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LuxArchival Professional 400 Grit Sanded Art Paper White 48in x 5 yd RollSave Up to12%Off listWhite Perfect for building up 30+ layers of color Brush and Pencil's LuxArchival® sanded papers are made for colored pencil artists. Ordinary papers can only hold a few layers of media before running out of tooth, but LuxArchival® Sanded Paper can hold 30+ layers of dry media. The 400 grit surface is perfect for layering colored pencil, pastel, charcoal, and graphite. Best of all you can blend colors with odorless mineral spirits (OMS) without your paper buckling. The sanded paper is made of strong 100% cotton. All of the LuxArchival® Professional Sanded Art Papers are acid-free, lignin-free, and ISO 11108 compliant. You can rest assured that your LuxArchival® drawings will not yellow, darken, or deteriorate for 100+ years. Key Features: * White 400 grit paper * 100% Cotton backing * Acid-free and lignin-free * Archival and compliant with ISO 11108 * Will not yellow, darken or deteriorate for 100+ years * Even surface is consistent without any visible patterns * Durable grit withstands multiple erasures, corrections, and reworkings * Resistant to water, alcohol, and odorless mineral spirits (OMS) * Made in France * Perfect For: * Dry and liquid art mediums * Holding 30+ layers of dry media * Colored pencil, pastel, charcoal, and graphite * Color blending with OMS * Scrubbing and reworking * Making corrections and erasing * Ensuring that your art lasts and does not deteriorate See More
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Fabriano Cromia Paper, Pale Amaranth 19.6"x25.5" 220gsm (10 Sheets)Save Up to32%Off listRed Master Quality Papers That Stand the Test of Time Fabriano Cromia paper is an archival, acid-free paper perfect for drawing with colored pencils, pastels, graphite, and charcoal. The sheets are made of 50% cotton and 50% alpha-cellulose and have a soft feel with a significant amount of tooth on both sides. Cromia paper is durable enough to handle light washes of color and mixed media techniques. Fabriano makes the sheets without optical brighteners, which means they offer the best possible lightfastness. Each sheet features two deckle edges, measures 19.6" x 25.5", and weighs 220gsm. Key Features: * 220 gsm archival, acid-free paper * Contains 50% cotton and 50% alpha-cellulose * Soft feel and great tooth on both sides * No optical brighteners * Best possible lightfastness * 2 deckle edges per sheet * Made in Italy using hydro-power Perfect For: * Drawing with pastels and charcoal * Use with colored pencils and graphite * Illustrators, designers, and fine artists * Light washes of color * Mixed media techniques See More
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Sennelier Artist Dry Pigments Emerald Green Hue 80 gramsSave Up to37%Off listGreen An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Red Ochre 80gSave Up to40%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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