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Charbonnel Etching Ink Additive - Hard Black Ball Ground, 40 GramsSave Up to20%Off listBlack Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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LED Concept Cordless Picture Light 11 1/2" Polished Brass 101LSave Up to26%Off listIlluminate your artwork with easy wall mount LED picture lights! Cast A Warm Glow On Your Artwork With Wall-Mounted, Cordless, Solid Metal Construction LED Picture Lights! Concept 11 1/2 Inch Cordless Picture Lights: cast a soft, warm glow on pictures up to 36" wide. Concept 7 3/4 Inch Cordless… Illuminate your artwork with easy wall mount LED picture lights! Cast A Warm Glow On Your Artwork With Wall-Mounted, Cordless, Solid Metal Construction LED Picture Lights! Concept 11 1/2 Inch Cordless Picture Lights: cast a soft, warm glow on pictures up to 36" wide. Concept 7 3/4 Inch Cordless Picture Lights are ideal for illuminating smaller framed artwork up to 28" wide. Using new LED technology, these easy to install LED picture lights create no heat or harmful UV rays making them safe to use with photographs, paintings and other artwork. Battery operated, cordless picture lights include a remote control that allows you to adjust the brightness of the light. Each wall-mounted picture light provides 96 Lumens of light output and comes in four different finishes / solid metal construction: Antique Brass, Polished Brass, Satin Nickel and Black. The maintenance free LED’s last virtually forever due to their 50,000 hour rating. They provide an unparalleled warm white color temperature and superior dispersion of light as compared to traditional LED’s for a warm, even glow over artwork Key Features 11-1/2": * LED, No harmful UV Rays, No Heat * 50,000 hour rating * Illuminates artwork up to 36" wide * Cordless and remote controlled * Brightness adjuster remote * 96 Lumens light output for up to 150 hours * Easy wall mounted installation * Battery operated - Uses 4 "D" size batteries (light) and 2 "AAA" batteries (remote)-batteries not included * Superior quality "Warm White" SMD LED bulbs included to provide warm color rendition for your art. (12 LED) * 4 Colors:(101L) Polished Brass, (102L) Antique Brass, (103L) Black, (105L) Satin-Nickel Key Features 7-3/4": * LED, No harmful UV Rays, No Heat * 50,000 hour rating * Illuminate pictures up to 28" wide * Cordless and remote controlled * Brightness adjuster remote * 96 Lumens light output for up to 120 hours * Easy wall mounted installation * Battery operated - Uses 3 "C" size batteries (light) and 2 "AAA" batteries (remote)-batteries not included * Superior quality "Warm White" SMD LED bulbs included to provide warm color rendition for your art. (8 LED) Perfect For: * Easily lighting framed artwork * Photography and art exhibits * Gallery exhibits * Portrait and fine artists * Home decor and lighting * Easy installation * Safely lighting photographs & paintings Comes in four different finishes: Antique Brass, Polished Brass, Satin Nickel and Black. (see colors ans sizes below on descriptions) See Images: For Full Specs and Dimensions See More
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Pastelmat Pad Palette No. 6 - Charcoal Grey, 24x30cm (12-Sheets)Save Up to20%Off listGrey A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More
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Sennelier Artist Dry Pigments HelIos Red 40 gramsSave Up to37%Off listRed An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Schev. Rose Deep 40gSave Up to40%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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