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Da Vinci Maestro Series 1111 Kolinsky sz. 14 Square Edge ScriptSave Up to31%Off listThe Ultimate Hand Lettering Brush! The da Vinci Maestro Kolinsky Sign and Lettering Script Brushes make hand lettering and sign painting a breeze! With this brush, you can anticipate fantastic bristle spring and control along with the matchless water-holding capacity of natural red sable hair. Each… The Ultimate Hand Lettering Brush! The da Vinci Maestro Kolinsky Sign and Lettering Script Brushes make hand lettering and sign painting a breeze! With this brush, you can anticipate fantastic bristle spring and control along with the matchless water-holding capacity of natural red sable hair. Each brush features a squared bristle tip and a short shiny black polished handle for ultimate control. The square brush tip is perfect for sharp lettering and long transitional strokes. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Short handle for control * Kolinsky red sable * Squared lettering tips for hand lettering work * Nickel-plated seamless ferrules * Manufactured in Germany * Perfect For: * Watercolor and gouache * Hand lettering and sign painting * Very tight detail work * Watercolorists and artists of all skill levels See More
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Claessens Linen #012 Glue Sized Moderately Fine Texture Roll, 82" x 6 ydSave Up to74%Off listWhite Quality linen worthy of your finest masterpiece! Claessens linen is made with only the finest linen flax. Great care is taken to weave the canvas. Quality control carefully inspects the canvas by hand for faults and removes any abnormally thick threads. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. The finished canvases are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional quality glue sized linen * Synthetic glue is used instead of hide glue * Multiple surface textures offered * Quality checked by hand * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Highly detailed oil paintings * Portrait artists and detail painters * Archival art that will last! Glue Sized Linen Roll #09 - Features a fine texture. Ideal for use with portraits and painting genres that require a smoother surface - like detailed work. Warp 11 cm / 14 cm weft, 6.61 oz. Glue Sized Linen Roll #012 - Features a moderately fine texture. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft, 7.17 oz. Glue Sized Roll #013 - Features an extra fine texture. Ideal for use with portraits and painting genres that require a smooth surface. Warp 23 cm / 23 cm weft, 6.28 oz. Glue Sized Roll #029 - Features a pronounced and beefy, hearty rough texture that is popular with landscape and abstract painters, mixed media artists, and for large-scale easel and mural works. Warp 21.6 cm / 12.5 cm weft, 12.53 oz. Glue Sized Roll #066 - Features a medium texture. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft, 8.85 oz. See More
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Art Spectrum Colourfix Pastel Primer Jar 1 LiterSave Up to33%Off listBlack This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Claessens Linen #13 Quadruple Oil Primed Very Fine Texture Roll, 82" x 6 ydSave Up to66%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
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Claessens Linen #170 Double Universal Primed Rough Texture Roll, 82" x 6 ydSave Up to69%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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SoHo Urban Artist Golden Taklon Brush, Rake Size 1/4" (Short Handle)Save Up to80%Off list…Available in various sizes and styles* Great value* Perfect for an array of applications, including traditional oil, acrylic and watercolor painting Perfect For:* Classrooms and workshops* Students and professional artists* Artists seeking a great value Click Here for the Brush Measurement… The best value in quality artist brushes! These brushes bring quality watercolor, oil and acrylic brushes to students and artists alike at rock-bottom value pricing! SoHo's brush line includes Teijin fiber and Golden Taklon, as well as Powercryl, white synthetic filament brushes and premium white hog bristle. This line features a wide variety of styles and sizes to outfit any painter's basic brush needs. Value Brush Sets - SoHo Urban Artist Value Brush Sets feature an assortment of five basic brush style and sizes, selected to suit the given medium (oil, acrylic or watercolor). Key Features:* Variety of filament types, including White Synthetic, Powercryl, Hog Bristle, Golden Taklon and Teijin Fiber* Available in various sizes and styles* Great value* Perfect for an array of applications, including traditional oil, acrylic and watercolor painting Perfect For:* Classrooms and workshops* Students and professional artists* Artists seeking a great value Click Here for the Brush Measurement Chart > See More
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Michael Harding Non-Absorbent Acrylic Primer Dark Raw Sienna 1LSave Up to25%Off listBrown Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Chroma A>2 Acrylic - Cerulean Blue Hue, 1L BottleSave Up to55%Off listBlue A>2 Lightfast Acrylics, New Directions in Art! Chroma A>2 Lightfast Heavy Body Artists Acrylics are a truly outstanding, highly pigmented acrylic color made with modern less expensive pigments. The result is an acrylic color that has a great thick body with excellent brush-mark retention for acrylic color techniques and a brilliance and clarity as rich as professional acrylic colors. Colors dry to a semi-gloss finish for excellent color saturation and luminosity. Chroma A>2 Acrylics offer professionals and beginners alike a great quality artist acrylic at an affordably low price. Key Features:* Student grade pigment* Heavy body acrylic* Rich buttery consistency with strong, lightfast pigmentation* Intense color brilliance and clarity* Full range of colors for easy mixing* Dries to a low gloss finish Perfect For:* Luminous washes and glazes* Rich impasto effects* Luminous glazing techniques* Use with acrylic mediums and varnishes Chroma A>2 Acrylic Set of 8 This set contains the following 8 colors in 120ml tubes: Titanium White, Phthalo Green Hue, Dioxazine Purple Hue, Phthalo Blue, Alizarine Crimson Hue, Cadmium Orange Hue, Cadmium Red Medium Hue, and Cadmium Yellow Light Hue. See More
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Permaset Aqua Supercover Fabric Printing Ink 1 Liter - Mid RedSave Up to48%Off listRed Environmentally friendly, opaque and durable fabric paints! Permaset Aqua is a revolution in fabric and screen printing inks. By using advanced polymer technology combined with the purest pigments, Permaset Aqua results in an environmentally friendly, easy to use ink that provides long-term durability without compromising its superior soft handle. Permaset Aqua Supercover colours are specifically designed to provide excellent coverage, opacity and definition over dark fabrics whilst retaining maximum stretchability. Permaset Aqua can be achieved with great results on cotton, polyester, silk and most synthetics, without the need for additives. Garments containing Permaset are highly durable to wash, rub and dry-clean, together with intense pigment colour for excellent coverage, opacity and colour brightness. Permaset Aqua is safe to use on babywear, underwear and swimwear. All colours are water based so equipment can be easily cleaned up with water. Key Features: * Water-based fabric paints * Non-Toxic, 100% Environmentally friendly * Lightfastness ratings of 6/8 on the Blue Wool Scale * Highly durable to wash, rub and dry clean * Provides excellent coverage, opacity and definition * Cleans up with just water Perfect For: * Use with cotton, polyester, silk and most synthetic fabrics * Artists of any age! * Dark colored garments * Use on delicate clothing, such as babywear, underwear and swimwear * Quick and easy clean up See More
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Creative Inspirations Dura-Handle, Brush Long Handle, Flat 1/4" (12 Pack)Save Up to78%Off list…* Available in long and short handle brushes Perfect For: * Classes, workshops, businesses * Students, teachers, and professionals * Use with oils, acrylics and watercolors * Heavy-handed Artists * Discerning Artists * Painting parties and businesses, schools and classrooms * Multiple session use Longer Lasting Resin Short & Long Handle Taklon Hair Brushes - Won't Chip or Crack Stiffness Watercolors Acrylics Oils While wood handles are traditionally the preferred style for artists the world over there is a growing need to have handles that do not crack or chip when soaked in water or solvents. This is particularly true in classroom, public, private or social settings. Creative Inspirations Dura-Handle™ brushes are available with both long or short handles and are made to last longer than the traditional brushes that artists use in their private studios. The synthetic filament hair shapes to a square edge or super fine point. Brushes exhibit a wonderful brush response for superb control. The brush head is fashioned into a professional, high quality seamless nickel plated brass ferrule. The Dura-Handle™ has a balanced feel as it is solid resin and not cheap plastic. These brushes may be relied upon longer than conventional brushes but with a high end feel and performance. Use for all traditional media including oils, acrylics and watercolors. Elegant Design+ : Solid resin handles (not cheap plastic), Champagne and Wine Color Handles w/ Nickel Plated Brass Ferrules Key Features: * Dura-Handle™ solid resin handles* High Performance Taklon Synthetic Hair* Seamless Nickel Plated Brass Ferrules * Dura-Handle™ solid resin handles (not cheap plastic) * Handles will not chip or crack when soaked in water * Lasts longer than wood, cleans easily. * Can be reused after cleaned * Available in long and short handle brushes Perfect For: * Classes, workshops, businesses * Students, teachers, and professionals * Use with oils, acrylics and watercolors * Heavy-handed Artists * Discerning Artists * Painting parties and businesses, schools and classrooms * Multiple session use See More
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Amsterdam Acrylic Pouring Medium 014, 1 LiterSave Up to30%Off list…added to acrylic paint, pouring mediums generate random cells of color and create interesting organic shapes. Amsterdam Acrylic Pouring Mediums enable you to create dramatic effects and spectacular cell formations. The pouring medium can be used pure or colored with acrylic paint. You can use… No limitations and endless possibilities! When added to acrylic paint, pouring mediums generate random cells of color and create interesting organic shapes. Amsterdam Acrylic Pouring Mediums enable you to create dramatic effects and spectacular cell formations. The pouring medium can be used pure or colored with acrylic paint. You can use virtually any acrylic based color alongside this pouring medium, but we suggest richly pigmented colors! It dries to create a transparent, colorless, waterproof surface with a high glossy sheen. Since it is a flexible acrylic, you can pour it over almost any hard flat surface such as a wooden panel. By changing mix ratios, variety of colors, and viscosity, it is virtually impossible to run out of distinct pour variations. Amsterdam Acrylic Pouring Medium can help you create the most beautiful and exciting pours. Key Features: * A high degree of gloss * Dries to a hard, water-resistant surface * Can be thinned with water * For a thicker consistency acrylic binder can be added * Careful stirring prevents air bubbles * Spectacular cell formations * Use at temperatures above 10° C Perfect For: * Dirty pours and cup pouring * Superb control and excellent definition * Mixed media work * Hardwood or aluminum panels * Creating interesting pours without silicone * Acrylic resin dispersion * Everyday studio use See More
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Matisse Structure Acrylic Colors Titanium White 1 literSave Up to50%Off listWhite A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Interactive Professional Acrylic 1 Litre Jar - CrimsonSave Up to40%Off listRed Professional artist acrylics with a longer open time! Unlike traditional acrylic paints, Chroma Atelier Interactive Artists Acrylics do not suddenly form a skin; the unique paint gives you plenty of time to blend and rework your colors. The Unlocking Formula Medium gives you more artistic freedom, allowing even touch-dry paint to be reworked, blended, or ragged off to reveal layers below! Archival quality and lightfast, the intense color dries to a satin-like finish without a plastic look or feel and with minimal color shift. By withholding the use of Unlocking Formula or water when painting, Atelier Interactive will perform like a traditional fast-drying professional acrylic paint. Note: in dry climates, you will need to replace the water being lost through evaporation by spraying/spritzing with water from time to time. Key Features: * Range of brilliant colors * Smooth buttery consistency * Dries to a satin finish * Minimal color shift when dry * Available in 80ml, 237ml, and 1 liter and sets * Interactive Unlocking Formula sold separately Perfect For: * Re-blending and reworking all day! * Wet-In-Wet techniques * Silkscreening, Lino Block & Monotype Printing * Acrylics without a plastic look or feel Interactive Professional Artists Acrylic Set of 12, 20ml Tubes - The colors included in the set are Series 1: Titanium White, Pthalo Green, Yellow Ochre, Burnt Sienna, Crimson and Carbon Black, Series 2: Transparent Perinone Orange, Permanent Green Light, and French Ultramarine Blue, Series 3: Dioxazine Purple, Arylamide Yellow Light, and Arylamide Yellow Deep. Interactive Professional Artists Acrylic Set of 7, 80ml Tubes - The colors included in the set are: Arylamide yellow light, burnt umber, cobalt blue hue, crimson, napthol red light, pthalo green and titanium white See More
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Matisse Flow Acrylic Liter Bucket - Matisse Orange DeepSave Up to50%Off listOrange Australia’s premiere low viscosity acrylic! The premiere paint from Down Under, Matisse Flow Acrylic Colors are a low-viscosity acrylic that allows for free brushstrokes with excellent leveling properties. A fantastic choice for murals, canvas painting, theatre backdrops, illustration, told painting, and more. Detailed brushwork, design effects, and watercolor techniques can all be achieved quite easily. Mixes with any Matisse Mediums for various results, or thins to create delicate washes. A balanced range of 95 colors features some uniquely Australian shades, bringing the beauty of the Outback right into your studio! Key Features: * Low viscosity artist’s acrylic * Brilliant and highly pigmented * Superb lightfastness ratings * 95 color range (incl. metallics) * 75ml, 500ml, 1 & 4 liter sizes Perfect For: * Detail and decorative artworks * Some unique Australian shades * Stenciling, tole, & design applications * Glazing and wash layers * Acrylic techniques requiring leveling * Artist Review and Testimonial Professional Artist Andy Russell - “I use mostly the Matisse Flow because I usually paint in thin layers. Occasionally I will use Matisse Structure Heavy Body For A more impasto look. I love Matisse because of their rich , creamy texture, and intense pigmentation. The flip top cap is great too! Very convenient. No more caps rolling around or tubes bursting trying to twist off a stuck cap. They also offer some unique colors such as Matisse Rose Madder, Matisse Indigo, Australian Salmon Gum , Australian Blue Gum , Australian Sky Blue, Matisse Emerald, and Australian Sienna. These are wonderful colors to add to my pallet. For covering large background areas in my work nothing beats Matisse Background colors. They they are opaque and easy to apply” See More
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Old Holland Oil Color - Titanium White, 1 LiterSave Up to44%Off listWhite Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Old Holland Gumwater Arabic 1000ml Bottle B1125Save Up to25%Off listgives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the… gives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for watercolors* Binds to paper, board, canvas and woods* Greater transparency and brilliance* Made of pure gum* Dissolved in lukewarm water with glycerine See More
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Black Mountain Clear Gloss Acrylic Medium 1 Liter, BottleSave Up to43%Off list…with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More
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Pebeo Studio Acrylic Pouring Medium, 1LSave Up to20%Off list…medium is excellent for use with acrylic paints. You can create cell-like formations by adding a few drops of Pébéo Silicone Oil to the wet pouring mixture. Pébéo Pouring Medium can also be applied with a brush as a final varnish over an acrylic painting. Since it is a flexible acrylic, you can pour… Ideal for creating clean, lacquered colors! Pébéo Studio Acrylic Pouring Medium is ideal for a variety of paint pouring methods, once dry, it has a sleek, bubble-free finish. The transparent, glossy, non-yellowing medium is excellent for use with acrylic paints. You can create cell-like formations by adding a few drops of Pébéo Silicone Oil to the wet pouring mixture. Pébéo Pouring Medium can also be applied with a brush as a final varnish over an acrylic painting. Since it is a flexible acrylic, you can pour the medium mixture over practically any hard flat surface. By altering mix ratios, colors, and types of substrates, it is almost impossible to run out of inspiration! Key Features: * Fluid, glossy, non-yellowing * Transparent and permanent after drying * Offers a flexible film * Bubble-free finish * Obtain the desired viscosity without thinning * Pour over any hard flat surface * Silicone oil in tiny amounts can trigger the cell creation process Perfect For: * Precise and smooth color application * Casting or pouring techniques * Studio or classroom use * Use with studio acrylics or Mat Pub colors * Dripping and pouring techniques * Coloring the casting in a mold * Final brush-on varnish * Mixed media applications See More
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Montana Water Based Matte Mural Protection Varnish 1 LiterSave Up to10%Off list…* Can be diluted with water Perfect For: * Varnishing indoor and outdoor murals * Protecting artwork from the elements * Brush, roller, or airbrush application (dilute with water to spray on) * Excellent adhesion to other paints * Application to mineral surfaces, natural stone, plaster, and stucco Perfect For In & Outdoor Use - UV Filter Montana Water-Based Mural Varnish comes in two finishes: Matte and Brilliant Gloss. This water-based varnish creates an even shine on murals while also drying quickly. It can be used on both indoor and outdoor murals. The UV filter in the varnish dramatically extends the lifespan of outdoor murals. Key Features: * Acrylic water-based varnish * Matte and Brilliant Gloss finish options * UV filter extends the lifespan of murals * Dries fast and cures well * Designed not to yellow over time * Can be diluted with water Perfect For: * Varnishing indoor and outdoor murals * Protecting artwork from the elements * Brush, roller, or airbrush application (dilute with water to spray on) * Excellent adhesion to other paints * Application to mineral surfaces, natural stone, plaster, and stucco See More
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Talens Amsterdam All Acrylic Mediums - Extra Heavy Gel (Glossy), 1LSave Up to30%Off list…dream up. With mediums from Gel to Modeling Paste, you can influence the properties of your acrylic colors to suit your whim and your painting style- make paint thicker, thinner; glossier, more matte; or model to high textural peaks. Available in convenient 250ml and 1 liter sizes. Gel Medium… Your Creativity Run Wild With These Premium Mediums! Talens Amsterdam All Acrylics offers a wide range of auxiliary acrylic mediums to achieve virtually any special effect you can dream up. With mediums from Gel to Modeling Paste, you can influence the properties of your acrylic colors to suit your whim and your painting style- make paint thicker, thinner; glossier, more matte; or model to high textural peaks. Available in convenient 250ml and 1 liter sizes. Gel Medium (Gloss) - Increases the gloss and transparency of acrylic colors while retaining the viscosity. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Gel Medium (Matte) - Reduces the gloss and increases transparency of acrylic colors, while maintaining the viscosity. Milky white, dries to a colorless and transparent matte finish. Use as an adhesive on all sorts of materials. Modeling Paste - Creates strong relief grounds. Paste can be used on its own or in combination with acrylics in any ratio, but as the paste has a white pigment, the color of the paint will be lighter. Can be painted over with acrylics or oil paint. Waterproof and non-yellowing, can be mixed with other gel or acrylic mediums or thinned with water. For very dramatic thicknesses in structure, mix the paste with 1/3 of Amsterdam Extra Heavy Gel Medium to avoid cracking due to shrinking during drying. Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors, with a shiny gloss. Gives acrylic colors a thicker consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors, with a matted finish. Gives acrylic colors a pasty consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors quickly, with a shiny gloss. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors quickly, with a matted finish. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent matted finish. Use as an adhesive on all sorts of materials. Key Features: * Additives for acrylic paints * Thin acrylic paints for glazing * Add body or texture to acrylics * Mediums dry clear Perfect For: * Acrylic Artists * Acrylics and mixed media * Students and professionals alike * Achieving multiple effects See More
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Sennelier Rectified Turpentine Spirits, 1 Liter BottleSave Up to31%Off list…Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for… Sennelier Rectified Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface See More
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Amsterdam Acrylic Varnish - 115 Matt, 1 LiterSave Up to30%Off list…to provide a layer of enduring protection for any acrylic painting. Designed to be applied after the paint has completely dried, they can be thinned with solvent, dry in a few hours, and do not yellow once dry. Key Features: * Apply when paint film has completely dried * Dries in a few hours * Will… Professional Quality Acrylic Varnish! As an artist, you want your acrylic paintings to remain in excellent condition and last for generations. To help protect your artwork, Amsterdam offers you: acrylic varnish in high gloss, gloss, satin, and matt. These varnishes can be used to provide a layer of enduring protection for any acrylic painting. Designed to be applied after the paint has completely dried, they can be thinned with solvent, dry in a few hours, and do not yellow once dry. Key Features: * Apply when paint film has completely dried * Dries in a few hours * Will not yellow * Glossy, satin or matt appearance * Thin with white spirit * Remove dried varnish with solvent Perfect For: * Final Varnishing * Providing dust resistance * Archival fine-art protection * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
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Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 LiterSave Up to30%Off listWhite Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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Winsor & Newton Oil Drying Refined Linseed Oil, 1L BottleSave Up to43%Off list…used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Liquin Original Medium 1 Liter (33.8oz) BottleSave Up to43%Off list…drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Solvents - Sansodor, 1L BottleSave Up to43%Off list…Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1L BottleSave Up to43%Off list…oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Michael Harding Oil Color - Burnt Sienna, 1L CanSave Up to25%Off listBrown ”These Michael Harding paints that I am using are doing exactly what he said they would - they’re changing my life!!! Warning - these Professional Oil Paints are highly addictive! Over 30 years ago, painter Michael Harding set out for perfection in a line of handmade oil colors. Today, Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients (without the use of artificial driers, extenders, or fillers) gives artists working qualities unlike any other oils, making their work stand out in a room full of paintings. The consistency is creamy, buttery, and easy to handle, offering the greatest possible coverage with 100 brilliant, vibrant colors to choose from. Please note that packaging may vary. Key Features: * Exquisitely Handmade Oil Colors * Highest, most brilliant pigment load * No added driers, fillers, or extenders * Highest lightfastness ratings * Professional Quality * Rich, creamy consistency Perfect For: * Professional Oil Painters * discerning students & amateurs * Artists favoring Old Masters materials * Use with Michael Harding Mediums * Artists requiring highest pigment oils * Painters using only handmade oils Are Michael Harding paints good? Yes! Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients gives artists working qualities unlike any other oils! See More
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