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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Gamblin Portland Litho Black Lithography Ink 1lbSave Up to15%Off listBlack High pigment load lithography ink! While most commercial lithography ink is petroleum-based, causing a low pigment load, Gamblin’s Portland Litho Black lithography ink is formulated with high-quality burn plate oil, from linseed oil. This formulation creates an artist’s grade lithography color that features a high pigment load for rich, detailed printing with plates or stone lithography. Richer than standard process blacks, Portland Litho Black is made to meet the long-unanswered demands of printmakers working in stone and plate. Key Features: * Crafted with burnt plate oil derived from linseed oil* High pigment load* Rich, detailed black printing Perfect For:* A richer alternative to standard process blacks* High pigment load lithography ink for printmakers using plates or stone* Printmakers looking for an ink that provides stark detail See More
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Premo Sculpey 1 lb. Bar - TranslucentSave Up to14%Off listPremo Sculpey is a professional quality modeling clay that bakes in any home oven. Premo Sculpey quickly reaches a workable state with minimal conditioning and remains soft and pliable while offering extra resistance without crumbling. Mix Premo Sculpey with other polymer clay colors, powders or… Premo Sculpey is a professional quality modeling clay that bakes in any home oven. Premo Sculpey quickly reaches a workable state with minimal conditioning and remains soft and pliable while offering extra resistance without crumbling. Mix Premo Sculpey with other polymer clay colors, powders or pigments for interesting colors and textural effects. Premo Sculpey should be cured at 275º F (130 C) in a preheated oven for 30 minutes per quarter inch of thickness. DO NOT MICROWAVE. Once cured, the colors intensify and deepen. Hint: Conditioning of all polymer clays may be facilitated with the use of a pasta machine. Simply cut the block in half and feed each half through the largest setting. Repeat 10 times more and your clay should be conditioned. Available in value size 1 pound bars, in Black, Translucent and White. See More
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Super Sculpey® 1 lb, Beige Polymer ClaySave Up to12%Off listSuper Sculpey is the Ultimate Sculpting Compound! Super Sculpey® is a unique polymer clay, loved by artists, doll makers and animation studios around the world. It has a ceramic like feel and allows for extremely detailed sculpting. Super Sculpey® features fine tooling and detailing characteristics,… Super Sculpey is the Ultimate Sculpting Compound! Super Sculpey® is a unique polymer clay, loved by artists, doll makers and animation studios around the world. It has a ceramic like feel and allows for extremely detailed sculpting. Super Sculpey® features fine tooling and detailing characteristics, and does not "fill in" after tooling. Tone sculpting compound that is shatter and chip resistant. Excellent for prototypes and works requiring the finest detail and that should be porcelain hard. It is used by movie studios and professionals worldwide and a favorite with doll makers! * Features fine tooling and detailing characteristics, and does not "fill in" after tooling * Stays soft until baked – Does not air dry. Remains soft until it is baked in your home oven * Extra clay can be stored and reused - won't dry out! * Works well for sculptures and figurines * Semi-translucent beige, that once baked, captures the glow of real skin * If you choose to bake your product, place it on a baking sheet or mat and put it in the oven at 275 °F (130 °C) for 15 minutes per 1/4 inch (6 mm) thickness. * After baking, it can be sanded, drilled, carved and painted with water-based acrylic paints Super Sculpey® works well for sculptures and figurines. While this option is beige, you can mix it with our other clays to make whatever color you desire for your project. It is an oven-baked clay that is a semi-translucent beige resembling skin once baked. This product remains soft until you bake it, allowing you to store it for a long time with ease. Our Super Sculpey® beige clay also can be painted, carved, sanded and drilled after baking, making it a versatile option. See More
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Super Sculpey® Firm 1 lb. Oven-Bake Clay, GraySave Up to16%Off listPerfect texture for sculpting fine details Super Sculpey® Firm Oven-Bake Clay is extra firm polymer clay that holds detail, photographs well, and stays pliable until cured in the oven! Answering the demands of sculptors requiring a firmer, stronger polymer clay, Sculpey developed Super Sculpey FIRM… Perfect texture for sculpting fine details Super Sculpey® Firm Oven-Bake Clay is extra firm polymer clay that holds detail, photographs well, and stays pliable until cured in the oven! Answering the demands of sculptors requiring a firmer, stronger polymer clay, Sculpey developed Super Sculpey FIRM to meet their needs. With the same non-drying consistency and oven-cured formulation as popular Super Sculpey, Super Sculpey FIRM takes the polymer clay medium a step further! Its extra firm consistency does not have the tendency to mush and blend when molded, and it holds detail extremely well without blurring. * Perfect texture for sculpting fine details * Shatter and chip resistant * Professional quality oven-bake clay * Clay can be sanded, drilled, carved and painted with water-based acrylic paint. Once cured in a standard home oven, Super Sculpey FIRM polymer clay can be further worked with extensive tooling, carving, sanding and subtractive techniques, and resists any chipping and shattering. The medium-grey coloring makes it excellent for determining value and for photographing, and can be painted with water-based acrylics or heat-set Genesis oils once cured. Super Sculpey FIRM polymer clay is a favorite of maquette makers in movie studios, professional sculptors and doll makers the world over! * Polymer clay remains pliable indefinitely, until cured in a home oven* Extra firm formulation will not blend or blur, holds details extremely well* Grey color is ideal for seeing and photographing detail* Can be painted with acrylics or heat-set Genesis oils once cured* Super strong, chip- and shatter-resistant* Can be carved, drilled, and sanded after curing * Perfect for maquettes, mold-making, doll sculpture and more! See More
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Claytoon Non-Hardening Modeling Clay - Neon Colors, 1lbSave Up to13%Off listAssorted Colors Non-toxic, non-hardening modeling compound perfect for any project! This vibrant and versatile modeling clay is a perfect medium for kids of all ages! Claytoon Modeling Clay is non-toxic and safe for kids' use, and since it never hardens and remains pliable, it is infinitely reusable for hours of sculpting fun! Claytoon clay is available in seven fun color combinations, each with a quarter pound of four brilliant colors. Each color is individually wrapped in cellophane for freshness and brilliance. Perfect for making figurines, finger puppets, school projects, sculpted characters and more, Claytoon Modeling Clay is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling * School projects & crafts * Creative fun for kids of all ages! See More
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Creative Mark 3x9" Canvas Panels Pack of 120Save Up to91%Off listWhite Fine Weave Acrylic Primed 100% Cotton Canvas Panels! Creative Mark Canvas Panels are made of a fine weave, double all media primed cotton canvas that is hand turned on select quality boards. The acrylic primed surface texture provides a very definite paint-gripping "tooth," providing the perfect support for painting in oil, casein, tempera, or acrylic paints. The lightweight canvas boards take up little storage space and are perfect for traveling to workshops or painting outdoors. Backing boards are firm and stable, with clean, hand-turned canvas edges; they provide the ideal surface for studies or initial renderings in the studio, classroom, or outdoors. Key Features: * Acrylic gesso primed * Fine weave, durable 100% cotton canvas * Wonderful canvas texture * Turned under and glued edges will not fray * Sturdy panel board * Will not take up a ton of storage space * Bulk buying options available * Not recommended as an archival support * Great value, great panel! Perfect For: * Painting with acrylics, oil colors, or tempera * Sturdy enough for mixed media and impasto * Artists of all levels * Teachers and students * Studies or initial renderings * Studio, classroom, or Plein air * Great for practice and studies * Acrylic image transfers * Lightweight travel * Quick and easy framing See More
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Gamblin Etching Ink - Hansa Yellow Light, 1lb CanSave Up to15%Off listYellow Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More
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Artfinity Chrome Paint Marker 8.5mm Chisel NibSave Up to63%Off listMetallic Make an impact with the polished shine of liquid chrome! Sometimes, a sculpture or painting needs just a touch of sparkle. Our Artfinity® Chrome Markers & Ink are designed to add that wow factor. When wet, the ink looks like liquid silver and dries to a highly polished chrome finish on non-porous surfaces. Available in a 3mm bullet or 8.5mm chisel tip, you’re sure to find the line width best suited for your work! With the chisel tip, you can achieve a range of line widths from 1.5mm to 8.5mm. Also available in a 30ml bottle for more detailed and precise brushwork or when additional coverage is needed. The solvent-based permanent ink adheres well to non-absorbent surfaces like glass, plastic, and ceramics. For best results, prime porous surfaces like paper, canvas, and wood with PVA primer. The pump activated nibs promote even ink flow. Artfinity® chrome ink can also be airbrushed. No thinning necessary. Dries to a smooth finish. Once the ink is dry you can apply a layer of varnish to protect against scratches. Key Features: * Solvent-based highly pigmented chrome ink * Dries to a permanent high gloss mirror-like finish* * Marker pump action promotes smooth ink flow * Markers available in 3mm bullet or 8.5mm chisel nib * Also available in a 30ml bottle * Seal with varnish for scratch resistance * UV resistant ink Perfect For: * Drawing on nearly any surface * Plastic, glass, metal, clay, foam, paper, and more * Mixed media painting and illustration * Graffiti artists * Calligraphy projects * Designing stunning signs and labels * Adding a chrome mirror-effect * Airbrush application Helpful Advice: *To achieve a high gloss finish, use a non-porous surface or prime with PVA primer. Because this is a solvent-based ink, we recommend a single use brush. We have found that inexpensive foam brushes work well. Allow the ink to cure for 24 hours before touching. Please Note: The ink bottles are larger than the amount of chrome ink they contain (30ml) to allow for thermal expansion. This extra bottle space prevents leaks during transportation. See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off listEssential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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Plastalina Modeling Clay 1 lb. Bar - Turquoise
Starting At: 4.24
Green Non-toxic, colorful modeling compound stays pliable indefinitely! Van Aken Plastalina Modeling Clay is a pigmented, oil-based modeling clay is renowned the world over for its smooth consistency and brilliant color range. Plastalina modeling clay never hardens, remaining pliable and plastic for limitless reworking. It is favored by sculptors, model makers, clay animators, maquette makers and artists of all kinds as the finest colored modeling clay available. Sold in segmented 1lb. or 4.5lb. bars, wrapped in cellophane, Plastalina is an indispensible and versatile medium for any sculpture studio! Key Features:* Non-Toxic oil-based modeling clay* Brilliant, pigmented color range* Sulfur-free* Reusable / Non-hardening, remains pliable* Smooth consistency* Sold in 1 lb. and 4.5 lb. bars* 1 LB bars come in 24 vibrant colors* 4.5 LB bars come in Black, Ivory, Sculptor Grey, Terra Cotta & White * Made in U.S.A.* *Do not bake in oven* Perfect For:* Teachers and classrooms* Sculptors and fine artists* Maquette and model makers* Clay animation & 3D art* Molds for silicone rubber* Figurines* Limitless reworking & open time See More -
R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Artfinity Rich Metallic Marker 8.5mm Chisel Nib, GoldSave Up to67%Off listMetallic Make an impact with Artfinity® Rich Metallic Inks! Artfinity® Rich Metallic Markers and Inks are designed to add that wow factor to your art. The ink dries to a permanent metallic satin finish on non-porous surfaces. These rich gold, copper, and silver metallics are available in a bullet tip marker, chisel tip marker, or ink bottle. With the chisel tip, you can achieve a range of line widths from 1.5mm to 8.5mm. The 3mm bullet tip marker is perfect for outlining and drawing consistent lines. For more detailed and precise brushwork or when additional coverage is needed, the 30ml bottle does the job. The ink even works well in an airbrush! The solvent-based permanent ink adheres to non-absorbent surfaces like glass, plastic, and ceramic. For best results, prime porous surfaces like paper, canvas, and wood with a PVA primer. Key Features: * Solvent-based highly pigmented opaque ink * Available in gold, silver, and copper * Dries to a permanent metallic satin finish* * Pump action marker promotes smooth ink flow * Markers available in 3mm bullet or 8.5mm chisel tip * Ink also available in a 30ml bottle Perfect For: * Drawing on nearly any surface * Plastic, canvas, glass, metal, clay, foam, paper, and more * Mixed media painting and illustration * Graffiti artists * Calligraphy projects * Airbrush Helpful Advice: To achieve a rich satin finish, use a non-porous surface or prime with PVA primer. Because this is a solvent-based ink, we recommend a single-use brush. We have found that inexpensive foam brushes work well. Allow the ink to cure for 24 hours before touching. The ink can be sealed with a brush-on solvent-based varnish. We highly recommend that you test the varnish on a small test area before covering your entire piece. Please Note: The ink bottles are larger than the amount of metallic ink they contain (30ml) to allow for thermal expansion. This extra bottle space prevents leaks during transportation. See More
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Da Vinci Pro Birch Wood Panel 3"x9", 7/8" DeepSave Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Da Vinci Pro Resist-Grip Panel 3"x9", 3/4" Deep (Box of 12)Save Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Da Vinci Pro Ultra Smooth Panel 3"x9", 3/4" Deep (Box of 12)Save Up to76%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Ambiance Gallery Wood Frame 3"x9", White 1-1/2" Deep (Box of 8)Save Up to77%Off listWhite Versatile Contemporary Frames Designed For Artists! The clean, lovely lines of Ambiance Gallery Frames pair perfectly with all types of artwork. They accept stretched artwork, wood panels, boards, and flat matted artwork. Each frame is made to the most demanding standards with unbreakable acrylic glazing and rigid MDF wood panel backing. The frames have a 7/8" face with a crisp, clean line and are 1.5" deep with a rabbet measuring 1-1/8". This enormous rabbet depth allows you to frame almost any standard-sized canvas. Select from 9 lovely finishes, including Natural, White, Black, Mahogany, Cherry, Espresso, Walnut, White Wash, and Antique Gold (hand leafed). The variety of finishes allows you to select a frame that complements your painting. Matted watercolors look great in these frames, and the new 26x34" size can hold a full sheet of 22x30" watercolor paper. The perfect solution for galleries & exhibits! Frame almost any standard-sized canvas you paint on Key Features: * Accommodates all matted and mounted artwork * Face 7/8", Rabbet Depth 1-1/8", Overall Depth 1-1/2" * Includes shatter-resistant acrylic glazing and hanging hardware * Rigid fiberboard backing protects artwork * Available in 9 beautiful wood finishes * Sold in: Singles and Boxes Perfect For: * Adding prestige to any piece of art * Stretched canvas up to 3/4" deep * Framing artwork with a quality frame * Prints, photos, and contemporary work * Professional-quality presentation Hand Leafed Antique Gold Absolutely gorgeous high quality frames! The new 26x34" size is perfect for framing full sheets of 22x30" watercolor paper! *Hanging hardware appropriate for each frame size is included. Frames 11" and under come with two sawtooth brackets and four screws. Frames 12" and larger come with two D-ring style mounting brackets and four screws. Please note: Offset clips, sold separately, are the best option when attaching a stretched canvas to an Ambiance frame. 1/4" offsets are perfect for canvases that are 3/4" deep. Flexipoints or glazier points are another framing option and can be purchased separately. *The finish on White Wash frames will vary from batch to batch due to the effects of the wood showing through the glaze. See More
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Da Vinci Pro Medium Textured Panel 3"x9", 7/8" DeepSave Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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