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Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Pebeo Vitrail Color Pearl 45mlSave Up to38%Off listWhite Create The Beauty of Stained Glass with Vitrail Colors Luminous, high-gloss colors in transparent and opaque finishes great for glass, acetate, polyester, plexiglass! Pebeo Mixed Media Vitrail Colors are high-gloss, solvent-based colors, 36 total colors: available in 26 transparent and 10 opaque colors. These colors can be used with liquid art panels, metal, glass, ceramics, plastics, paper, canvas and more! Applied in thin or thick layers with a brush or used with a dropper. To imitate stained glass, use the Vitrail colours with the Cerne Relief outliners Key Features:* Mixable* Ready to use* Good lightfastness* Solvent-based* Transparent, intense and very bright colour* Opaque effect, luminous colours Perfect For:* Mixed media artists* Use on multiple surfaces* Use over acrylic mediums or in combination with resins What is Pebeo Vitrail Paint? To imitate a stained glass effect, use Vitrail Glass Paint with Pebeo Cerne Relief. Pebeo Cerne Relief is a water-based outliner that comes in a tube with a fine nozzle. It is available in a range of 7 colours and is used to create the outline of the design before applying the glass paint. After applying the Cerne Relief outliners, how long do you wait before applying Vitrail colours? It is better to allow the Cerne Relief dry at least 30 minutes prior to applying the Vitrail colours. QUALITY: Transparent, intense and very bright colours. Opaque effect, luminous colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief. COLOUR MIXABILITY: Colours can be mixed together. DRYING: 1 hour to the touch, completely dry after 8 hours. Drying times can vary depending on the thickness of the application, and the temperature and humidity of the room where the product is applied. SURFACES: Glass, polyester, acetate THINNER: Odorless mineral spirits or white spirits. OPACITY:Transparent and opaque colours FINISH Brilliant. See More
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Amsterdam Standard Series Acrylic Paint - Titanium Buff Light, 1 Liter JarSave Up to35%Off listWhite An excellent choice for the beginning or intermediate artist! An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland from carefully selected pigments. Features include a very high level of lightfastness, short drying time, and an acrylic resin paint that is virtually odorless when wet. The Standard Series Amsterdam Acrylic colors can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Please click on the yellow circle technote icon to view pigment information for each individual color. Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More
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Old Holland New Masters Acrylic Titanium White 1liter JarSave Up to25%Off listWhite Highest pigment load acrylics with a 100% pure acrylic medium Designed to have little color shift from wet to dry, Old Holland New Masters Acrylics hold the maximum possible pigment content as well as look and feel of classic oils straight from the tube. In 1998, Old Holland’s chemists began research in the area of acrylic paint colors, with the goal to create an exceptional professional acrylic paint line that was worthy of carrying the Old Holland name. The project was dubbed "New Masters" as a long-held dream of the late owner Professor Theo de Beer, since Old Holland Oils were used by the old Dutch masters. He foresaw that the modern medium of acrylics would be used by the new masters of art. Key Features:* Full range of 168 colors* Highest pigment load* High impasto capabilities* Dries to a satin gloss* Oldest paint maker in the world!* Professional Acrylic Sets* All-Inclusive Deluxe Wood Box Set Perfect For:* Professional Acrylic Painters* Transitioning to acrylics from oils* Impasto painting to glazing* Feel of oil paints in an acrylic After testing more than 250 pigments and different mediums for the paints, they were incorporated into a series, irrespective of cost. Instead of the resins most of the major acrylics manufacturers incorporated into their products, Old Holland chose a 100% pure acrylic medium from a European manufacturer as the paint vehicle. More expensive than traditional popular resins, it gives New Masters Acrylics the same characteristics and texture of Old Holland’s Classic Oils. Utilizing traditional pigments like Genuine Manganese Blue, etc. to more modern lightfast anthraquinonoids and more, Old Holland produced acrylics that they tested with professional artists in various countries. By the end of 2005, the range of 168 colors was introduced, and consisted of opaque and transparent lightfast colors that were free of additives and fillers. Drying to a satin gloss, they can be used for a wide range of techniques from thick impasto to ultra-thin glazing. With an extensive selection of metallics, pearlescent, iridescent, and interference colors that are extremely lightfast, the high doses of pigment in the patented binding system ensure each color displays the unique characteristics of the individual pigment. Try the simple starter New Masters Set of 6, or spring for the Deluxe Wood Box Set — the perfect transition for the professional oil painter to the medium of acrylic painting — and fall in love! New Masters Acrylic Set of 6 - Includes six 60ml tubes of Titanium White, Azo Yellow Light, Naphthol Vermillion, Quinacridone Fuschia, Ultramarine Blue, and Phthalo Blue. New Masters Acrylic Deluxe Wood Box Set - Deluxe Italian Mabef Wood Sketch Box contains thirty 60ml tubes of Old Holland New Masters Acrylic Colors, three brushes, and a wood palette. See tech notes for complete set contents. See More
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Pebeo Fantasy Moon Color Pearl 45 mlSave Up to25%Off listWhite Solvent-based colors that create marbled effects! Pébéo Fantasy Moon opaque colors render a hammered or marbled effect on flat horizontal surfaces. The liquid paints create unique effects, which depend on whether used alone or mixed with Fantasy Prisme, Vitrail or Ceramic paints. They work well on Liquid Art Panels and can also be used on glass, canvas, metal, mirror, Plexiglass, acetate, plastics, ceramics, and more. Make sure to clean brushes and droppers with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water.Please note: Stir the paint with a wooden stick prior application to obtain a homogenous and fluid color. DO NOT SHAKE. Use a dropper to place color or pour directly from the bottle onto a flat horizontal surface. The length of time required for the colors to be completely dry varies according to the thickness of the application. A 1/16 inch (2 mm) thick application is dry to the touch after 24 hours and completely dry after 72 hours. Wait a minimum of 7 days before adding a coat of resin over completely dry colors. Key Features:* Pourable, liquid, solvent-based paint* Creates crater-like effects over time* Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Abstract landscapes and seascapes* Resin jewelry * Mixed media applications See More
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Pebeo Fantasy Prisme Color Eggshell White 45 mlSave Up to25%Off listWhite Solvent-based colors that create honeycomb and textured effects! Pébéo Fantasy Prisme pearlescent, opaque colors render a honeycomb effect on flat horizontal surfaces. This effect reveals itself while the paint is drying (5 to 10 minutes). They work well on Liquid Art Panels and can also be used on glass, canvas, metal, mirror, Plexiglass, acetate, plastics, ceramics, and more. Fantasy Prisme work well with the Studio Acrylics line as well as with Gedeo Resins and Mirror Effect Metal Leaf. Make sure to clean brushes and droppers with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water.Please note: Stir the paint with a wooden stick prior application to obtain a homogenous and fluid color. DO NOT SHAKE. Use a dropper to place color or pour directly from the bottle onto a flat horizontal surface. The length of time required for the colors to be completely dry varies according to the thickness of the application. A 1/16 inch (2 mm) thick application is dry to the touch after 24 hours and completely dry after 72 hours. Wait a minimum of 7 days before adding a coat of resin over completely dry colors. Key Features:* Pourable, liquid, solvent-based paint* Creates honeycomb-like effects over time* Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Abstract art* Resin jewelry* Mixed media applications See More
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Yupo Multimedia Medium Paper Pad 6x15" - White 74lb. 10 SheetsSave Up to45%Off listWhite A slick, smooth, non-absorbent substrate that dramatically changes the way you paint, print or draw Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. It's a synthetic paper, machine-made in the USA of 100% polypropylene. What is YUPO Watercolor Paper? It is waterproof, stain resistant, extremely strong and durable non-absorbent substrate that dramatically changes the way you paint. Available in medium and heavy weight white varieties and now new translucent YUPO! Explore the versatility of synthetic paper with Yupo, the world's first erasable watercolor paper! You Can use YUPO Watercolor Paper For:Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight Key Features:* Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers YUPO Medium Paper: 200 gsm / 74lb - Acid Free, Neutral pH, Smooth Surface- A true innovation in fine art substrates. This synthetic, tree-free paper is everlasting and non-absorbent. It resists buckling with wet media and can be wiped clean. Pigments will retain true clarity and brightness. A new way for techniques to flourish. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil, Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Heavy Paper: 390 gsm / 144lb - Acid Free, Neutral pH, Smooth Surface- A radically novel breed of paper. Tree-free, bright white and stainproof, it allows artists to create shapes, patterns and nuances that are impossible to achieve on conventional papers. Non-absorbent and slick, a revelation for artisans. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Translucent Paper: 153 gsm / 104lb - Acid Free, Neutral pH, Smooth Surface- With a translucent finish, these slick sheets are an excellent beginning point for a variety of mediums. Remaining true to all YUPO® revolutionary qualities, this substrate allows artists to rethink coloring from a fresh perspective. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor * Yupo 10-Packs - Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight. Sold in packs of 10 sheets.* Yupo Assorted Pack - Includes five 20 x 26" sheets of 74lb medium weight and five 20 x 26" sheets of 144lb heavy weight white Yupo brand paper.* Yupo Pads - Available in 2 sizes with white or translucent paper. 10 sheets per pad.* Yupo Rolls - A 60" x 10 yard roll & 30" x 10 yard roll of Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces! See More
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Lascaux Primer Liter JarSave Up to38%Off listWhite A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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Magnani 1404 Portofino Watercolor Pad 140lb Hot Press - 6" x 15" (20 Sheets)Save Up to40%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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Art Spectrum Colourfix Pastel Primer Jar 1 LiterSave Up to33%Off listWhite This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Michael Harding Non-Absorbent Acrylic Primer Titanium Buff 1LSave Up to25%Off listWhite Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Chroma A>2 Acrylic - Titanium White, 1L BottleSave Up to55%Off listWhite A>2 Lightfast Acrylics, New Directions in Art! Chroma A>2 Lightfast Heavy Body Artists Acrylics are a truly outstanding, highly pigmented acrylic color made with modern less expensive pigments. The result is an acrylic color that has a great thick body with excellent brush-mark retention for acrylic color techniques and a brilliance and clarity as rich as professional acrylic colors. Colors dry to a semi-gloss finish for excellent color saturation and luminosity. Chroma A>2 Acrylics offer professionals and beginners alike a great quality artist acrylic at an affordably low price. Key Features:* Student grade pigment* Heavy body acrylic* Rich buttery consistency with strong, lightfast pigmentation* Intense color brilliance and clarity* Full range of colors for easy mixing* Dries to a low gloss finish Perfect For:* Luminous washes and glazes* Rich impasto effects* Luminous glazing techniques* Use with acrylic mediums and varnishes Chroma A>2 Acrylic Set of 8 This set contains the following 8 colors in 120ml tubes: Titanium White, Phthalo Green Hue, Dioxazine Purple Hue, Phthalo Blue, Alizarine Crimson Hue, Cadmium Orange Hue, Cadmium Red Medium Hue, and Cadmium Yellow Light Hue. See More
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Matisse Structure Acrylic Colors Titanium White 1 literSave Up to50%Off listWhite A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Old Holland Oil Color - Titanium White, 1 LiterSave Up to44%Off listWhite Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 LiterSave Up to30%Off listWhite Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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Lascaux Thick Bodied Artist Acrylics Titanium White 45 mlSave Up to38%Off listWhite The richest acrylic paints in the world! All Lascaux Thick Bodied Artist Acrylic colors dry to a consistent satin finish. The richness of the pigment along with the uniform character of the paint film produces vivid compositions not capable with any other brand. Colors are intensely pigmented, extraordinarily lightfast, and completely resistant to aging. They layer well without shrinking and cover exceptionally. Colors do not oxidize, yellow or crack even in the thickest layers. Synthetic Iron Oxide colors are substituted for natural earth colors to produce a richness in hue not possible with natural pigments. The range includes both transparent and opaque colors. Key Features: * In Sizes: 45ml, 200ml, 750ml * Maximum pigmentation * Lightfast, age-resistant & non-yellowing * Water-resistant when dry * Very good film flexibility * Semi-matt finish * Smooth and thick consistency * Highly concentrated and economical Perfect For: * Precision application with brush or palette-knife * Impasto * Thick texture * Painting on practically any surface * Plein air painters * Quick and easy cleanup * Artists and teachers See More
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Enkaustikos Hot CakesSave Up to20%Off listWhite Ready to use professional-grade encaustic paints in convenient, re-fillable tins! Hot Cakes from Enkaustikos are professional quality, ready-to-use encaustic paints packaged in a re-fillable metal tin. This package design makes Hot Cakes extremely easy to use—melt these paints simply by placing the uncovered tin on your hot palette. The tin’s flat bottom will ensure that your paints melt evenly. These pigments can be re-melted over and over with no difficult clean up or hassle. Empty tins can be purchased to create new colors with! Crafted from high-quality pigments, damar resin and USP grade beeswax, these encaustic paints contain no synthetic adulterants and are among the finest artist-standard encaustic paints available! Key Features: * Re-fillable tin allows you to use the same pigments over and over * Paints melt evenly, contained in the tins * Ready to use and easy clean up! Perfect For: * Professional artists * Encaustic artists looking for a no-hassle paint * Beginner to advanced encaustic painters * Printmaking applications See More
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Michael Harding Oil Color - Titanium White No. 2 (Linseed), 1L CanSave Up to25%Off listWhite ”These Michael Harding paints that I am using are doing exactly what he said they would - they’re changing my life!!! Warning - these Professional Oil Paints are highly addictive! Over 30 years ago, painter Michael Harding set out for perfection in a line of handmade oil colors. Today, Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients (without the use of artificial driers, extenders, or fillers) gives artists working qualities unlike any other oils, making their work stand out in a room full of paintings. The consistency is creamy, buttery, and easy to handle, offering the greatest possible coverage with 100 brilliant, vibrant colors to choose from. Please note that packaging may vary. Key Features: * Exquisitely Handmade Oil Colors * Highest, most brilliant pigment load * No added driers, fillers, or extenders * Highest lightfastness ratings * Professional Quality * Rich, creamy consistency Perfect For: * Professional Oil Painters * discerning students & amateurs * Artists favoring Old Masters materials * Use with Michael Harding Mediums * Artists requiring highest pigment oils * Painters using only handmade oils Are Michael Harding paints good? Yes! Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients gives artists working qualities unlike any other oils! See More
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