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Art Spectrum Colourfix Pastel Primer Jar 250 mlSave Up to33%Off listViolet This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Sennelier La Carte Pastel Paper - Light Blue Grey, 19"x25" (Pack of 10)Save Up to47%Off listBlue Especially Developed for Pastel Painting! La Carte Pastel Paper was the very first product developed especially for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to provide enhanced adhesion and thus, reducing the need to heavily fix artwork. Key Features:* Available in 14 beautiful colors* Neutral pH* Velvety texture* Vegetable fiber coating for smooth tooth* Coating will not eat away even the softest pastel* Stiff 200 lb. weight* Surface can hold up to 25 layers of soft pastels! Available in 19x25” and 23x31” Sheets. Please note: Minimum Purchase Requirement is 5 SHEETS of the SAME SIZE in assorted colors See More
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Art Spectrum Smooth Pastel Paper - Storm Blue, 19.5"x27.5" (Pack of 10)Save Up to35%Off listBlue Create beautiful pastel art pieces with these versatile pastel papers! Art Spectrum Colourfix Smooth Pastel Papers are 340gsm pastel papers created by screen printing Colourfix Smooth Primer onto European Archival 300gsm hot press watercolor paper. The Colourfix primer contains lightfast acrylic color and a proprietary mixture of several types of silica to impart a smooth tooth. The Colourfix surface can take many pastel layers, which means that there is no need to spray layers with fixative constantly. Available in a full range of 20 colors as well as Rainbow, Cool, and Warm color packs, these pastel papers are versatile enough to work with wet and dry mediums. Key Features: * 340gsm pastel papers * Smooth texture with a soft tooth * Versatility allows artists to work with several mediums * Tooth enables excellent resistance for pastel drawing * Surface will hold multiple layers of pastel without the need for fixative * Clean white border for beautiful presentation * Available in 20 colors Perfect For: * Pastel artists * Wet and dry mixed media * Working with pastels, oil colors, & watercolors * Charcoal, pencils & other dry media * Soft pastels and oil pastels * Ink or thin acrylic-based colors * Gouache and watercolor See More
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Art Spectrum Colourfix Fine Tooth Pastel & Mixed-Media Paper 9-1/2" x 12-1/2" (Pack of 10)Save Up to35%Off listBlue A superb substrate for pastels, oils, acrylics, watercolors and other fine art media Art Spectrum Colourfix Pastel Paper is made of acid-free, archival European Archival 300gsm Hot Pressed watercolour paper, features a lightfast very permanent coated paper. The Art Spectrum Colourfix Original Coated Pastel Paper has a medium toothy surface that will hold multiple layers of pastel, charcoal, or chalk without needing fixative between the layers. It is a superb substrate for pastels, oil colours, acrylics, inks, oil pastels, gouache, watercolours and dry media such as charcoal and pencils. Key Features:* 300gsm acid-free & archival paper* Natural, toothy surface* Tooth enables excellent resistance for soft pastels & oil pastels* Clean white border for beautiful presentation* Natural toothy surface will hold multiple layers of pastel without the need for fixative* Can be sanded, scrubbed, soaked and reworked over and over Perfect For:* Wet and dry mixed media* Soft pastels and oil pastels* Charcoal and pencil* Oil colors, ink, or thin acrylic-based colors* Gouache and watercolor* Displaying your finished artwork Colourfix™ Original (Medium) Paper is available in 20 colours in A3, 23 x 30cm (9" x 12") and 50x70cm (20" x 28") sizes. Cool Tones, 9" x 12", 10 Sheets Pack - Includes the following 10 cool tones in a 9"x12" sheet: Blue Haze, Deep Black, Deep Ultra, Elephant, Fresh Gray, Leaf Green Dark, Natural, Rose Gray, Storm Blue, and White. Warm Tone 9" x 12", 10 Sheets Pack - Includes the following 10 warm tones in a 9"x12" sheet: Aubergine, Australian Gray, Burgundy, Burnt Umber, Olive Green, Raw Sienna, Rich Beige, Sand, Soft Umber, and Terra Cotta. Rainbow Packs: 9" x 12" & 20" x 28", 20 Sheets Pack Includes all 20 colors in the Colourfix line See More
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Rembrandt Pastel Paper Pad (50-Sheet) 120lb 8.3 x 11.7 Mystical BlueSave Up to25%Off listBlue A Huge Favorite With Soft Pastel Artists! Rembrandt Soft Pastel Paper Pad's offer the best surface for your soft pastel paintings. Each pad contains five sheets in six-light or six-dark colors with thirty acid-free sheets altogether. The 75 lb (160 gsm) high cotton content sheets feature a subtle tooth for attracting and holding onto pastel particles. Glue-bound into convenient pads Rembrandt Soft Pastel Paper Pads are ideal for soft pastel, charcoal, pencils, and chalk. The dark-colored pad includes Heather Grey, Warm Grey Light, Ice Blue, Warm Grey, Graphite, and Black. The light-colored pad includes Sunshine, Cream, Goldenrod, Steam Grey, White, and Bluish Grey. Key Features: * Light or Dark colored sheets * Five sheets in six different colors, 30 sheets per pad * Acid-free, 75 lb (160 gsm) paper * High cotton content * Subtle tooth for grabbing and holding pastel particles * Glue-bound into convenient pads Perfect For: * Professional pastel artists * Soft pastel, charcoal, pencils, and chalk * Illustrators, designers, fine arts * An endless array of techniques * Archival foundation for pastel and pencil See More
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Fabriano Cromia Paper, Blue 19.6"x25.5" 220gsm (10 Sheets)Save Up to32%Off listBlue Master Quality Papers That Stand the Test of Time Fabriano Cromia paper is an archival, acid-free paper perfect for drawing with colored pencils, pastels, graphite, and charcoal. The sheets are made of 50% cotton and 50% alpha-cellulose and have a soft feel with a significant amount of tooth on both sides. Cromia paper is durable enough to handle light washes of color and mixed media techniques. Fabriano makes the sheets without optical brighteners, which means they offer the best possible lightfastness. Each sheet features two deckle edges, measures 19.6" x 25.5", and weighs 220gsm. Key Features: * 220 gsm archival, acid-free paper * Contains 50% cotton and 50% alpha-cellulose * Soft feel and great tooth on both sides * No optical brighteners * Best possible lightfastness * 2 deckle edges per sheet * Made in Italy using hydro-power Perfect For: * Drawing with pastels and charcoal * Use with colored pencils and graphite * Illustrators, designers, and fine artists * Light washes of color * Mixed media techniques See More
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Magnani 1404 Pescia Printmaking Paper 140lb - Light Blue, 22" x 29.9" (Pack of 10)Save Up to40%Off listBlue Top-quality 100% Cotton Printmaking Paper. Love Your Paper! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Pescia Printmaking Paper is perfect for anyone who desires the highest quality paper available Pescia Printmaking Paper is made by evenly distributing cotton fibers on a slowly rotating wire cylinder before it is pressed onto special marking felts and dried. The paper's smooth surface and delicate sizing make it ideal for etching, engraving, intaglio, aquatint, stone litho, and silkscreen. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, archival printmaking paper * 140lb (300 gsm) weight * Very soft surface texture * Delicately sized for better prints * Mould made on a cylinder machine * Available in white, soft white, cream, grey, and light blue * Sheets have 4 deckled edges and a watermark * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * Made in Italy Perfect For: * Professional printmakers * Etching, engraving, intaglio, aquatint, stone litho, and silkscreen * Drawing with pen and ink * Any printmaking application * Remaining flat after printing * Students, teachers, and artists See More
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Brusho Crystal Colour, Cobalt Blue, 15 gramsSave Up to11%Off listBlue Incredibly versatile, highly pigmented watercolour ink powder Totally intermixable, Brusho Crystal Colours can be used on paper, canvas, or even wood. Brusho Crystal Colours are a unique new watercolour ink that is transparent and highly pigmented. It is renowned for its versatility and can be used in many different ways. With a broad, vibrant color range, many fantastic effects can be made when mixing Brusho and other solvents like water or bleach. They can be sprinkled on a brush for painting, dissolved in water, sprinkled on wet paper, painted on papier-mâché, fabric and much more. They are completely non-toxic and non-harzardous, but can still stain unprotected skin. They have been manufactured in Sheffield, England for over 35 years. They are the versatile ink powder crystals to fuel your imagination! Key Features:* Highly Pigmented Water Colour Ink Powder* Versatile ink powder crystals* Can be mixed with water to make watercolour washes and designs* Versatile powder crystals can be used for numerous creative effects and enhancements* Wide range of 32 colours* Completely non-toxic and non-harzardous* Dissolves in water* Sprinkled on wet paper* Painted on papier-maché, fabric and more Perfect For:* Can be sprinkled on a brush for painting* Watercolour painting * Fabric effects for wall hangings, design work, stage backdrops* Stencils* Creating designs using wax, crayons or candles. Craft Spritzer Set — Ideal for card making and other crafts, this set includes six 15 gram pots Brusho Crystals (Sunburst Lemon, Orange, Alizarin Crimson, Violet, Turquoise, and Sea Green), plus a spritzer bottle for creating bursts of vibrant background color. Assorted Set of 8 — This basic introductory set contains Yellow Ochre, Rose Red, Lime Green, Olive Green, Moss Green, Sandstone, Terracotta, and Burnt Sienna in 15 g pots, plus an instructional leaflet. Assorted Set of 12 — This broader range of 12 colors includes Lemon, Yellow, Orange, Scarlet, Brilliant Red, Purple, Ultramarine, Leaf Green, Emerald Green, Turquoise, Dark Brown, and Black in 15 gram pots, along with an instructional leaflet. Assorted Set of 24 — This complete set of 24, 15 gram colors includes Lemon, Yellow, Gamboge, Orange, Vermilion, Scarlet, Brilliant Red, Ostwald Red, Crimson, Cobalt Blue, Ostwald Blue, Ultramarine, Prussian Blue, Turquoise, Leaf Green, Emerald Green, Sea Green, Violet, Purple, Light Brown, Dark Brown, Grey, Black, and White, plus an instructional leaflet. See More
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Pastelmat Sheet - Dark Blue, 50 x 70 cm (Pack of 5)Save Up to20%Off listBlue A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
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Sennelier Artist Dry Pigments Permanent Magenta 20 gramsSave Up to37%Off listViolet An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Fabriano Tiziano Sheets (10-Pack) - Blue Grey, 20"x26"Save Up to45%Off listGrey Master Quality Papers That Will Stand the Test of Time This beefy paper takes most media beautifully allowing you to create with a full freedom of product including: pastel, charcoal, graphite, pencil, Conte Crayon, gouache, light washes and ink. This paper has a high-percentage mix of premium cotton and high quality cellulose so it is strong enough to take reworking. It is acid free and archival so it can last for generations. For this reason, artists at all skill levels, including students should use Tiziano instead of inferior grades of paper such as sulphite sketching papers or Newsprint. For after all, you never know what you want to keep. So even a quick sketch should be done on Tiziano. This 160 gram paper is available in 10 sheet packages in 20×26" sheets. See More
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Old Holland Classic Pigment Cobalt Violet Dark 75gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Canson Mi-Teintes Board 16" x 20" 4 PlySave Up to33%Off listBlue Now you can frame up your art with the beauty and character of genuine Mi-Teintes paper mounted on pure white, 4 ply, acid-free and lignin-free board. This conservation quality board is perfect for framing and matches world famous Mi Teintes paper. Mi-Teintes Boards by Canson have the highest cotton content for a colored art paper, which allows it to perform nicely with many mediums. It's the ultimate surface for pastels, charcoal, or conté crayon. Canson Mi-Teintes Paper complies with ISO 9706, which ensures optimal preservation and longevity. Both the 16×20" and 32×40" size boards can be used for framing or mounting art as well as for pastel painting and mixed media applications. Please note: A minimum purchase may be required. See the Minimum Purchase icon for details. See More
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Canson Mi-Teintes Sheet 19" x 25" (Pack of 10) in 507/VioletSave Up to33%Off listViolet A huge favorite with colored Pencil, charcoal, and pastel artists! Canson’s Mi-Teintes is one of the world’s most celebrated papers for colored pencils, pastels, charcoal, and Conte’. Canson Mi-Teintes Assorted Color Sheet Packs cover a variety of color styles, for all artistic needs and interests. Mi-Teintes has a 55% cotton rag content, is gelatin sized, and has a sturdy 98lb weight, making it very strong and allowing repeated re-working in a variety of media. Each sheet has two distinct surface textures, one smooth and one with grainy texture, making it a marvelous work surface for pastellists, colored pencil artists, and charcoal lovers that enjoy working on a toned ground. Sheet size is 19" x 25" with 60 different colors available, 10 sheets per pack. Rolls are available in White and Black, and are 59" X 11 yards long. Key Features: * 55% cotton rag * Gelatin sized * Two distinct surface textures * 98 lb paper weight * Rolls available in Black and White Perfect For: * Pastellists, Colored Pencil Artists * Illustrators, Designers, and Fine Arts * Use with Charcoal, Conte’ sticks, Oil Pastels * Gelatin sizing accepts watercolor and gouaches * Use in Mixed Media See More
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