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Creative Inspirations Acrylic Paint Value Box Set of 12, 16oz BottlesSave Up to80%Off listPerfect introductory acrylic set for young and new artists! Inspiring young and new artists is the goal of all Creative Inspiration products. These colors are smooth, rich, creamy, and free-flowing. Create beautiful expressions. Unlike many of the colors in the value area, these colors will provide… Perfect introductory acrylic set for young and new artists! Inspiring young and new artists is the goal of all Creative Inspiration products. These colors are smooth, rich, creamy, and free-flowing. Create beautiful expressions. Unlike many of the colors in the value area, these colors will provide the brilliance associated with acrylics and clean up easily with soap and water. The twelve 16oz bottles are packed in a heavy corrugated box with carrying handle. If you are looking for a better acrylic for school, painting parties, home, childhood development, or just plain economy, this is the set to buy. All colors are non-toxic and safe for all ages. All colors are non-toxic and safe for all ages - Smooth, rich, creamy and free-flowing colors 12 piece set includes one 16oz bottle each of the following colors: Titanium White, Cadmium Yellow Hue, Cadmium Orange Hue, Permanent Red, Crimson, Phthalo Blue, Ultramarine Blue, Purple Lake, Light Green, Yellow Ochre, Burnt Sienna and Lamp Black. Key Features: * Set includes 12, 16 oz. Bottles * Convenient heavy corrugated box with handle * The very best in its class to inspire artists of any age * Color names that match professional color lines * Smooth, rich, creamy and free-flowing colors * All colors are non-toxic and safe for all ages * Cleans up easily with soap and water * Perfect For: * Creating beautiful expressions * Giving as a gift * Young and new artists * Learning the basics of acrylic painting and professional color lines * Better acrylic for school, painting parties, home childhood development or just plain economy See More
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Chroma Acrylic Mural Paint - Bright Colors (Set of 6), 16oz JarsSave Up to26%Off listAssorted Colors Lightfast, Durable Acrylic Paints For Outdoor Art And Murals! Acrylic Mural Paint from Chroma is the perfect way to bring fine art to the streets! These high-quality acrylics are lightfast, water-mixable, and permanent when dry, which makes them ideally suited to withstand outdoor conditions. Non-toxic and infinitely mixable, Chroma Mural Paint is easily cleaned up with just soap and water before it dries. The acrylic paint adheres well to virtually any surface, and the sets of six colors are available in 16 oz and half-gallon jars. Chroma's generously sized sets are large enough to complete an entire mural, and are the perfect introduction to this revolutionary new line of outdoor acrylic paints! Key Features: * Non-toxic, lightfast acrylics * Bright and mixable colors clean up easily * Durable, permanent when dry * Ready to use right from the jar * Superior coverage * 16 oz & 64 oz Jar sets * Can be used straight from the bottle for interior and exterior murals * Click on the yellow circle icon to view set information Perfect For: * Outdoor & urban art * Use on almost any surface * Graffiti & street art * Superior coverage & handling * Outdoor, water-resistant paints With superior coverage, handling, and pigment load, this excellent paint can be used straight from the bottle for interior and exterior murals. The bright and mixable colors are non-toxic and clean up easily. See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Prismacolor NuPastel Set of 48, Assorted ColorsSave Up to45%Off listAssorted Colors Firm Pastel Sticks Crumble Less Than Traditional Pastels NuPastel Sticks by Prismacolor offer a rainbow of hues that may be layered on paper to produce clear and unique tones. Cleaner, stronger NuPastel sticks are designed to be more durable and crumble less. The firm pastel sticks resist breaking but maintain the same rich, creamy texture needed for blending and shading. You can even sharpen the pastels to a fine point to create illustrations or tightly rendered drawings. Key Features: * Cardboard sets of 12, 24, 36, 48, and 96 * Sticks measure 3-5/8" long and 1/4" square * Nupastels crumble less than traditional pastels * Can be used wet or dry for varying effects * Brilliant pigments deliver beautiful velvety color Perfect For: * Blending and shading * Creating illustrations or tightly rendered drawings * Layering pastel colors on top of each other * Drawing the base of a pastel drawing * Students and artists See More
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Gamblin Cold Wax Medium 16ozSave Up to25%Off listMakes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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Awagami Creative Washi Paper Pack, 1lbSave Up to29%Off listAssorted Colors Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More
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Chroma Atelier Interactive Ground Preparations - Binder Medium, 32ozSave Up to40%Off listTake your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More
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Prismacolor Double-Ended Brush Tip Markers Set of 24 w/ Case - Assorted ColorsSave Up to63%Off listAssorted Colors Versatile double-ended brush tip art markers! Premier Double-Ended Brush Tip Markers from Prismacolor are a long-awaited addition to the realm of marker art! These innovative markers feature two versatile nibs: a flexible brush tip on one end and a fine bullet nib on the other. Perfect for creating both sweeping, gestural strokes and detailed line work with one marker! The non-toxic, alcohol based ink is beautifully vibrant, and available in 152 colors that match perfectly with those of the original Premier Double-Ended Markers, so it's easy to switch between styles. Key Features:* Double-ended art marker sets* One end with flexible brush tip* One end with a fine detail tip* Sets of 6, 12, 24, 48, 72, and 156* Non-toxic, alcohol dye-based ink Perfect For:* Fine art and illustration* Comic book and manga art* Gestural, sweeping brush strokes* Detailed line work* Travel and art on the go See More
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Gamblin Galkyd Painting Medium 4.2oz (125ml) BottleSave Up to25%Off listTrue to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 4.2 ozSave Up to25%Off listWhen mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More
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Gamblin Solvent-Free Fluid Oil Medium 4.2oz BottleSave Up to25%Off listGamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil,… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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Cylo 32oz Paint Squeeze Bottle,Creative MarkSave Up to63%Off listFirst In, First Out BOTTLES! an ingenious way to store and apply paint CYLO® Bottles are an ingenious way to store your paint. You don't have to fiddle with a cap or turn the bottle over. Just pick up and squeeze. The paint exits the CYLO® bottle from a non-drip silicone valve on the bottom. This… First In, First Out BOTTLES! an ingenious way to store and apply paint CYLO® Bottles are an ingenious way to store your paint. You don't have to fiddle with a cap or turn the bottle over. Just pick up and squeeze. The paint exits the CYLO® bottle from a non-drip silicone valve on the bottom. This unique design keeps your paint fresher longer while minimizing paint waste because the acrylic color at the bottom of the bottle is always used first. Our CYLO® bottles are patterned after the regular F.I.F.O. bottles, but our specially designed seal protects acrylic paint from air that can cause drying issues. F.I.F.O. bottles! The specially designed seal protects acrylic paint from air that can cause drying issues. Unique design keeps your paint fresher longer while minimizing paint waste because the acrylic color at the bottom of the bottle is always used first Key Features: * 20oz and 32oz sizes * Just pick up the bottle and squeeze to apply paint * Your acrylic paint is always ready to dispense * The bottle is filled from the top, squeezed out from other end * Non-drip silicone valve on the bottom * Unique design to keep paints fresher longer * No need to fiddle with caps * Perfect For: * Soft body viscosity water-based paint * Minimizing paint waste * Prolonged storage * Preventing paint from drying out * Storing custom color combinations * Classroom, home, and studio * Teachers and students * Restaurants and the food industry * No-hassle, everyday use See More
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Winsor & Newton Studio Collection Watercolour Pencil - Set of 24Save Up to37%Off listAssorted Colors High Quality Binder with Smooth Color Application and Easy Blending! You can create artworks that reverberate with vibrant, energetic colours with Winsor & Newton Studio Watercolour Pencils. Color application is smooth, and blending is easy because the pencils have high-quality, soft, thick, wax-based cores. Each pencil casing is made of cedarwood, and the high-quality wax pencil binders help prevent the lead core from breaking even when dropped. You can use the pencils dry or apply water to your piece to discover the range of colours and effects you can create with these richly saturated colours. The pencils are packaged in simple metal tins, embossed with the Winsor & Newton logo.5 Sets to Choose From! Click on the item number to view color specs and information Key Features: * Soft wax-based pencils * Highly soluble richly saturated colour * Thick core lead * High-quality binder * Break-resistant cores * Vibrant colors * Color-coded barrel ends for simple identification * Packed in a stylish metal embossed tin * Perfect For: * Watercolour effects * Drawing, shading, and painting in watercolors * Dry or wet application * Use on a wide range of artist papers * Manipulating watercolor effects with water * Shading and color mixing * Drawing on watercolor paintings * Dipping pencil in water and drawing with a softer and looser line * Travel and on-the-go sketches * Regular and advanced drawing techniques * Beautifully smooth colour application See More
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Chelsea Classical Studio Lavender Brush Cleaner with DaVinci Brush WasherSave Up to50%Off list500ml capacity Stainless Steel Brush Cleaner & Washer Made of stainless steel, the Da Vinci Air Tight Stainless Steel Brush Washer is designed to take 500ml (over a pint) of solvent and have plenty of room for sediments that might fall below the interior cleaning grate. The removable interior… 500ml capacity Stainless Steel Brush Cleaner & Washer Made of stainless steel, the Da Vinci Air Tight Stainless Steel Brush Washer is designed to take 500ml (over a pint) of solvent and have plenty of room for sediments that might fall below the interior cleaning grate. The removable interior cleaning grate helps loosen paint and keeps clean solvent above its holes so you can constantly reuse it. The specially outfitted gasket on the lid is solvent resistant to keep an airtight seal no matter what cleaning agent you use. Positive action latches on three sides make sure that the lid stays shut while traveling. The special shape allows for easy holding of the unit while the handle allows for hanging on an easel or carrying. Use in the studio too to avoid exposure to solvent fumes. Compare to those selling for twice the price. Key Features:* 500ml capacity (over a pint)* Stainless Steel* Removable interior cleaning grate* Solvent resistant interior cleaning grate* Airtight seal w/ rubber liner inside lid* Positive action latches on three sides* Handle allows for hanging on an easel or carrying* Measurements: 5"(Diameter- widest point) x 4.75"(Height) Perfect For:* Cleaning brushes the better way* Avoiding exposure to solvent fumes* Keeping a clean, all-natural studio* Latches to prevent spilling* Traveling* Studio* Attaching to easel* Storing solvents and mediums Will never leak or drip. Takes a lot of cleaner to reach the bottom of the inside basket. Perforated basket and bar for getting excess paint brushes. Once the paint settles you can pour off the clear top part and wipe out the bottom to reuse it. See More
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