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Blank Silk Scarf Habotai 11?60"Save Up to49%Off list100% China Silk These hand rolled 100% China Silk Scarves with finished edges are perfect for many decorative applications! Fabric selection includes traditional smooth Habotai fabric or classic shimmering Crepe De Chine. Both styles of these luxurious silk scarves have a thickness of 8 mm. Habotai,… 100% China Silk These hand rolled 100% China Silk Scarves with finished edges are perfect for many decorative applications! Fabric selection includes traditional smooth Habotai fabric or classic shimmering Crepe De Chine. Both styles of these luxurious silk scarves have a thickness of 8 mm. Habotai, also known as "china silk" is one of the most basic weaves of silk fabric. The fabric is a lightweight, shimmering material once used mainly for making silk kimonos. This silk fabric has a soft and supple hand and a lustrous sheen. Perfect for silk painting as it has a smooth surface that lends itself to all painting techniques. Silk crepe de chine, from the French “crepe of China”, is lightweight and has a glossy luster and a subtle texture with excellent drape. Crepe de chine is the most durable of cultivated silks – those woven of single reeled strands – and is found to be remarkably uniform in texture. Silk crepe de chine is a popular fabric for clothing. The silk is also especially forgivable when it comes to sewing, as it takes thread well and will typically not fray when cut. Dry cleaning is the recommended method of care for crepe de chine. Key Features: * 100% China Silk Scarves * 8 mm Thickness * Rolled Hemmed edges * lightweight fabric * Made in China * Lustrous glossy sheen * Ready for dye or silk paint Perfect For: * Silk painting * Tie-Dye * Fashion garments See More
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Fredrix Roll Canvas 122 Yankee Classic 72" x 6 YardsSave Up to21%Off listWhite 122 Yankee Classic - 73" wide primed medium weight duck. Due to its strength, weave and tooth it is liked, especially by acrylic painters. 123 Dixie Heavy - 12 ounce duck with substantial texture and tooth. As a mural canvas, it is equal in strength to many lighter weight linens. 139 Tyron - A heavy weight cotton duck of excellent quality and strength. Special acrylic priming of extra flexibility and the appearance of an oil ground. 569 Dallas - Extra wide for mural and large work. Made of pure cotton duck with an even weave and medium texture. Extremely popular, sometimes overlooked for value. 574 Knickerbocker - Exceptionally fine weave and texture. Made of 100% cotton, acrylic primed. A delight for work that requires exact detail. 580 Universal - An acid free, medium weight cotton duck canvas with an even texture. Universally primed to accept oil colors, acrylics, alkyd paints, etc. 583 Alabama - A very popular economical chafer duck with a pronounced weave. Available in several lengths for maximum versatility. 70 Primed Cotton - Double primed finest quality pure cotton duck, primed for all media. Medium texture, good strength. Most popular canvas in all areas. See More
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Pastelmat Pad Palette No. 5 - Assorted Colors, 30x40cm (12-Sheets)Save Up to20%Off listAssorted Colors A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More
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