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Jerry's Pro Foam Board Box of 25 24x36 (3/16 In Thick) WhiteSave Up to78%Off listWhite Pre-cut foam board sheets make fast work of any project! In developing our line of foam board we went to the artist and framer and asked them what they wanted. Above anything else, they wanted a board that was acid-free so they could use it with their original artwork. They wanted a board that allows for mounting without difficulties and the ability to be cut cleanly and bounce back from the compression of the cut. Pro-Foam does this remarkably well. Within the line, there are many variations of thickness and size of foam board. Key Features: * All boards are acid-free * Polystyrene foam core * PH Value: White= 9 * PH Value: Black= 8.3 * Allows for reliable mounting * Cuts easily and with memory Perfect For: * Backing, mounting, and framing * Cutting cleanly with bounce back * Archival framing * Presentations * Reliable mounting * Artists of all skill levels White 1/8" (3mm) board - The best value when the mount is only for picture framing. White 3/16" (5mm) board - The most popular for various matting and presentation usages. White 3/8" (10mm) board - Used behind pre-cut mats to add depth and for various presentation techniques. Black 3/16" (5mm) board - Gaining wide popularity because of its professional finish. Some artists use this board as an interior mat to gain depth. Fushion IT - This self-adhesive board allows for quick work for mounting ink jet print. Since the adhesive is not reversible we suggest that it be limited for use with print. Special Sizes - Jerry's Acid-Free Pro-Foam is a money saver in two ways. The first is basic pricing but the second is the availability of the 36×48" size. See below for even standard sizes for each board. * 32×40" - 8×10", 16×20" * 36×48" - 9×12", 12×16", 18×24", 24×36" Please note: We cannot guarantee that all corners will arrive without damage. See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to40%Off listTrue to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Imperial Professional Chungking Hog Bristle Brush, Flat Size #0Save Up to80%Off list…for precise lay down of color and for free flowing, long strokes. Amazing Brushes for Oil & Acrylic Painters Imperial is ideally for oil painters but work equally well for acrylic painting. These brushes allow for precise lay down of color and for free flowing, long strokes. We believe they… Stiffness Watercolors Acrylics Oils Imperial Professional Pure Bristle Brushes: The Best Redefined! Softest and fullest bristle brush on the market Creative Mark’s popular Professional Bristle Brushes feature an integrated long wooden handle, nickel-plated brass ferrules and 100% Chung­king hog bristle. These attributes mark a brush that possesses stunning resiliency, a supple feel and a professional level of performance. The brush heads are handmade with the utmost attention with curved, interlocking hair and flagged hair ends. Each brush must pass the most stringent tests to receive a stamp with the Imperial name. These brushes are tested to be the very best and offer flawless performance at the highest level. THE BEST BRISTLE BRUSH YOU HAVE EVER USED OR YOUR MONEY BACK! Integrated handle, the softest and fullest bristle brush on the market with a choice of six shapes!The Only Brush with This Feature! Integrated ferrule that fits over and into the wood handle, this is the only brush with this feature. The ferrule fits into a 3mm thinner area of the brush end so the ferrule fits into the handle and is glued in this area to make it virtually impossible for the handle to get loose. The hair is specially prepared to be stiff yet soft to the touch. This makes the bristle less brittle and reduces the breaking of the hair while painting and the smoothness and precision of the stroke. The brush is made with two bundles of hair that are put together so the brush hairs interlock with each bundle having perfect inward curve to create a wonderful brush response Sample Set of 10 Includes - (Click On Yellow "T" icon below) :#8 Flat, #4 Cat's Tongue, #2 Fan, #00 Round, #2 Round, #6 Bright, #4 Bright, #2 Bright, #4 Filbert, and #6 Filbert. Key Features:* Handmade by master brush makers* 100% Chungking hog bristle hair* Flawless performance at the highest level* Brush heads are handmade* Interlocking hair and flagged hair ends* Integrated ferrule that fits over and into the wood handle* Bristles are soft and supple* The hair is specially prepared to be stiff yet soft to the touch* Nickel-plated brass ferrules* Perfect For:* Use with oil colors & acrylics* Bristles are less brittle and reduces the breaking of the hair while painting* Flawless performance at the highest level* Firm and responsive strokes* Resiliency through washings* Continuous use with solvents* Moving paint with ease* Softer hair, longer lasting brushes Brushes are tools for painters Brushes are tools for painters, and as such providing optimal performance, will enhance the painting experience and allow the artist to achieve the best results. These brushes allow for precise lay down of color and for free flowing, long strokes. Amazing Brushes for Oil & Acrylic Painters Imperial is ideally for oil painters but work equally well for acrylic painting. These brushes allow for precise lay down of color and for free flowing, long strokes. We believe they are the best bristle brush sold today. Used by top professionals throughout the world Designed to emulate the great bristle brushes of the past. Special treatment of the hair before they are hand manufactured by skilled artisans is essential. This unique method softens the hair to work in unison with the artist’s hand. This allows for a springy and subtle stroke unlike any other. From ferrule to handle, all elements of the final brush are of only the finest quality materials. Used by top professionals throughout the world, as they work in unison with the flow of expression. A brush that gives and does not take from the creative process. Creative Mark 4pc Try Me Set Of Long Handle Imperial Bristle Brushes #89815 Set contains one each of the following: Size 2x0 Round, Size 0 Bright, Size 2 Flat, Size 2x0 Filbert. Perfect for use with oil paints. Creative Mark’s popular Professional Bristle Brushes feature an integrated wooden handle, nickel-plated brass ferrules and 100% Chung­king hog bristle. These attributes mark a brush that possesses stunning resiliency, a supple feel and a professional level of performance. The brush heads are handmade with the utmost attention with curved, interlocking hair and flagged hair ends. Each brush must pass the most stringent tests to receive a stamp with the Imperial name. These brushes are tested to be the very best and offer flawless performance at the highest level. The integrated ferrule that fits over and into the wood handle, this is the only brush with this feature. The ferrule fits into a 3mm thinner area of the brush end so the ferrule fits into the handle and is glued in this area to make it virtually impossible for the handle to get loose. The hair is specially prepared to be stiff yet soft to the touch. This makes the bristle-less brittle and reduces the breaking of the hair while painting and the smoothness and precision of the stroke. The brush is made with two bundles of hair that are put together so the brush hairs interlock with each bundle having a perfect inward curve to create a wonderful brush response. Perfect for use with oil paints. See More
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Da Vinci Maestro Series 35 Kolinsky sz. 0 X-Long RoundSave Up to42%Off listMAESTRO The Ultimate Artists' Kolinsky Sable Watercolor Brushes! Only male Siberian Kolinsky Red Sable fur gathered in winter can earn the "Maestro" designation from da Vinci. da Vinci Maestro Kolinsky Red Sable Watercolor Brushes have an extra sharp point and longer tapered hair length that adds… MAESTRO The Ultimate Artists' Kolinsky Sable Watercolor Brushes! Only male Siberian Kolinsky Red Sable fur gathered in winter can earn the "Maestro" designation from da Vinci. da Vinci Maestro Kolinsky Red Sable Watercolor Brushes have an extra sharp point and longer tapered hair length that adds snap and precision to the brush. Anticipate amazing bristle spring and control along with unsurpassed water-holding capacity. Each brush has a brass-plated, nickel-plated, or gold-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned Da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features:* Male winter Siberian kolinsky red sable* Extra-sharp point* Longer tapered hair* Rust-resistant seamless ferrule * Spring and control* Unsurpassed water-holding capacity* Each brush is examined* Made in Germany* Perfect For:* Watercolor, rendering, illustration* Area work or fine details* Artist's seeking kolinsky red sable brushes* Students, teachers, professionals* Watercolorists and artists of all skill levels* Finessing delicate glazes with ease* Click on the yellow circle icon for size and set information See More
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Gamblin Solvent-Free Fluid Oil Medium 8.5oz BottleSave Up to40%Off listGamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil,… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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New York Central Steinberg Superior Kolinsky Brush, Round Size #0Save Up to63%Off listBlack Stiffness Watercolors Acrylics Oils Best of the best Kolinsky (only the strongest and largest male winter tails) Handmade in Germany, the New York Central® Steinberg Superior Kolinsky Watercolor Brushes have a reliable split-proof point. Only the strongest and largest male Kolinsky winter tails are used. Brush makers specially coat the 24kt gold plated seamless brass ferrules to be tarnish-resistant, which helps your brush maintain its esthetic beauty. Made exclusively by the best master brush makers, each brush is handmade and tested to be a master tool. With a Steinberg brush, you can count on a resilient split-proof point, large color holding capacity, and flow control. An absolutely stunning brush! Made exclusively by the very best master brush makers in Germany. Only the strongest Kolinsky hair is used! Key Features:* Handmade in Germany* Hair quality: Best of the best Kolinsky (only the strongest and largest tails) - dental brush quality* Made of the strongest male winter tail and resilient kolinsky pure red sable* Hair: Split proof point with large belly to hold lots of color for long strokes* Ferrule: 24kt gold plated with special coating making them resistant to staining* Handle: Special medium long wave handle design for supreme balance while painting* Handle: Medium long wave line handles in black shiny color (4 coatings) Perfect For:* Professional Watercolorists* Watercolor and Gouache painting* Holding large color loads in full bellies* Even, consistent control* See More
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Silver Brush Ruby Satin® Synthetic Brush Series 2522S Short Handle Monogram #0Save Up to35%Off listInterlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media.… Interlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media. Ruby Satin has a precise snap and fine control and is designed to replace more expensive natural hair brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished handles. Key Features: * Synthetic hair * Precise snap * Controlled feel of interlocked bristle * More durable than natural hair * Seamless nickel plated brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder See More
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Grafix Double Tack Acid-Free Mounting Film 25 Sheet Pack 24x36"Save Up to27%Off listQuick, Easy and Archival Mounting! Spray adhesives tend to migrate into thin paper stocks, and if you're not very careful, the adhesive can be uneven, causing problems later on. Luckily, there's now a much easier alternative. Introducing Double Tack Acid-Free Mounting Film. Double Tack requires no… Quick, Easy and Archival Mounting! Spray adhesives tend to migrate into thin paper stocks, and if you're not very careful, the adhesive can be uneven, causing problems later on. Luckily, there's now a much easier alternative. Introducing Double Tack Acid-Free Mounting Film. Double Tack requires no heat, moisture, glue or activator, so it simplifies the process of mounting your artwork and photographs, saving you time and frustration. Sandwiched between two heavy release sheets, Double Tack Acid-Free Mounting Film has two coats of permanent, archival adhesive on both sides. Once you're ready to mount your art, simply lift up on one of the release sheets and carefully apply the sticky side of the film to the back of your artwork or photo. Next, remove the other release sheet from the film and apply the artwork or photo to the mounting surface. It's just that easy! See More
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Silver Brush Renaissance® Pure Red Sable All Media Bright #0Save Up to35%Off list…a round, bright and flat. It allows me particular control for details." Silver Brush Renaissance® Pure Red Sable Cats Tongue 6pc Set w/ Free Grand Prix® Filbert Brush Set Includes: * 1 x FREE Grand Prix Filbert Size #4 * Silver Brush Renaissance®: Cat's Tongue Sizes #1, #2, #4, #6 & #8 Stiffness Watercolors Acrylics Oils A favorite with many top portrait artists throughout the USA Silver Brush Renaissance® Red Sable Brushes are made from Kolinsky grade pure red sable that is hand cupped, shaped and tied by skilled brush makers in Germany. Brush heads are secured in gold plated ferrules attached to long, balanced, black varnished handles. Brushes have a split-proof fine tip and fine edge. The particular shape of the Cats Tongue allows portrait artists to work extremely close with great precision. A favorite with many top portrait artists throughout the USA.* All media brushes: Oil, Acrylic, Watercolor* Professional artists have used these brushes for their professional and commissioned work* Gives the detail painter the ability to make their mark on any surface* Renaissance® cats tongue brushes have painted every president and most first ladies starting with Ronald Regan. Daniel E. Greene answers "Why these brushes?" "The shape of the Silver Renaissance Cats Tongue makes this red sable a perfect cross between a round, bright and flat. It allows me particular control for details." Silver Brush Renaissance® Pure Red Sable Cats Tongue 6pc Set w/ Free Grand Prix® Filbert Brush Set Includes: * 1 x FREE Grand Prix Filbert Size #4 * Silver Brush Renaissance®: Cat's Tongue Sizes #1, #2, #4, #6 & #8 See More
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