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Creativo Messenger Bag Extra Large - Black and GreySave Up to74%Off list…pouch in case your bag is ever misplaced. * Just like all messenger bags, Creativo has a full-size over-the-head adjustable shoulder strap. Use one bag to carry all your personal items and your supplies too. Unconditionally guaranteed to meet with your approval or return for a full product refund. High Quality Art Bag, Lots Of Space For Creative Professionals Creativo® messenger style bags were designed for the artist and creative professionals to provide a vast assortment of spaces to store a huge assortment of gear as well as presentation materials. A special side wall stiffener allows you to store loose sheets, boards or papers. To hold brushes, pens, markers and pencils, there are 13 small front pockets (small bag with 10). There are also 12, half and quarter size pockets, one full size pocket and a full size inner compartment that offer an almost endless ability to store and organize all your essentials including: pads, presentation books, special projects, drawing, pastel or paint gear, palettes, journals, PDAs, calculator, wallet, keys and much, much more. The outer flap may be left open so you can get to everything quickly and easily. When you are traveling you can secure the outer flap with two snap closures. Key Features:* The large Creativo is: 20" × 25" × 3" and has 27 pockets.* The extra large Creativo is: 22" × 30" × 3" and has 27 pockets. Two side pockets allow you to store a cell phone and a portable umbrella. The inside flap has an identify pouch in case your bag is ever misplaced. * Just like all messenger bags, Creativo has a full-size over-the-head adjustable shoulder strap. Use one bag to carry all your personal items and your supplies too. Unconditionally guaranteed to meet with your approval or return for a full product refund. See More
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Awagami Factory Paper 170gsm Bamboo 17" x 20.5" (Set of 5)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Prismacolor Kneaded Eraser, Extra-LargeSave Up to34%Off listPowerful erasers perfect for sketching and drawing Prismacolor Premier Art Gum, Magic Rub, and Kneaded erasers work perfectly with graphite and other dry media. The Prismacolor Art Gum® Eraser is great for eliminating unwanted smudges or smears. Its block shape whittles away, leaving a fine powder… Powerful erasers perfect for sketching and drawing Prismacolor Premier Art Gum, Magic Rub, and Kneaded erasers work perfectly with graphite and other dry media. The Prismacolor Art Gum® Eraser is great for eliminating unwanted smudges or smears. Its block shape whittles away, leaving a fine powder that cleans the surface by picking up graphite and dirt. The versatile Prismacolor® Premier Kneaded Eraser can be quickly shaped to precisely the area you want to erase. While the Prismacolor® Magic Rub Eraser allows you to gently and cleanly erase graphite and India ink without ripping or tearing your paper. Whether you're trying to clean up small spots or large areas, Prismacolor® has the right eraser for the job. Key Features: * Prismacolor® erasers * Block shapes ideal for erasing small or large areas * Kneaded eraser can be shaped and cleaned * Dry cleans the surface by picking up graphite and dirt Perfect For: * Erasing * Bringing out highlights * Getting rid of any unwanted smudges or smears * Charcoal, graphite, soft pastel, and some colored pencils Kneaded Eraser: The Prismacolor® Kneaded Eraser is a non-abrasive eraser that you can use to pick up a loose dry pastel and charcoal pigment. You can knead the eraser to make it tacky again when you need to pick up more dry pigment. Available in Large and X-Large sizes. * Eraser ensures your surfaces are left clean * Clean the eraser by gently kneading it in your hand * Make quick work of colored pencils, pastels and even chalk * Can be quickly shaped to precisely the area you want to erase * Designed to both highlight and cleanly erase chalks, charcoal, pastels, and colored pencils Art Gum Eraser: The Prismacolor® Art Gum Eraser produces a fine powder to deep clean paper. It works best on graphite pencil smudges and marks. Often called a "Soap" eraser. 2 x 1 x 1/2"* Whittles away to leave a fine powder* Quickly removes graphite and other dry media* Great for getting rid of any unwanted smudges or smears* Dry cleans the surface by picking up graphite and dirt* Block shape ideal for erasing small or large areas* Dual-purposed, acting as both a non-abrasive eraser and dry cleaner Magic Rub Eraser: Prismacolor® Magic Rub Erasers allow you to gently and cleanly erase graphite and India ink without ripping or tearing your paper. The thin edges of the vinyl enable you to erase small detailed areas efficiently.* Latex-free vinyl design reduces smudging* Perfect for erasing graphite and India ink* Sharp corners are excellent for nooks and crannies* Each eraser measures 2-1/4" long x 1" wide x 7/16" thick See More
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PaintWear™ "Bib Style" Overall Male XL - Navy / RoyalSave Up to67%Off list…needs. Without question, these are the overalls to own! Key Features: * Durable, colorful, comfortable overalls * Lots of pockets to hold tools or supplies * Easy to pull on and off * Very adjustable shoulder straps * A large bib with practical pocket * Overalls should be worn over regular clothes… Experience The Comfort And Versatility Of Artist Overalls These world-famous overalls have been used by tens of thousands of artists in their studio as well as outdoors. This new and improved version features a durable and washable 65% polyester, 35% cotton blend, which is soft to the touch and lightweight. The unique adjustable shoulder straps make the overalls incredibly comfortable and easy to take on and off. Its five pockets hold a huge array of items for various needs. Without question, these are the overalls to own! Key Features: * Durable, colorful, comfortable overalls * Lots of pockets to hold tools or supplies * Easy to pull on and off * Very adjustable shoulder straps * A large bib with practical pocket * Overalls should be worn over regular clothes Perfect For: * Painting large murals * Airbrush work * Pottery or working with epoxies * Washing machine and drier safe * Studio and classroom use * House painting * Use en Plein air * No-hassle, everyday studio use Please note: Overall sizes run small. To ensure comfort, please purchase one or two sizes larger. Female Waist Female Inseam Male Waist Male Inseam Small 31.5" 27" 33.75" 29" Medium 33" 28" 35.5" 30" Large 36" 29" 38.5" 31" X-Large 39" 30" 41.7" 32" XX-Large 43" 31" 45.6" 33" XXX-Large 48" 31" 50.4" 33" See More
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Stillman and Birn Premium Beta Hardbound Sketchbook - 9”x6" (26-Sheets)Save Up to20%Off listWhite Premium Hardcover & Wirebound Sketchbooks for Mixed Media Stillman & Birn Sketchbooks allow artists to choose the paper weight, shade, and surface type best suited for their specific media. Whether you prefer to work with wet media, dry media or both, these premium durable sketchbooks can withstand multiple erasures and a wide variety of applications. Artists can confidently experiment with new ideas and materials on papers that support the most demanding techniques. These sketchbooks are made with high-density heavyweight board that is resistant to warping and adds strength and stability to these sketchbooks Key Features:* High-performance, robust art papers* Acid-free, pH neutral, and lignin-free* Available in different sizes, in both hardbound and wirebound* Exceptional paper strength for wet media and layering of media* Paper manufactured in the Netherlands Perfect For:* Mixed media artwork* Art Journaling* Sketching, drawing and coloring with dry or wet media* Documenting ideas on the go* Creating bullet journals Stillman & Birn Hardcover & Wirebound Sketchbook Series: * Alpha Series - Heavyweight (150 gsm) / Medium grain surface / White / Dry media, light washes, ink * Beta Series - Extra heavyweight (270 gsm) / Cold press surface / White / Dry & wet media, watercolor, ink * Gamma Series - Heavyweight (150 gsm) / Medium grain surface / Ivory / Dry media, light washes, ink * Delta Series - Extra heavyweight (270 gsm) / Cold press surface / Ivory / Dry & wet media, watercolor, ink * Epsilon Series - Heavyweight (150 gsm) / Smooth surface / White / Pen & ink, dry media, light wash * Zeta Series - Extra heavyweight (270 gsm) / Smooth surface / White / Dry & wet media, watercolor and ink *Artwork by Artist Ivory Baker, using Schmincke Horadam gouache using an abrasive impasto technique. The artist reports "The methods I employ in my sketchbook work are very harsh on the paper to be able to cope well with the wetting, scratching and thicker paint without creasing, wrinkling and tearing." See more at the "On Paper" Blog: Click Here > See More
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