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Pastelmat Pad Palette No. 6 - Charcoal Grey, 24x30cm (12-Sheets)Save Up to20%Off listGrey A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More
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Stillman and Birn Premium Alpha Wirebound Sketchbook - 10”x7” (50-Sheets)Save Up to20%Off listWhite Premium Hardcover & Wirebound Sketchbooks for Mixed Media Stillman & Birn Sketchbooks allow artists to choose the paper weight, shade, and surface type best suited for their specific media. Whether you prefer to work with wet media, dry media or both, these premium durable sketchbooks can withstand multiple erasures and a wide variety of applications. Artists can confidently experiment with new ideas and materials on papers that support the most demanding techniques. These sketchbooks are made with high-density heavyweight board that is resistant to warping and adds strength and stability to these sketchbooks Key Features:* High-performance, robust art papers* Acid-free, pH neutral, and lignin-free* Available in different sizes, in both hardbound and wirebound* Exceptional paper strength for wet media and layering of media* Paper manufactured in the Netherlands Perfect For:* Mixed media artwork* Art Journaling* Sketching, drawing and coloring with dry or wet media* Documenting ideas on the go* Creating bullet journals Stillman & Birn Hardcover & Wirebound Sketchbook Series: * Alpha Series - Heavyweight (150 gsm) / Medium grain surface / White / Dry media, light washes, ink * Beta Series - Extra heavyweight (270 gsm) / Cold press surface / White / Dry & wet media, watercolor, ink * Gamma Series - Heavyweight (150 gsm) / Medium grain surface / Ivory / Dry media, light washes, ink * Delta Series - Extra heavyweight (270 gsm) / Cold press surface / Ivory / Dry & wet media, watercolor, ink * Epsilon Series - Heavyweight (150 gsm) / Smooth surface / White / Pen & ink, dry media, light wash * Zeta Series - Extra heavyweight (270 gsm) / Smooth surface / White / Dry & wet media, watercolor and ink *Artwork by Artist Ivory Baker, using Schmincke Horadam gouache using an abrasive impasto technique. The artist reports "The methods I employ in my sketchbook work are very harsh on the paper to be able to cope well with the wetting, scratching and thicker paint without creasing, wrinkling and tearing." See more at the "On Paper" Blog: Click Here > See More
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Pastelmat Sheet - Anthracite, 24 x 32 cm (Pack of 5)Save Up to20%Off listBlack A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
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