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Prismacolor Art Gum EraserSave Up to34%Off listPowerful erasers perfect for sketching and drawing Prismacolor Premier Art Gum, Magic Rub, and Kneaded erasers work perfectly with graphite and other dry media. The Prismacolor Art Gum® Eraser is great for eliminating unwanted smudges or smears. Its block shape whittles away, leaving a fine powder… Powerful erasers perfect for sketching and drawing Prismacolor Premier Art Gum, Magic Rub, and Kneaded erasers work perfectly with graphite and other dry media. The Prismacolor Art Gum® Eraser is great for eliminating unwanted smudges or smears. Its block shape whittles away, leaving a fine powder that cleans the surface by picking up graphite and dirt. The versatile Prismacolor® Premier Kneaded Eraser can be quickly shaped to precisely the area you want to erase. While the Prismacolor® Magic Rub Eraser allows you to gently and cleanly erase graphite and India ink without ripping or tearing your paper. Whether you're trying to clean up small spots or large areas, Prismacolor® has the right eraser for the job. Key Features: * Prismacolor® erasers * Block shapes ideal for erasing small or large areas * Kneaded eraser can be shaped and cleaned * Dry cleans the surface by picking up graphite and dirt Perfect For: * Erasing * Bringing out highlights * Getting rid of any unwanted smudges or smears * Charcoal, graphite, soft pastel, and some colored pencils Kneaded Eraser: The Prismacolor® Kneaded Eraser is a non-abrasive eraser that you can use to pick up a loose dry pastel and charcoal pigment. You can knead the eraser to make it tacky again when you need to pick up more dry pigment. Available in Large and X-Large sizes. * Eraser ensures your surfaces are left clean * Clean the eraser by gently kneading it in your hand * Make quick work of colored pencils, pastels and even chalk * Can be quickly shaped to precisely the area you want to erase * Designed to both highlight and cleanly erase chalks, charcoal, pastels, and colored pencils Art Gum Eraser: The Prismacolor® Art Gum Eraser produces a fine powder to deep clean paper. It works best on graphite pencil smudges and marks. Often called a "Soap" eraser. 2 x 1 x 1/2"* Whittles away to leave a fine powder* Quickly removes graphite and other dry media* Great for getting rid of any unwanted smudges or smears* Dry cleans the surface by picking up graphite and dirt* Block shape ideal for erasing small or large areas* Dual-purposed, acting as both a non-abrasive eraser and dry cleaner Magic Rub Eraser: Prismacolor® Magic Rub Erasers allow you to gently and cleanly erase graphite and India ink without ripping or tearing your paper. The thin edges of the vinyl enable you to erase small detailed areas efficiently.* Latex-free vinyl design reduces smudging* Perfect for erasing graphite and India ink* Sharp corners are excellent for nooks and crannies* Each eraser measures 2-1/4" long x 1" wide x 7/16" thick See More
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Gamblin Palette Knife - "The Hoyt Yellow"Save Up to25%Off listYellow Use the Right Tool for the Job Gamblin Palette Knives are perfect for color mixing, and the blade has the right amount of spring and tension for expressive paint application. Each flexible steel blade has a non-reflective matte finish, so you can mix colors outside or by a sunny window without the light blinding you. The ergonomic handle is made of FSC-Certified wood and shaped to fit comfortably in your hand. Each knife is named after the Portland streets and neighborhoods where Gamblin has been based since its founding in 1980. Key Features: * One-piece, non-reflective blade * Available in 6 different shapes * Each handle is hand-dipped in paint * FSC-Certified wood handles * Made in the USA Perfect For: * Painting with oils and acrylics * Mixing colors on your palette * Laying down the crispest lines and cutting edges * Building or scraping away color See More
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Sennelier Artist Dry Pigments Burnt Umber 140 gramsSave Up to37%Off listBrown An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Venetian Red 140gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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