Your Cart
SLI Search Template
Related Categories: Print Rack | Drying Rack | Muller | Art Rack | Gessoed Canvas | Matte Paint | Galkyd | Earth
There were no results that contained all of the words in your query. These results contain some of the words.
-
Creative Mark Firenze Large Wood Print Rack French WalnutSave Up to71%Off listWalnut Italian-style Large Wood Print Racks with double locking castors The Creative Mark Firenze classic Italian-styled large print rack is as beautiful as it is functional. This sanded and sealed beechwood print rack is 27 ¼" long x 21" wide and stands 31 ⅜" off the ground. Its double-locking casters roll smoothly on all surfaces, including carpet. It will hold artwork up to 30x40" in size, and it is extremely rigid to prevent the rack from tipping over. Its 8.5" wide non-slip rubber bed holds a full assortment of prints, posters, panels, canvases and can even be used for framed pieces. With a wide range of finish choices, this rack will compliment any studio, home or gallery beautifully. Premium high quality, made of sanded and sealed beechwood, rolls smoothly with a non-slip rubber bed Key Features:* Premium high quality wood print rack* Made of sanded and sealed beechwood* Measures 27 ¼" long x 21" wide and stands 31 ⅜" off the ground* Includes double locking castors* Rolls smoothly on all surfaces* Non-slip rubber 8 ½" wide bed helps protect items stored within* Extremely rigid to prevent the rack from tipping over* 5 elegant finishes* Available in Natural Beech, Dutch Mahogany, French Walnut, White, and Black finishes* Videos: See Demo and How To Assemble in Video Tab* Perfect For:* Holding prints, posters, panels, canvases or frames up to 30x40"* Outdoor fairs to give your works a distinctive setting* Rolling smoothly on all surfaces, including carpets* Rolling or locking in place* Studio, home or gallery See More
-
Gamblin Portland Litho Black Lithography Ink 1lbSave Up to15%Off listBlack High pigment load lithography ink! While most commercial lithography ink is petroleum-based, causing a low pigment load, Gamblin’s Portland Litho Black lithography ink is formulated with high-quality burn plate oil, from linseed oil. This formulation creates an artist’s grade lithography color that features a high pigment load for rich, detailed printing with plates or stone lithography. Richer than standard process blacks, Portland Litho Black is made to meet the long-unanswered demands of printmakers working in stone and plate. Key Features: * Crafted with burnt plate oil derived from linseed oil* High pigment load* Rich, detailed black printing Perfect For:* A richer alternative to standard process blacks* High pigment load lithography ink for printmakers using plates or stone* Printmakers looking for an ink that provides stark detail See More
-
Gamblin Etching Ink - Hansa Yellow Light, 1lb CanSave Up to15%Off listYellow Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More
-
Old Holland Classic Pigment Cadmium Red Deep 75gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field