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Speedball 110 Monofilament Screen Printing 52x5yd RollSave Up to29%Off listProfessional Quality Monofilament Screen Printing Mesh Create custom patterned accessories and artwork with durable and easy to use monofilament printmaking mesh and stretched screens! Speedball's Monofilament Printing mesh provides the freedom to customize a variety of textile projects, from… Professional Quality Monofilament Screen Printing Mesh Create custom patterned accessories and artwork with durable and easy to use monofilament printmaking mesh and stretched screens! Speedball's Monofilament Printing mesh provides the freedom to customize a variety of textile projects, from t-shirts and tote bags to decorative pillows and fabric wall hangings. 85 Monofilament is suited for printing on textiles and classroom settings; these screens are cord-locked, allowing artists to remove, replace, and tighten fabric between uses. 110 Monofilament is a professional-grade polyester fabric that is perfect for graphic and textile printing. Finer mesh numbers 155, 230, and 305 are ideal for delicate details and use on paper. Pre-stretched screens on frames are available in various standard sizes. Each high-quality hardwood frame is sanded smooth and accurately mitered. The monofilament screen fabric is durable and easy to clean after each use. Key Features: * Frames are made from high-quality wood * Sanded frames are accurately-mitered and precisely-fastened * A broad range of monofilament sizes * Designed to suit your printing needs * Durable and easy to clean after each use * Cord-locked, allowing artists to remove, replace, and tighten the fabric Perfect For: * Printing on textiles * Classroom settings * A variety of textile projects * T-shirts and tote bags * Decorative pillows and fabric wall hangings * Textile screen printing ink * Delicate details and use on paper See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to40%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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