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Canson Canva Paper Pads 12" x 16"Save Up to33%Off listWhite Canvas-textured paper perfect for works in acrylics or oils! Canson Canva Paper has an imprinted texture similar to the texture of linen fabric, and is ready to paint on without priming or preparation! The bleed-proof paper surface absorbs paint evenly and is perfect for small sketches and compositions in acrylics or oils when stretched canvas is not an option. Each tape-bound pad contains ten sheets of 136lb (290gsm) canvas textured paper for practice sketches or finished paintings. Key Features:* Acid and lignin-free* Imprinted canvas texture* Bleed-proof, no need for a primer!* Ten sheets tape-bound* 136lb (290gsm) weight Perfect For:* Sketches in acrylic or oil paint!* Oil, acrylic, pastels, or mixed media work* Professional paintings* Spontaneous creativity* Traveling* Plein air painting* Urban sketching See More
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SoHo Acrylic Canvas Paper Pad, 12"x16" - 20 Sheets, 110lbSave Up to57%Off listWhite Create art wherever you are on canvas textured paper! The SoHo Acrylic Canvas Paper Pads are the perfect companion for any acrylic painter. The coated paper has an imprinted texture that mimics canvas. You don't need to worry about surface prep or gesso because the canvas paper is ready for acrylic paint! The lightweight pad format enables you to create spontaneous pieces wherever you are. Each glue-bound pad contains twenty sheets of 110 lb. (180gsm) canvas textured paper ready for practice sketches or finished paintings. A very beefy sheet with a beautiful surface texture that mimics the texture of the finest linen canvas perfect for any acrylic artist! Key Features: * 110 lb. (180gsm) canvas paper * Acid-free * 20 sheets per pad, glue-bound * Cover: 128gsm cardstock * Backing: 1.5mm grey board with matte lamination * Available in sizes 6x6", 6x12", 8x8", 9x12", 12x16", and 16x20" * Perfect For: * Acrylic paint * Acrylic mixed media work * Finished paintings * Spontaneous creativity * Travel * Plein air painting * Urban sketching See More
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GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to30%Off listRed Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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American Easel Wood Painting Panel 1-5/8" Deep 12x16"Save Up to28%Off listNatural Sturdy, cradled wood painting panels ideal for any artist! These new, all-wood painting panels from American Easel are the perfect surface for any painter or multimedia artist! Proudly crafted in the USA from splinter-free birch plywood mounted onto sanded, 1-5/8" deep solid poplar cradles, these panels are stretch and warp-resistant. You can prime them with just about any ground, from traditional gesso and rabbit skin glue to synthetic sizing, pastel, or encaustic grounds! Since the choice of priming is yours, so is the choice of media: use anything from watercolors, acrylics, and oils to egg tempera, encaustic, collage — even some sculptural effects on these strong and sturdy panels. With slightly beveled paintable cradle edges, a frame is not necessary. Just paint the edges and hang! The American Easel 1-5/8" Deep Painting Panels are available in a wide variety of rectangular and square sizes. Bring the tradition and versatility of wooden panels to your artwork with this new line from American Easel! Key Features: * Birch plywood on solid poplar 1-5/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as-is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Available in rectangular and square formats * Made in the USA! Perfect For: * Ideal for detailed works and heavier art requiring a durable substrate * Students, Teachers, Professionals * Mounting linen or canvas * Gallery presentations * Mounting sanded pastel or watercolor paper * Firm archival painting surface * Lightweight easy to hang * Acrylics, acryl gouache, pencil, collages See More
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Gamblin Oil Painting Ground 8oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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M. Graham Walnut/Alkyd Oil Medium 8oz. BottleSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Gamblin Burnt Plate Oil #000 8oz BottleSave Up to40%Off listBrown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Da Vinci Pro Birch Wood Panel 12"x16", 7/8" DeepSave Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Liquitex Gloss Acrylic Pouring Medium 8 ozSave Up to46%Off list…wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex… Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features: * Gloss, iridescent, or matte * 8oz, 16oz, 32oz bottle, or gallon * Fluid texture and transparent opacity * Creates even “puddles” and flowing applications of color * Does not craze, crack, or hold bubbles once dry * Flexible, non-yellowing, and water-resistant when dry * Will not add transparency when mixed with color * Gloss and iridescent retains high gloss wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects Click Here for the Liquitex Pouring Medium Tips & Projects See More
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R&F Blending Medium with Drier, 8ozSave Up to20%Off list…body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
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New York Central Grey Glass Tabletop Palette 12"x16"Save Up to55%Off listGrey True-To-Color Grey Glass Palettes New York Central Grey Glass Palettes are perfect for painting with oils and acrylics. Each palette is made of lightweight yet strong tempered glass. The neutral grey hue of the palette helps your eyes truly see the color of your paints as you mix them. The tempered glass is also a great surface for rolling out printing ink. Cleanup is a breeze since the scratch-resistant glass is smooth and free of imperfections. Dried acrylic paints can be peeled off by soaking in warm water, and dried oil paints can be removed with solvent or a glass scraper. Key Features: * Grey toned tempered glass * Smooth beveled edges * Scratch-resistant, easy-to-clean surface * Grey tone for seeing values * Resistant to solvents and mediums * Less reflection and glare than white palettes * Available in rectangle or oval design Perfect For: * Acrylic or oil painters * Precise color mixing * Accurately looking at colors * Use in a covered palette * Rolling out printing ink The 12"x16" palette is designed to fit inside the Masterson Sta-Wet Palette System (blue or red lid). See More
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GOLDEN MSA Varnish w/ UVLS, Matte 8ozSave Up to30%Off list…used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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Citrus Essence Brush Cleaner 8 oz BottleSave Up to50%Off list…clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:*… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly* How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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GOLDEN Absorbent Ground White 8 ozSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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New Wave Easy View Palette, Grey 12"x16"Save Up to5%Off listGrey Durable, Lightweight Acrylic Palettes Make Color Mixing Easy! The Easy View® Grey Acrylic Palettes have a neutral grey surface for enhanced color and value gauging. The Easy View® hand-held palette comes with a flexible silicone thumb gasket that is interchangeable for right and left-handed painters, providing an unmatched level of comfort. A patented ergonomic design distributes the palette's weight evenly to your hand, arm, and torso so that you can comfortably hold it while painting. All Easy View palettes have a dense, durable acrylic surface that is easy to clean. The 6.75" x 8.40", 9" x 12", and 12" x 16" models are designed to fit within the Masterson Sta-Wet and Masterson Artist Palettes. Using the palette with the Masterson system is an excellent option for palette storage, travel, and paint preservation. Key Features: * Lightweight, easy-to-clean, durable acrylic palettes * Neutral grey for color and value mixing * Comfortable to hold ergonomic design * Interchangeable silicone thumb gasket for right and left-handed painters * Made in Pennsylvania, USA Perfect For: * Oil and acrylic painters * Accurate color gauging and mixing * Working at an easel or a table * Everyday studio use * Storing paints in a Masterson Palette* "New Wave's revolutionary design allows ample room for mixing... The placement of the thumb hole at the top is genius. It provides additional space while balancing perfectly on my arm. These handcrafted palettes just FEEL nice, and apart from what they provide my process, they are beautiful works of art!" -Casey Childs, UT *Masterson Palettes Sold Separately See More
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SoHo Urban Artist Grey Toned Disposable Palette Pad wThumb Hole 12x16" 40 SheetsSave Up to50%Off listGrey The Disposable Palette Pad that Is Perfect for Plein Air! The SoHo Urban Artist Grey Toned Disposable Paper Palette Pads helps artists see colors more accurately when in direct light, making them perfect to use Plein air or even in your studio. White surfaced palettes may reflect light. One of the best features of the SoHo Grey Toned Disposable Paper Palette Pads is that when you finish with your paints for the day, tear off the used sheet and throw it away. Each specially coated palette sheet allows artists to mix colors without the paint seeping through the palette. The Soho Grey Toned Disposable Paper Palette Pads come in two different styles and sizes; select from the rectangular-shaped pad or the grey-toned pad featuring a thumb hole. Both styles are available in either a 9"x12" or 12"x16" size. See colors more accurately - Grey surface does not reflect light Key Features:* 40 specially coated disposable sheets* Stiff cardboard backing* Grey surface does not reflect light* Ideal tone for mixing natural and life like colors* Rectangular-shaped pad or pad featuring a thumb hole* Available with or without a thumb hole* Available in 9x12" and 12x16"* Easy tear off sheets when finished Perfect For:* See colors more accurately* Know immediately if a color is too light or too dark right on the palette* Little to no palette clean up* Plein Air* Use with oil, acrylic and alkyd paints* Using as a surface to mix paints* Traveling artists* Students, teachers and artists of all skill levels* Studio and classroom use Why use a grey toned palette? The way a color appears on stark white is extremely different from how it appears on a tonal painting. White palettes reflect light and create shadows, thereby altering the appearance of the actual color of the paint. A true middle grey color - the ideal tone for mixing natural and life like colors! Neutral grey lends itself perfectly to color mixing, as it allows you to see paints just as they will appear on the canvas. Know immediately if a color is too light or too dark right on the palette - don't let the wrong shade ruin your painting See More
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SoHo Paper Palette Pad w/o Thumb Hole 12x16"- White 30 SheetsSave Up to42%Off listWhite Disposable white paper palette pads - 2x thicker than any other brand A good palette pad must not frustrate you. There are several ways it can. It can wrinkle, it can bleed through and it can be torn from the edge of a palette knife. The Soho Paper Palette Pad features 100 gram coated sheets that can hold lots of paint, will not bleed through to the next sheet, and are beefy enough to take the occasional nick from a palette knife.To utilize just lay out colors, use as you would any palette and discard when done without the need of scraping off a palette. These pads are available with or without a finger hole depending on how you want to employ the palette. 2x thicker than any other brand - Paint will not bleed through to next sheet Key Features:* 30 sheets in each pad, Multiple Sizes* 100 gram coated sheets* Available with or without thumb hole* Extra heavy sheets* 2x thicker than any other brand* Won't tear when using a palette knife* Paint will not bleed through to next sheet* Wrinkle free with most applications! Perfect For:* Acrylics and Oils* Alkyds* Caseins* Palette knife use* Easy clean up* On the go* Studios, workshops & classrooms Each has 30 sheets—not 50—for two reasons. Reason one is to make it lighter for traveling and reason two is because by the time an artist uses 25 sheets the palette is a little worse for wear. 30 sheets is a nice compromise.To utilize just lay out colors, use as you would any palette and discard when done without the need of scraping off a palette. These pads are available with or without a finger hole depending on how you want to employ the palette. See More
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Winsor & Newton Oil & Acrylic 108 lb 12x16 Pad 10-SheetsSave Up to41%Off listWhite Formulated to withstand thick, layered paint applications Winsor & Newton Oil And Acrylic Pads contain 10-sheets of fine-grain canvas textured paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation. Winsor & Newton designed the Oil and Acrylic paper with the right degree of absorbency while also preventing oil from sinking through the paper. The portable gum-bound pads are popular for sketching outdoors and in the studio. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * Canvas textured paper * 108lb, 230gsm Weight * Gummed binding * No need to prime paper * Paint will not soak through * Ideal absorbency for oil applications * Acid-free and resistant to aging Perfect For: * Oil, acrylic, and oil pastel * Thick paint applications * Sketching outdoors and in the studio * Rendering and high color luminosity * Practicing techniques with oils and acrylics * Artists who prefer using paper to canvas See More
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Fredrix Canvas Pad 12x16" Acrylic Primed 10 Sheets 7ozSave Up to49%Off listWhite Genuine Artist’s Canvas, In A Convenient 10 Sheet Pad! Perfect for studies, classes, and workshops, Fredrix Acrylic Primed Canvas Pads are convenient and affordable. Featuring a medium weave and a 7oz weight, the universal acrylic priming has you ready to work in most any medium. Each pad is top tape bound and has 10 sheets of genuine artist’s canvas. Extremely portable, these canvas pads are perfect for travel, workshops, and plein air painting! Although economical as a practice surface, the pages are reliable and archival enough for permanent works and mounting for display, or matting and framing under glass. Canvas sheets can alternatively be removed and stretched over stretcher bars or mounted on MDF, cradled wooden panels, or aluminum panels to create custom canvas panel surfaces. Perfect for painting in traditional or water mixable oils, acrylics, acrylic gouache, alkyds, and more. Key Features:* 7 oz., acrylic-primed canvas* 10 sheets per pad* Uniform, medium texture* Top tape bound* Reliable and archival enough for permanent works* Removed and stretched over stretcher bars Perfect For:* Classes and workshops* Mounting for display, or matting and framing under glass* Plein air painting* Studies and practice* Traveling* Painting in traditional or water mixable oils, acrylics, acrylic gouache, alkyds, and more. See More
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Strathmore 300 Series Canvas Paper Pads 12" x 16" Glue Bound 115 lbs (10 Sheets)Save Up to33%Off listWhite 300 Series Canvas Textured Paper Acid Free 10 sheets of canvas-textured paper for practicing techniques with oils, caseins, acrylics, egg tempera or alkyds. A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. This heavyweight paper is sized for wet media applications and has a surface that replicates the surface of a traditional canvas. It is ideal for practicing techniques with oils, acrylics, tempera and casein. Key Features:* Weight: 115lb 187 gsm* 10 sheets of textured Canvas* Glue bound pads with flip-over covers Perfect For:* Use with oils, acrylics, tempera and casein* Sketching and practicing techniques See More
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Canson Plein Air Watercolor Pad 12"x16"Save Up to38%Off listDurable, quality pads for use en plein air! Canson Plein Air Pads provide portable, rigid art boards—laminated to a variety of quality Canson papers for your unique needs. These pads are perfect for use in the field due to their durable construction. The pads are glued on one side and have a… Durable, quality pads for use en plein air! Canson Plein Air Pads provide portable, rigid art boards—laminated to a variety of quality Canson papers for your unique needs. These pads are perfect for use in the field due to their durable construction. The pads are glued on one side and have a heavyweight, fold-over cover. Each pad contains 10 art boards. See More
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SoHo Watercolor Spiral Pad 12"x16", 140 lb. (12 Sheets)Save Up to54%Off listWhite 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More
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Paramount 12x16" Cotton Canvas Pad, 10 SheetsSave Up to52%Off listWhite Premium Quality Artists' Acrylic Primed Cotton Canvas Pads! Paramount cotton canvas pads by Creative Mark feature high-quality, 100% cotton canvas that is double-primed with a rich white titanium priming. The acid-free rich white surface has a medium texture to create excellent contrast and good adhesion with most media including oils, acrylics, caseins, and alkyds! Paramount cotton canvas pads are suitable for artists of all skill levels. The primer is acid-free and the surface has just the right tooth to accept paint and allow for building up texture and vigorous working. A great product for painting with different types of media, the sheets can be stretched or mounted on rigid supports to create a Plein air surface. 11 oz double primed 100% pure unbleached cotton canvas 10 sheet pads for oil, acrylic, and alkyd paints Key Features: * 10 sheets per pad * Good for oil, acrylic, and alkyd paints * 7oz weight unprimed * 11oz weight acid-free double primed * Unbleached 100% cotton canvas * Double-primed with acid-free titanium white acrylic primer * Medium-tooth surface * Glue bound pads have flip-over covers that make it easy to work in the pad Perfect For: * Oil, alkyds, and acrylic paints * Artists seeking quality surface * The best outcome & final works of art * Building up texture and vigorous working * Heavy textural buildups with less sagging * See More
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Senso 12"x16" Clear Primed Linen Canvas Pad,10 sheetsSave Up to52%Off listWhite Acrylic Primed Heavyweight Linen - The Lightweight Alternative When Traveling! These incredible canvas pads are the perfect surface for exploring and trying out new ideas. Senso Linen Canvas Pad sheets feature a clear acrylic priming that can be painted on or drawn on with different types of media. Use it as a surface for acrylic gouache, acrylics, egg tempera, caseins, oil colors, pastels, colored pencils, charcoal, and even micron pens. By taking these pads along with you on your travels, you have a lightweight, space-efficient means of carrying a wide array of surfaces and sizes. Since the canvas is flat, you can easily mat around the artwork to cover where the binder clips were, or you can simply retouch when you get back to your studio. Let's face it, there is no perfect system, but canvas pads are a low-cost and effective alternative! If you're painting with oils, we suggest using drying oil mediums, so the paint film will dry overnight, allowing you to transport your paintings easier. Key Features: * For playing, studying, serious art and Plein aire! * Medium tooth paint gripping texture * Heavyweight 14 oz. premium clear primed linen canvas! * Each pad contains 10 sheets * Tape bound to a sturdy backing board * Primed with clear, universal acrylic primer * Available in a wide variety of sizes Perfect For: * Oils, acrylics, colored pencils, pastels, technical drawing pens, and collage * Painting, drawing, screen printing, and more * Artists of all skill levels * Practicing your painting See More
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Yes! All Media Cotton Canvas Pad 12"x16", 10 SheetsSave Up to54%Off listWhite If It's Wet It Goes On Yes! A Canvas That Accepts Every Wet Media Lightweight and versatile for travel and outdoor painting in gouache, acrylic or watermixable oils. Taped to a board, the smooth, thin canvas has just enough texture to absorb paint and can be mounted later. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. A Canvas That Accepts Every Wet Media - Patented priming accepts all media Key Features:* Wet Media Canvas Pad (10 Sheets)* 11oz weight 100% unbleached cotton canvas* Patented priming accepts all media* Triple-primed with acid free special wet media primer* Portrait smooth fine weave surface* 10 sheet canvas pads can be used for inkjet printing* Perfect For:* watercolors, oils, acrylics, markers, shellac and acrylic-based inks, airbrush colors & alkyds* Heavy body to acrylic based inks to airbrush colors* You can easily draw on it* Paint on it with any media* Great for making color charts* Class projects and studies for large scale works The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors.Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Fredrix 12x16" Watercolor Canvas 11/16" Deep Box of 6Save Up to46%Off listWhite Special coating that performs similar to a cold pressed or rough watercolor paper Fredrix Watercolor Cotton Stretched Canvas is an authentic 100% woven cotton artist canvas with a special coating that performs similar to a cold pressed or rough watercolor paper, yet it provides a distinctive look that can only be achieved on canvas. This innovative 100% cotton artist canvas combines the texture of a natural, woven fabric with a specially formulated gesso designed for all water-based paints. Won't buckle or tear like paper Fredrix Watercolor Cotton Stretched Canvas will accept all watermedia and mixed media techniques. For example, transparent and opaque watercolors, acrylic and watercolor inks, fluid acrylics, and watercolor pencils. Fredrix Watercolor Canvas Board will also work with traditional acrylic paints in different viscosities. Key Features:* Stretched on standard bars with staple-free edges* Manufactured with acid-free materials* Guaranteed to be 100% Archival quality* Specially formulated gesso for water based paints* Kiln dried stretcher bars* Superb lifting ability for easy washes and corrections* Won't buckle or tear like paper* Perfect For:* Sturdiness compared to watercolor paper.* Watermedia and mixed media techniques* Transparent and opaque watercolors* Acrylic and watercolor inks* Fluid acrylics, and watercolor pencils* Traditional acrylic paints in different viscosities* Paint on all four edges and hang it with or without a frame Fredrix Watercolor Canvas Board will accept all watermedia and mixed media techniques. For example, transparent and opaque watercolors, acrylic and watercolor inks, fluid acrylics, and watercolor pencils. Fredrix Watercolor Cotton Stretched Canvas will also work with traditional acrylic paints in different viscosities. See More
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SoHo Select Stretched Watercolor Paper 5/8" Deep 140lb Hot Press 12"x16"Save Up to55%Off listWhite It's Not Canvas, It's Stretched Cotton Watercolor Paper! SoHo Select Stretched 100% Cotton Watercolor Paper offers an exciting new way to display artwork on paper. The strong, durable paper is stapled to a wooden stretcher frame, just like a traditional canvas. Internal and external sizing prevents over-absorption and helps vibrant colors stand out on the surface. The grain of the paper softens when wet and tightens as it dries on the frame. Mixed media effects can be achieved by allowing wet media to dry before adding each layer. Best of all, the stretcher frame makes it easy to showcase your art without worrying about matting and framing. However, any ready-made frame (with or without glass) can also be used to enhance your artwork even more. You could even use a floater frame with your watercolor art! Key Features: * 140 lb. (300 gsm) Hot Press * Acid-free, 100% cotton watercolor paper * 5/8" stretcher frame depth * Back stapled construction * Internally and externally sized * Tightens on the frame as it dries * Versatile paper for a variety of media Perfect For: * Watercolor, acrylic, colored pencil, and charcoal * Dry media, pen & ink, and more * Mixed media collage * Artists of all skill levels * Saving money on framing * Painting parties and workshops Artist Tip: Use watercolor fixative on top of dried layers to keep them from re-wetting. If no glass is used for framing, you may want to protect your watercolor artwork with a varnish. See More
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Guerrilla Painter Handy Porter 12x16"Save Up to17%Off list…it protects paintings out in the field without weighing you down. It can also be used to store paintings or keep them dust free while drying. The sides have an angular channel design to protect the edges of your artwork. One advantage of the Handy Porter™ over other wet painting carriers is that… The Handy Porter™ is perfect for carrying and storing small canvases and boards. Available in five sizes, the Handy Porter™ is constructed of sturdy corrugated cardboard. Each box holds four panels or two 3/4" stretched canvases. Lightweight and sturdy, it protects paintings out in the field without weighing you down. It can also be used to store paintings or keep them dust free while drying. The sides have an angular channel design to protect the edges of your artwork. One advantage of the Handy Porter™ over other wet painting carriers is that it is very lightweight and economical. Shipped flat with instruction for assembly. See More
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Ampersand Value Series Unprimed Basswood Panel 7/8" Cradle 12x16"Save Up to49%Off listNatural Smooth, absorbent, uncoated panel used with a variety of media The Ampersand value series artist wood panel is an unprimed basswood that is smooth, absorbent, uncoated panel that is free from plywood seams, knots, or troublesome raised fibers. Unprimed Basswood can be used with a variety of media. With the exception of encaustics and pyrography, it is strongly recommended to seal and prime all unprimed panels before use. Basswood is a premium, select wood that outperforms the commonly used birch plywood in many ways. It is inherently smoother with a tight wood grain and no raised fibers, making it easier to gesso and paint on. The strong 4mm premium basswood surface is perfect for priming and painting, encaustic, mixed media, collage, wood burning, and heavy paint applications. Ready to Customize - Ampersand Value Series Unprimed Wood Panels are ideal for artists that prefer a quality surface to seal and prime with a ground of their choice. Key Features:* 4mm Premium basswood surface* Stronger and better than birch* Smooth, absorbent, uncoated panel* 7/8" or 1-1/2" deep High-density, solid wood cradles* Super smooth; no excessive grain* Durable, stable & long-lasting* Sanded perfectly smooth* FREE of knots, seams and excess wood grain* Cradle is crafted from solid pine that can be finished with paint or stain Perfect For:* Priming with gesso, oil ground & more* Can be used with a variety of media* Artwork in virtually any media* An ultra-smooth surface ideal for detail work, yet sturdy enough to withstand thick layers* Support to protect your art and prevent warping* Encaustic, Wood burning* Once sealed and primed, the surface is perfect for mixed media, collage, and heavy paint applications like pouring Please Note: To ensure archival longevity, all unprimed wood panels should be sealed and primed before use. Learn more in this blog post on How to Seal and Prime Ampersand Wood Panels. See More
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GOLDEN Fluid Acrylics Iridescent Gold Deep (Fine) 8 ozSave Up to30%Off listIridescent GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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Jacquard Lumiere Fabric Color - Old Brass, 8oz JarSave Up to37%Off listMetallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to40%Off listRed Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Canson Montval Acrylic Painting Pads 12" x 16"Save Up to33%Off listWhite French-made paper with textured surface and gelatin sizing. When acrylic colors are used as a thick paste on Montval Acrylic, artists can achieve characteristics similar to oil painting. 10 sheet tape-bound pads. See More
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Williamsburg Wax Medium, 8oz CanSave Up to30%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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American Easel Wood Painting Panel 7/8" Flat 12x16"Save Up to28%Off listNatural Classic wood painting panels perfect for any media! Made from splinter-free birch plywood mounted onto sanded, 7/8" deep solid poplar cradles, these new wood painting panels from American Easel are the ideal surface for any painter or multimedia artist! Painting on panels provides a benefit to the artist in that they are inflexible, stretch and warp resistant, and hence are perfect both for detailed work as well as found object and heavier art that requires a sturdy support. Though they can be used as is for certain applications, these panels can be primed with virtually any ground, from standard gessoes to rabbit skin glue, pastel or encaustic ground, mounted papers and more! The smooth, slightly beveled cradle edges can also be painted, and all that's needed for display is a single nail and the panels hang flush to the wall: no frame needed! Available in a wide array of rectangular and square sizes with a 7/8" profile. Paint like the old masters on panels proudly crafted in the USA! * Birch plywood painting panels on solid poplar 7/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Ideal for both detailed works and heavier art requiring a strong substrate * Available in rectangular, square formats * Made in the USA! See More
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Pintura Painting Canvas 12x16" Wood Panels, Pack of 2Save Up to57%Off listWhite Acid-Free Fine Textured Canvas! Made from special (approximately 5/32" thick) compressed wood and covered with an even textured canvas that has an acid-free, all media priming. They offer artists the ability to upgrade from Canvas Panels made of cardboard and canvas. With these painting panels you still get the classic appeal of a true canvas support with the stiffness and lasting quality of wood. Sold in packs of 2. Key Features:* Made in Italy* Panels made of (5/32" thick) compressed wood* Acid-Free textured canvas* All media priming* Durable and lightweight * Fine tooth Perfect For:* Frames with shallow rabbets* Plein aire painting* Portraiture* Oil and Acrylic "These panels are lightweight, fit in frames with shallow rabbets, do not puncture and are therefore sturdy in transit, and are reasonable priced. The only personal variable to consider is if you like the texture of the canvas covering. I keep buying these because I do like to paint on them." - Anonymous See More
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