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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Richeson Casein Artist Colors Titanium White 5 ozSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
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Grumbacher Acrylic Medium - Gel 531 Acrylic Transparentizer, 5ozSave Up to45%Off listAssorted Colors Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Speedball Block Printing Water-Soluble Ink 5oz - GreenSave Up to46%Off listGreen The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Speedball 5 oz Fabric Block Print Ink BrownSave Up to34%Off listBrown A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Speedball Professional Relief Ink - Diarylide Yellow 5ozSave Up to34%Off listYellow Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Paasche Fast Cutting Compound, 6ozSave Up to11%Off listAir Eraser Kit - Operates like a small sand blaster capable of a great deal of accuracy. Operates on pressure ranges from 30-45 PSI. Sold with hardened stainless steel tip, cup assembly cover, hanger, wrench, one jar of AEX-6 Fast Cutting compound, 4 ft air hose with moisture trap and 5 disposable… Air Eraser Kit - Operates like a small sand blaster capable of a great deal of accuracy. Operates on pressure ranges from 30-45 PSI. Sold with hardened stainless steel tip, cup assembly cover, hanger, wrench, one jar of AEX-6 Fast Cutting compound, 4 ft air hose with moisture trap and 5 disposable respirators in box. Cutting Compounds - This Alluminum oxide compound is recommended for all air erasers and the abrasive gun. See More
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Yasutomo Acid-Free Nori Paste 10oz JarSave Up to19%Off listPerfect paste for the perfect project! Japanese Nori Paste is a starch-based adhesive perfect for crafting. Nori Paste is a must-have for all paper projects, from bookbinding to scrapbooking, collage to archival storage. Thin Nori Paste with water to the right consistency for your project. It will… Perfect paste for the perfect project! Japanese Nori Paste is a starch-based adhesive perfect for crafting. Nori Paste is a must-have for all paper projects, from bookbinding to scrapbooking, collage to archival storage. Thin Nori Paste with water to the right consistency for your project. It will adhere to glass, metal, plastic, wood, paper, and fabric. Nori Paste will not wrinkle or soak through the paper or fabric and is safe to use with even the most delicate artist papers. Non-toxic Nori Paste is available in 1.84 oz mini jars, and 10 oz tubs. Key Features:* Acid-free* Dries clear and incredibly strong* Dries slowly, allowing for readjustments* Easy to wash off hands and clothes* Pleasant smell Perfect For:* Bunka embroidery* Woodblock printing* Using as a watercolor medium* Can be mixed with PVA glue See More
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Spectrafix Finalfix Advanced Fixative 10 oz Aerosol SpraySave Up to15%Off listNo more framing under glass! FinalFix adds a lovely matte finish to your pastel and charcoal drawings. The non-yellowing archival formula is all-natural with no fumes and is completely workable. Spray a layer of FinalFix after SpectraFix Degas fixative or throughout your painting process. The spray… No more framing under glass! FinalFix adds a lovely matte finish to your pastel and charcoal drawings. The non-yellowing archival formula is all-natural with no fumes and is completely workable. Spray a layer of FinalFix after SpectraFix Degas fixative or throughout your painting process. The spray is scuff-resistant. You can even clean the surface with a damp cloth once dry. FinalFix should not be used as a final layer on top of acrylics or oil paint. You can use FianalFix on acrylics and oil paint as long as you apply a final layer of acrylic or oil varnish. FinalFix absorbs moisture in the air, unlike acrylics and oils; as a result, it may separate from the paint if a final layer of varnish is not applied. Key Features: * Provides a lovely matte finish * All natural with no fumes * Workable and archival * Non-yellowing formula * Can combine with all media Perfect For: * Pastel and charcoal * A variety of media * Use throughout the painting process See More
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Yasutomo Traditional Chinese Ink 6 oz Metallic Golden BlackSave Up to15%Off listMetallic Rich Pigment-based black ink Yasutomo Traditional Chinese Inks are excellent for all types of ink work. The rich black pigmented ink is resoluble in water and perfect for painting, drawing, and calligraphy. You can create delicate washes of grey by diluting the ink with water or watercolor. If you want to add a touch of glamour to your caligraphy you can outline it with Yasutomo's black metallic inks. A convenient flip-top cap allows you to pour the ink from the top or the side of the bottle. Once dry, the ink is resistant to reactivation, so you can wet mount your work without worrying about the ink smearing. All Yasutomo Traditional Chinese Inks are lightfast and conform to ASTM D-4236. Key Features: * Pigment-based Chinese ink * Dilutes well with water and watercolor * Black Metallic Inks contain metallic powders * Lightfast and permanent once dry * Conform to ASTM D-4236 * Controlled pour with flip-top cap * Pour from the top or the side of the bottle Perfect For: * Rice paper and metallic paper * Painting, drawing, and calligraphy * Mixing with Chinese watercolors * Creating exciting effects * Decorative painting Please note: Not suitable for use in refillable ink pens. CY18 – Traditional Chinese Ink, Black: Black (CY18) is a dense black ink. You can create unique grey tones by thinning the ink with water. This ink produces a slightly cooler tone than Japanese ink. CM18 – Traditional Chinese Ink, Ultra Black: Ultra Black (CM18) is a very dense black, water-resistant ink that contains almost double the pigment of Black (CY18) ink. You can create unique tones by thinning with water. Traditional Chinese Ink, Golden Black, and Silver Black: Yasutomo Metallic Chinese Inks are rich black inks that contain metallic powders. You can create beautiful outlines around your black calligraphy with Yasutomo's metallic inks. The effect works best on rice papers. Both of the metallic inks are made by suspending gold and silver powders in dense black Chinese ink. See More
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Spectrafix Degas Fixative 10oz Aerosol SpraySave Up to19%Off listSpectraFix Fixative Is The Natural Choice! Degas SpectraFix Non-toxic Fixative contains casein, water, and alcohol. The formula is an update on a recipe used by French Impressionist Edgar Degas. It seals and protects your artwork while leaving colors brilliant! Degas Fixative is perfect for… SpectraFix Fixative Is The Natural Choice! Degas SpectraFix Non-toxic Fixative contains casein, water, and alcohol. The formula is an update on a recipe used by French Impressionist Edgar Degas. It seals and protects your artwork while leaving colors brilliant! Degas Fixative is perfect for chemically sensitive people. You can spray it indoors and keep on working because the fixative does not release toxic fumes or odors. The spray dries to a hard, water-resistant, matte finish; and provides the traction you need to apply extra layers of dry media. There are no toxic fumes or odors You may spray the fixative on all papers (except LaCarte), primed and unprimed canvas, wood panels, unglazed ceramic, stone, leather, and glass. SpectraFix it the ideal fixative for soft pastel, Pan Pastel and oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill one of our Aerosol Spray Bottles to spray a fine mist on your work! Please note: Not for use as a final topcoat over acrylic or oil paint. Key Features: * Seals and protects artwork * Rapid drying pastel fixative * Contains casein, water, and alcohol * Protects fragile dry media * Prevents underpainting from smudging * No toxic fumes * 100% Archival * Non-yellowing * It does not dull colors * You can paint over it Perfect For: * Spraying indoors * Working with deep layers * Soft pastel, pan pastel and oil pastel * Colored pencil, graphite, charcoal, and chalk * Protecting watercolor paintings * All pastel papers (except LaCarte) * Primed and unprimed canvas * Wood panels, unglazed ceramic, stone, leather, and glass * Classrooms Dries quickly to an invisible matte finish and allows deep layering as well as providing extra traction on thickly layered, slippery media such as color pencil or oil pastel. Combines well with almost all media, and dries to a hard, water-resistant finish. Should not be used as a final top coat over acrylic or oil paint. Use with Soft Pastel, Pan Pastel and Oil Pastel, Colored Pencil, Graphite, Charcoal, Chalk or in combination with Watercolor, Gouache, Casein, Ink or to layer other media into Encaustic. Perfect for crafts, it holds a wide variety of media without dulling their sheen or brilliance. Use under Oil or Acrylic paints to prevent underdrawings from smudging. Casein actually bonds permanently with the covering layer of oil paint, and similar to egg tempera, has been used for centuries for grisaille or colorful underpainting which can then be glazed with oil. Remember, it is not recommended as a final top coating for acrylic or oils See More
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Yasutomo Japanese Watercolor Sumi-e Porcelain Pan 2-3/4" Round - Red GoldSave Up to35%Off listEnhance Your Sumi-E Paintings With These Subtle Metallic Colors Yasutomo offers highly pigmented, artist-grade metallic watercolor pans for use with Sumi-E ink wash painting techniques. Japanese painters testify to the unique effects that can be achieved with Yasutomo Sumi-e Watercolors. The… Enhance Your Sumi-E Paintings With These Subtle Metallic Colors Yasutomo offers highly pigmented, artist-grade metallic watercolor pans for use with Sumi-E ink wash painting techniques. Japanese painters testify to the unique effects that can be achieved with Yasutomo Sumi-e Watercolors. The watercolors work particularly well on absorbent rice papers. Use them on their own, or try using them for calligraphy, rubber stamping, and card making! Key Features: * Artist-grade metallic watercolor pans * Highly pigmented * Made in Japan * 2-3/4" diameter round ceramic dishes Perfect For: * Sumi-E painting * Japanese watercolor techniques * Calligraphy * Rubber stamping * Card design See More
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Alumilite Acrylic Mixing Cups (Pack of 25) 10 ozSave Up to49%Off listCreates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no… Creates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no polishing to produce a high gloss. One coat is all that is usually required for a deep attractive finish, however, two or more coats maybe applied one over the other by simply wiping the surface with a clean cloth and alcohol prior to re-coating. Key Features:* EnviroTex Lite: 8oz Kit, 32oz Kit & Gallon Kit* Use over acrylics or thoroughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish* Hardens to a high-gloss finish, and cures completely in 36 hours* The solvent-free formula is 100% solids and has no unpleasant odors* Waterproof as well as heat- and alcohol-resistant* Use Envirotex to coat, wood, rock, Sculpey, jewelry and more* Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish. Use Envirotex to coat, wood, rock, Sculpey, jewelry and more. Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish * Gallon Kit 02128: (1/2 gallon resin, 1/2 gallon Hardener), Coverage: 32 square foot* 32oz Kit 0232: (16oz resin, 16oz Hardener), Coverage: 8 square foot* 8oz Kit 02008: (4oz resin, 4oz Hardener), Coverage: 2 square foot* Envirotex Lite is used as a table tops, bar tops, resin art, wood, rock, sculpey clay, acrylic pour, jewelry and more. Envirotex Lite® is alcohol and heat resistant. Envirotex Lite® creates a hard lustrous finish for table tops, plaques, clocks, figurines etc. A Gallon Kit consists of 1/2 gallon of Resin and 1/2 gallon of Hardener, making a total of one gallon. See More
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Krylon Acrylic Crystal Clear Spray Gloss, 6ozSave Up to55%Off listFine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes… Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear - This sturdy, clear finish does not yellow with age. Dries in minutes enhances and protects color with a moisture-resistant finish. Easy-Tack™ - Easy-Tack creates a smooth, flexible, temporary hold. Rearrange work until the perfect design is achieved. Easy-Tack never becomes permanent, yet will not lose its gentle grip! This acid-free spray is safe for photos, scrapbooks, and more! Excellent for stenciling or temporary placement since it leaves no residue. Gesso Spray - Spend more time artistically and less time preparing your surface! Easy, the one-step application requires no mixing—shake, point, and spray. Will not yellow, resists chipping, dries to the touch within 15 minutes, ready to work in 30 minutes. High Strength Spray Adhesive - This fast-acting adhesive has a variable volume controlled web spray pattern that offers high contact strength. Superior, permanent bond; High contact strength; Bonds heavy-duty materials like wood, metal, plastic, glass, laminate, and more. Kamar® Varnish - Keep your oil, acrylic, or watercolor paintings looking like a masterpiece! This varnish is free from impurities and protects against yellowing while allowing for easy reworking. Kamar Varnish dries to a high gloss finish. Low Odor Clear Sprays This permanent, latex enamel spray is excellent for preservation, can be used indoors and cleans up easily with soap and water! Preserve It! - Protection is easy with Preserve It!® Digital photos, greeting cards, address labels, scrapbook materials, and more last twice as long once you add this layer of protection. Without it, moisture, fading, early aging, ink runs, and damage from smudges can ruin your most precious valuables. Satin Finish Spray - Clear, protective spray finish for all kinds of arts, crafts, and home décor projects. Permanent, protective gloss finish, non-yellowing, moisture-resistant. Spray Adhesive - This high-performance spray exhibits an extended open-tack time so projects can be easily adjusted before drying completely. This acid-free formula is safe for photos, scrapbook pages, and other lightweight memorabilia. Provides an even spray pattern, is non-wrinkling with no bleed through. Super Quick Grip Spray Adhesive - Adheres lightweight surfaces in seconds and dries secure and permanent. The adhesive creates a smooth, flexible, non-wrinkling bond. Fast tack, dries quickly; strong, permanent bond in seconds; smooth, non-wrinkling adhesion; acid-free. Triple-Thick Crystal Clear Glaze - This bright, clear acrylic coating gives a glass-like illusion of depth. Its glaze equals three coats of other clear aerosols — superior high-gloss coating with a shiny, durable finish. UV-Resistant Clear Coatings - This tough finish does not yellow with age and protects arts, crafts, and valuables from harmful light rays. Moisture- and chip-resistant, smudge-proof, and dries in minutes. Available in gloss or matte. Workable Fixatif - This re-workable spray eliminates smudging and wrinkling while protecting pencil, charcoals, pastels, chalk, tempera, Conte, crayon, watercolor, India ink, and more! Easy to erase, Acid-free, and archival safe. See More
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Enkaustikos Encaustic Mediums Impasto Wax 10 ozSave Up to20%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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GOLDEN Acrylic MSA Archival Varnish Spray, Semi-Gloss 10ozSave Up to30%Off listVarnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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Jo Sonja's Background Colour - Soft White, 6oz BottleSave Up to38%Off listWhite Flow formula acrylics, opacity of color & velvet matte finish Chroma's Jo Sonja's Background Colors are specially formulated for easy one-coat base coating and are intended for all decorative and fine art applications. Use straight from the jar as a background color or combine with other Jo Sonja's colors for dramatic effects. Made from the finest artist-quality pigments, all of Jo Sonja's Background Colours are independently tested to ensure that your colors will not fade over time. They are safe, water-based, and clean up easily with soap and water. Suitable for all surfaces including paper, paper mache, card, canvas, wood, fabric, tin, terracotta, glass, and tile.* Specially formulated to provide one coat coverage* 6oz bottles* Sets of 12: 2oz bottles* Include fillers to smooth out imperfections* Various techniques and special effects* All decorative and fine art applications* Made from the finest artist quality pigments* Colors will not fade over time* Safe, water based* Clean up easily with soap and water* Suitable for all surfaces Jo Sonja's Background Colour Sets: Specially formulated for easy base coating. Intended for all decorative and fine art applications. Choose from Classic Colours, Clear Colours, and Potting Shed Collection Colours, all sets of 12, 2oz bottles. Directions:* For one step basecoat, mix and apply paint and All Purpose Sealer beginning with approximate proportions of 2 parts paint to 1 part All Purpose Sealer. The amount of All Purpose Sealer may be increased up to a ratio of 1:1. Basecoat may be applied with a brush, roller, or sponge. Sand when dry and apply a second coat as needed without the addition of sealer.* To thin, add small amounts of Flow Medium until desired consistency is reached. Thinning with water may decrease the adhesion of the paint to the surface/* Chroma’s Jo Sonja Background Colors may be applied using an airbrush by thinning with Flow Medium approximately 1:1. All Purpose Sealer may be added for increased adhesion beginning with a ratio of 2 parts paint to 1 part All Purpose Sealer. Thin as needed using small amounts of distilled water to adjust consistency. Approximate Coverage: 1ml = 188 sq cm 1 oz = 6 sq ft See More
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Nitram Fine Art Charcoal - Extra-Fine Powdered Charcoal, 6ozSave Up to30%Off listBlack Rich, Black Charcoal For Drawing! Nitram has long been the expert in making rich black charcoal for discerning artists. The charcoal comes in sticks, batons, powders, liquids, and watercolor pans. These different types of charcoal allow you to create expressive drawings and paintings. Nitram charcoal is less likely to break. The wood used to make it is carefully processed to preserve the cell structure. This unique production method keeps the charcoal strong and resistant to breakage. It doesn't crumble or skip when used expressively or under pressure. The baton mignoettes holder is a great way to hold and use Nitram charcoal. Nitram's Sharpening Bloc is for artists that like their drawing tools sharpened. Use it to give your charcoal sticks a fine point! Key Features: * Several sizes and formats are available * Available in different hardnesses * Charcoal is resistant to breaking * Draw with or without a charcoal holder * Sharpener available with refill pads Perfect For: * Drawing and sketching * Painting with charcoal * Creating brilliantly dark lines * Shading and drawing shadows See More
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GOLDEN Heavy Body Acrylics, Earthtones Set of 12, 5oz TubesSave Up to30%Off listEarth Tones Heavy Body Acrylic Paint Sets from GOLDEN As the original line of paints from GOLDEN, these Heavy Body acrylics are exceptionally smooth with a thick, buttery consistency. Each set contains the most extensive assortment of unique pure pigments suspended in a 100% acrylic emulsion. GOLDEN acrylics offer excellent lightfastness with no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. More reactive colors do not accept high pigment loads and will often dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival in quality * Ability to "stand up" and retain brush strokes * Heavy Body colors are thixotropic * Retain excellent flexibility when dry, diminishing the possibility of cracking * Mix with all of our GOLDEN Mediums, Gels, and other paint lines * 100% acrylic binder * No flattening agents * No opacifiers added to colors * Clearest and cleanest quality * Large assortment of unique pure pigments Perfect For: * Artists of every skill level * Freeze-thaw stability * Creating expressive brush strokes or palette knife marks * Small and large works of art * Plein Air * Heavy body impasto techniques * Mixing with acrylic mediums * See More
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M. Graham Oil Color 5oz - Zinc WhiteSave Up to40%Off listWhite M. Graham Oils - The only oil paint with Walnut Oil In the tradition of the masters, M. Graham artists’ oil paint is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives. Founded by artists, M. Graham Oils use only the finest vehicle, Walnut Oil to make some of the finest oil paints on the market! Walnut oil provides a "unique refractive index" and will not yellow over time, which allows for incredible paint brilliance. Walnut oil's unique body allows for an increased amount of pigment suspension in comparison with other oils, giving their paint higher color saturation and tinting strength, as a result. Manufactured with only the finest example of each available pigment source, their paints contain no fillers, extenders, or adulterants, which have negative effects on color and how the eye perceives it. Hand-crafted in small batches, attention is paid to adapting manufacturing processes to specific pigment "personalities" and requirements. Use of proper milling pressure for each pigment helps to achieve optimum pigment load and dispersion. Artists run the Quality Control Department at M. Graham, assuring the quality of everything they manufacture. A green company, their products and manufacturing is solvent-free. Green-minded artists can finally enjoy painting with high-end, professional quality oils, from an environmentally conscious company! Key Features:* Manufactured exclusively using pure walnut oil* Only finest, purest pigment source used in their paints* No fillers, extenders, solvents or adulterants added * Colors made in small, hand-crafted batches* Constantly tested against the competition for greater tinting strength and pigment load* Quality Control done by actual artists to ensure exceptional quality* Company founded BY Artists, FOR Artists! Perfect For:* Amateur to professional artists* Artists seeking pure, brilliant oils for their palette* Artists who want products made by artists, for artists!* Environmentally concerned, "Green" artists* Health-conscious artists* Artists seeking high color saturation and tinting strength* Oil painters concerned with paintings yellowing over time* Producing brilliant paintings!* Artists desiring superior, constantly tested oil paints Set of 5 with Mediums: Includes 37 ml tubes of Azo Yellow, Naphthol Red, Ultramarine Blue, Phthalocyanine Green, and Titanium White, plus free 59 ml samples of two M. Graham solvent free mediums: Walnut Oil Medium and Walnut Alkyd Medium. See More
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