingo Pink, Spring Green, Turquoise, True Blue, Misty Lavender, Blue Russet, and Sparkling Copper. Series 3 Set of 12 - Includes: Carbon Black, Pumpkin Orange, Salmon Pink, Pink Gold, Reflex Violet, Grey Lavender, Mink, Sky Blue, Pearl White, Antique Bronze, and Duo Blue-Green. NOTE: Click on Yellow Icon Next To Products For Full Color Contents Pearl-Ex Powdered Pigment Details: Pearl Ex Powdered Pigments may be used any time a metallic or pearlescent effect is desired: mix them into acrylics, oils, printing inks, encaustics, alcohol inks, epoxy, glues, casting resins, clay, varnishes...the list goes on! Try it mixed with Gum Arabic for a DIY metallic calligraphy ink or watercolor, in the Pearl Ex Varnish for working on non-porous surfaces Fabric/Fiber/Surfaces polymer clay, encaustics, paper, shrink plastic, leather, glass, canvas, wood, and more! Mix with a binder to use on natural and synthetic fibers See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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