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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Richeson Casein Artist Colors Titanium White 5 ozSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
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Grumbacher Acrylic Medium - Gel 531 Acrylic Transparentizer, 5ozSave Up to45%Off listAssorted Colors Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Speedball Block Printing Water-Soluble Ink 5oz - GreenSave Up to46%Off listGreen The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Speedball 5 oz Fabric Block Print Ink BrownSave Up to34%Off listBrown A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Speedball Professional Relief Ink - Diarylide Yellow 5ozSave Up to34%Off listYellow Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Crescent AFX Acid-Free White Mounting Board Box of 25 32x40"Save Up to27%Off listPreserving Memories Since 1902 This single .050" thick board is a standard with professional artists the world over. It features two usable sides, both smooth and easy to mount on. The entire product is acid-free including both surface sheets and the core. Please note: 32×40" sheets are sold only… Preserving Memories Since 1902 This single .050" thick board is a standard with professional artists the world over. It features two usable sides, both smooth and easy to mount on. The entire product is acid-free including both surface sheets and the core. Please note: 32×40" sheets are sold only by the full box of 25. Please Note: We cannot guarantee that all corners will arrive without damage. See More
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Ragmat Board 32x40" 4 Ply - SepiaSave Up to31%Off listBrown RagMat Boards - 100% Cotton, Acid and Lignin Free! Meeting all of the stringent standards of the Library of Congress, Fine Art Trade Guild, Professional Picture Framers of America and more, Crescent RagMat Boards are the safest materials available to come into contact with artwork! This premium line of matboard has a pure white 100% cotton rag core and backing paper. The colored surface paper is of the finest quality, fade and bleed resistant. Key Features:* Premium line of matboard* Solid color throughout* Made from pure cotton & naturally acid lignin free* 100% cotton rag surface, core and backing paper* 4 ply, 32 x 40" board size* Offers highest level of conservation* Super strong and resilient Perfect For:* Matting fine art & limited edition prints* Mounting artworks or prints on board* Meeting the most stringent standards* Safest, most archival matting available See More
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Crescent UltiBlack Core 4Ply Matboard 32x40 Art WhiteSave Up to34%Off listWhite Conservation grade matboards protect and lend a finished, professional look to your framed artwork! Crescent Select UltiBlack Matboards feature conservation grade surface, black core and backing paper made of 100% virgin wood pulp fibers, chemically treated to be free of the acids and lignins that normally degrade matboard and artwork. Buffered with calcium carbonate to an alkaline reserve of 3% to 5%, the facing papers of these 32” x 40” matboards exceed the Fine Art Trade Guild’s minimum standards for bleed and fade. With a pH of 8.0-9.5, these alpha-cellulose based 4-ply matboards are suitable for minimum levels of conservation framing and as an alternative to non-conservation matting. Key Features: * Conservation grade surface, black core and backing paper made of 100% virgin alpha cellulose * Free of the acids and lignins that can degrade matboard and artwork * Buffered with calcium carbonate to an alkaline reserve of 3% to 5% * 4-ply matboards are suitable for minimum levels of conservation framing Perfect For: * Fine art prints * Limited editions * Valuable documents * Photography See More
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Black Perfect Mount® Board Single Thick Self-Adhesive 32x40 in, Box of 10Save Up to33%Off listBlack Pressure-activated adhesive on a buffered pH neutral board Crescent Perfect Mount self-adhesive mounting boards are ideal for mounting photographs or designs permanently. Self-adhesive mounting boards allow for easy repositioning until firm pressure is applied to create a permanent bond. Perfect Mount is available in solid black and features an acid-free adhesive on a buffered, pH-neutral surface. These boards are ideal for mounting posters, inexpensive prints, photographs, and art projects. Perfect Mount bonds permanently. Do not use to mount items that may need to be removed at a later date. Please Note: We cannot guarantee that all corners will arrive without damage. Key Features: * Self-adhesive mounting boards * Double thickness — 1/8" thick * Single thickness — 1/16" thick * Easy positioning and repositioning * Permanent bond * Acid-free pressure-activated adhesive * Buffered, pH neutral surface * Easy to use * Perfect For: * Mounting posters and photographs * Art and craft projects * Adhesive-resistant items * Photographs and varnished posters * Prints on glossy paper * Mounting laminated materials * Display presentations See More
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Ragmat Museum Solids 32x40 in 4Ply Winter WhiteSave Up to33%Off listWhite RagMat Museum Boards Solid Colors - Unbuffered for photographs and textile matting! Crafted completely from pure 100% cotton, RagMat’s Museum Boards are specifically designed for textiles and photograph mounting and matting, which requires a low alkaline environment for the most archival finishing. Museum Boards come in 4 colors that have a solid color throughout, and have special surface sizing for French matting and art media. Recommended for fine art and limited edition art prints. Key Features:* Solid color throughout* 100% cotton, acid & lignin free* 4 ply, 32 x 40" board size* Mat & mount photos and textiles* Super strong and resilient Perfect For:* Matting low alkaline artwork* Textile and photo matting/mounting* Meeting the most stringent standards* Safest, most archival matting available See More
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Crescent 32x40" Ultra-Black Smooth Mounting Board 25 boxSave Up to34%Off listBlack Intense black surfaces provide more dramatic presentations Preserving Memories Since 1902, Crescent Ultra Black Smooth Mounting Boards are single thick mounting boards great for backing, mounting and presentation of artwork, posters, graphics, photographs and more. Smooth on both sides. The ultimate mounting and presentation boards for artwork, photos, computer printouts, layouts and more. Intense black surfaces provide more dramatic presentations. Crescent Ultra-Black Mounting Boards cut cleanly and have a black core made from 100% recycled material Ultra-Black boards have an intense black, smooth surface on both sides Key Features:* Medium weight (.05-.06), warp resistant* Intense black, Black core* Smooth surface on both sides* High-contrast mounting board* Mounting and presentation boards* Easy to cut and or trim* Solid black throughout* Made from 100% recycled material Perfect For:* Mounting and presenting of artwork & posters* Mounting and presenting photographs, graphics and more* Using both sides* Dramatic presentations Please Note: A minimum purchase of 5 sheets of any one item is required and may not be assorted with other boards. Please Note: We cannot guarantee that all corners will arrive without damage. See More
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Strathmore Museum Boards 4 Ply 12 Pack - Antique WhiteSave Up to33%Off listMade of 100% cotton fibers, it is acid-free and buffered with calcium carbonate to guarantee longevity. The surface is designed to deliver a smoother, cleaner cut. * 32 × 40" * 2 or 4 Ply Made of 100% cotton fibers, it is acid-free and buffered with calcium carbonate to guarantee longevity. The surface is designed to deliver a smoother, cleaner cut. * 32 × 40" * 2 or 4 Ply See More
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Claessens Linen #15 Single Oil Primed Medium Texture Roll, 82" x 6 ydSave Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #70 Single Oil Primed Rough Texture Roll, 82" x 6 ydSave Up to66%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
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Creative Inspirations Portfolio 3 In Gusset - 20x26 InSave Up to40%Off listBlack Protect your artwork and art supplies with these weather-resistant portfolios. These portfolios are lightweight, made of polypropylene material, with all-weather nylon two-way zipper pulls. The Interior of the case has an "X" strap on one side to hold projects and artwork. Full-length pocket for pads, presentation materials, and other flat gear. With a 3" wide gusset to hold a lot of supplies or finished art. The bottom of the case is protected by small button feet. Comfort, solid, molded handle for general carrying plus adjustable shoulder strap for hands-free carrying. Well made and an excellent value. Key Features:* "X" strap keeps artwork safe for travel* Full length pocket for pads or presentation materials* Shoulder strap for hands free carrying* Molded comfort handles* Button feet protect bottom of portfolio when set down Perfect For:* Protecting artwork and supplies* Transporting artwork in all weather conditions* Artists looking for an excellent value* See More
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Crescent Select Jute Matboard - Natural, 32"x40"Save Up to34%Off listNatural Conservation-quality natural fiber jute matboard! The Crescent Select Jute Matboard Collection offers a distinctive rustic beauty for your custom framing projects! This natural fiber fabric mat features an open weave with natural variations in color and texture—each board is unique. The Jute Matboard Collection comes in a series of six earthy colors to accent your art. These matboards feature an acid-free and lignin-free white core backing. Key Features: * Natural fiber jute with open weave allows for unique variations in texture and color* Available in six earthy colors* Acid-free and lignin-free white core backing Perfect For:* Framers looking for a casual, rustic accent to any framing design* Artists seeking a unique texture to pair with their work* Anyone looking for a charming, conservation-quality mat that will stand out from the rest! See More
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Crescent #8 Textured Black Mounting Board 32"x40" (Pack of 25)Save Up to30%Off listBlack Truly one of the blackest black boards on the market Truly one of the blackest black boards on the market. The Textured Black Boards features one smooth side that is perfect for mounting, and a textured side ideal for pastels, chalk and acrylic paint. Perfect for mounting and dramatic presentations made of a medium weight quality. Now finally ready to use in the most popular traditional pad sizes! Key Features: * Blackest black board on the market * Both a smooth and textured side * Medium weight quality, pH neutral Perfect For: * Mounting and dramatic presentations * All pastel, chalk, colored pencil, & acrylic paint applications * Easy portability, for outside use See More
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Claessens Linen #012 Glue Sized Moderately Fine Texture Roll, 82" x 6 ydSave Up to74%Off listWhite Quality linen worthy of your finest masterpiece! Claessens linen is made with only the finest linen flax. Great care is taken to weave the canvas. Quality control carefully inspects the canvas by hand for faults and removes any abnormally thick threads. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. The finished canvases are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional quality glue sized linen * Synthetic glue is used instead of hide glue * Multiple surface textures offered * Quality checked by hand * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Highly detailed oil paintings * Portrait artists and detail painters * Archival art that will last! Glue Sized Linen Roll #09 - Features a fine texture. Ideal for use with portraits and painting genres that require a smoother surface - like detailed work. Warp 11 cm / 14 cm weft, 6.61 oz. Glue Sized Linen Roll #012 - Features a moderately fine texture. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft, 7.17 oz. Glue Sized Roll #013 - Features an extra fine texture. Ideal for use with portraits and painting genres that require a smooth surface. Warp 23 cm / 23 cm weft, 6.28 oz. Glue Sized Roll #029 - Features a pronounced and beefy, hearty rough texture that is popular with landscape and abstract painters, mixed media artists, and for large-scale easel and mural works. Warp 21.6 cm / 12.5 cm weft, 12.53 oz. Glue Sized Roll #066 - Features a medium texture. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft, 8.85 oz. See More
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Viewpoint Archival Backing Board 32"x40" Pack of 25Save Up to79%Off listBrown Preserve and Protect Your Art: Use An Archival Backing Board ViewPoint backing boards are available in a range of standard sizes, perfect for archival framing. They pair well with Krystal Seal bags and can also be used to pack a piece of art for shipping. A calcium carbonate buffer in the board keeps the pH level around your art stable and helps to preserve it. Back your art with Viewpoint to reap the benefits of archival presentation. Key Features: * White archival backing board * Acid-free 1/16" thick, corrugated board * Low lignin content and a neutral PH * Calcium carbonate buffer Perfect For: * Backing and archival framing * Use with a Krystal Seal bag * Securely packing artwork before shipping * Protecting artwork, prints, photos, and sketches * Artists of all skill levels Please note: Although we pack these well, we cannot guarantee that all corners will arrive without damage. Why use Acid-Free backing boards? Acid-free papers can last more than 1,000 years and do not yellow or break down over time. A key benefit of acid-free paper is that it will not cause discoloration or transfer color. See More
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Claessens Linen #13 Quadruple Oil Primed Very Fine Texture Roll, 82" x 6 ydSave Up to66%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
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Claessens Linen #170 Double Universal Primed Rough Texture Roll, 82" x 6 ydSave Up to69%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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Jerry's Pro Foam Board Box of 25 32x40" (3/16" Thick) - WhiteSave Up to81%Off listWhite Pre-cut foam board sheets make fast work of any project! In developing our line of foam board we went to the artist and framer and asked them what they wanted. Above anything else, they wanted a board that was acid-free so they could use it with their original artwork. They wanted a board that allows for mounting without difficulties and the ability to be cut cleanly and bounce back from the compression of the cut. Pro-Foam does this remarkably well. Within the line, there are many variations of thickness and size of foam board. Key Features: * All boards are acid-free * Polystyrene foam core * PH Value: White= 9 * PH Value: Black= 8.3 * Allows for reliable mounting * Cuts easily and with memory Perfect For: * Backing, mounting, and framing * Cutting cleanly with bounce back * Archival framing * Presentations * Reliable mounting * Artists of all skill levels White 1/8" (3mm) board - The best value when the mount is only for picture framing. White 3/16" (5mm) board - The most popular for various matting and presentation usages. White 3/8" (10mm) board - Used behind pre-cut mats to add depth and for various presentation techniques. Black 3/16" (5mm) board - Gaining wide popularity because of its professional finish. Some artists use this board as an interior mat to gain depth. Fushion IT - This self-adhesive board allows for quick work for mounting ink jet print. Since the adhesive is not reversible we suggest that it be limited for use with print. Special Sizes - Jerry's Acid-Free Pro-Foam is a money saver in two ways. The first is basic pricing but the second is the availability of the 36×48" size. See below for even standard sizes for each board. * 32×40" - 8×10", 16×20" * 36×48" - 9×12", 12×16", 18×24", 24×36" Please note: We cannot guarantee that all corners will arrive without damage. See More
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Bainbridge Basics Matboard 32x40in Ultra VioletSave Up to27%Off listViolet 100% Conservation Quality for Total Framing Confidence! Bainbridge has added 22 new must-have colors to its Conservation Basics Matboard line, including richly saturated shades, gentle pastels, and bold sporty hues! All Bainbridge Conservation Basic colors are bleed and fade resistant. Bainbridge Conservation Basic matboards are 100% lignin-free and acid-free. Each 32x40" inch board features a 100% virgin alpha-cellulose surface, core, and backing. In addition, each conservation board has an Alkaline pH and 3.5% calcium carbonate buffer. Key Features: * 100% lignin-free and acid-free * Virgin alpha-cellulose surface, core, and backing * Alkaline pH & 3.5% calcium carbonate buffer * Bleed & fade resistant colors * 22 new must-have colors Perfect For: * Conservation Framing * Matting with fade and bleed resistance * Upgrading to conservation quality * Museum and Gallery framing See More
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Pyramid Mat Board 32"x40" 4 Ply - Cardinal RedSave Up to39%Off listRed Professional quality value board that cuts crisp and clean. Boards are buffered with calcium carbonate to an alkaline reserve of 3-5%. Excellent offering of colors including metallics and black core. Best used for presentation and open edition prints. Not recommended for archival long term matting or presentation. Neutral PH backing sheet, buffered core and neutral PH facing paper.Please note: A minimum purchase of 25 assorted boards is required. See More
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GOLDEN Heavy Body Acrylics, Earthtones Set of 12, 5oz TubesSave Up to30%Off listEarth Tones Heavy Body Acrylic Paint Sets from GOLDEN As the original line of paints from GOLDEN, these Heavy Body acrylics are exceptionally smooth with a thick, buttery consistency. Each set contains the most extensive assortment of unique pure pigments suspended in a 100% acrylic emulsion. GOLDEN acrylics offer excellent lightfastness with no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. More reactive colors do not accept high pigment loads and will often dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival in quality * Ability to "stand up" and retain brush strokes * Heavy Body colors are thixotropic * Retain excellent flexibility when dry, diminishing the possibility of cracking * Mix with all of our GOLDEN Mediums, Gels, and other paint lines * 100% acrylic binder * No flattening agents * No opacifiers added to colors * Clearest and cleanest quality * Large assortment of unique pure pigments Perfect For: * Artists of every skill level * Freeze-thaw stability * Creating expressive brush strokes or palette knife marks * Small and large works of art * Plein Air * Heavy body impasto techniques * Mixing with acrylic mediums * See More
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Canson Mi-Teintes Board 32 x 40" (Pack of 5)Save Up to40%Off listWhite Now you can frame up your art with the beauty and character of genuine Mi-Teintes paper mounted on pure white, 4 ply, acid-free and lignin-free board. This conservation quality board is perfect for framing and matches world famous Mi Teintes paper. Mi-Teintes Boards by Canson have the highest cotton content for a colored art paper, which allows it to perform nicely with many mediums. It's the ultimate surface for pastels, charcoal, or conté crayon. Canson Mi-Teintes Paper complies with ISO 9706, which ensures optimal preservation and longevity. Both the 16×20" and 32×40" size boards can be used for framing or mounting art as well as for pastel painting and mixed media applications. Please note: A minimum purchase may be required. See the Minimum Purchase icon for details. See More
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Crescent Select Matboard 32"x40", 4 Ply - Irish GreenSave Up to32%Off listGreen Quality Conservation Matboard in an alpha-cellulose line! Crescent Select Matboard offers conservation quality in an alpha-cellulose line! The 32x40" boards are acid and lignin free, created with a 100% virgin alpha cellulose surface, core, and backing paper. The boards are buffered with calcium carbonate to an alkaline reserve of 3-5%. Select features a distinctive white core on both the 4 ply designer colored boards, and 6 ply white shades for framers seeking a deeper bevel. 4 ply boards come in a wide range of designer and traditional colors that can compliment any picture, and are fade and bleed resistant so they will last as long as your art. With Crescent Select Mat Board, you will have conservation-quality matting at just a slight premium over standard mat boards from other companies, but ensure your artwork is matted for maximum artwork protection. Please Note: A minimum purchase of 15 assorted 4 ply boards or 6 ply boards is required. We cannot guarantee that all corners will arrive without damage. Key Features:* Conservation quality matting* 4 ply 32x40" Select matboard* Acid and lignin free* 100% virgin alpha cellulose* Distinctive white core Perfect For:* Upgrading to conservation quality* Matting with fade and bleed resistance* Conservation matting of artworks* Artists desiring quality economical matting See More
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M. Graham Oil Color 5oz - Zinc WhiteSave Up to40%Off listWhite M. Graham Oils - The only oil paint with Walnut Oil In the tradition of the masters, M. Graham artists’ oil paint is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives. Founded by artists, M. Graham Oils use only the finest vehicle, Walnut Oil to make some of the finest oil paints on the market! Walnut oil provides a "unique refractive index" and will not yellow over time, which allows for incredible paint brilliance. Walnut oil's unique body allows for an increased amount of pigment suspension in comparison with other oils, giving their paint higher color saturation and tinting strength, as a result. Manufactured with only the finest example of each available pigment source, their paints contain no fillers, extenders, or adulterants, which have negative effects on color and how the eye perceives it. Hand-crafted in small batches, attention is paid to adapting manufacturing processes to specific pigment "personalities" and requirements. Use of proper milling pressure for each pigment helps to achieve optimum pigment load and dispersion. Artists run the Quality Control Department at M. Graham, assuring the quality of everything they manufacture. A green company, their products and manufacturing is solvent-free. Green-minded artists can finally enjoy painting with high-end, professional quality oils, from an environmentally conscious company! Key Features:* Manufactured exclusively using pure walnut oil* Only finest, purest pigment source used in their paints* No fillers, extenders, solvents or adulterants added * Colors made in small, hand-crafted batches* Constantly tested against the competition for greater tinting strength and pigment load* Quality Control done by actual artists to ensure exceptional quality* Company founded BY Artists, FOR Artists! Perfect For:* Amateur to professional artists* Artists seeking pure, brilliant oils for their palette* Artists who want products made by artists, for artists!* Environmentally concerned, "Green" artists* Health-conscious artists* Artists seeking high color saturation and tinting strength* Oil painters concerned with paintings yellowing over time* Producing brilliant paintings!* Artists desiring superior, constantly tested oil paints Set of 5 with Mediums: Includes 37 ml tubes of Azo Yellow, Naphthol Red, Ultramarine Blue, Phthalocyanine Green, and Titanium White, plus free 59 ml samples of two M. Graham solvent free mediums: Walnut Oil Medium and Walnut Alkyd Medium. See More
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